The old critics used familiar terms of analysis—irony, structure, symbol . . . The new theorists traded in logocentrism, “the Other,” undecidability, “infinite paradigm of difference.” Their vocabulary reduced the audience for academic criticism. American undergraduates couldn’t understand it, but so what? – First Things

Previous articleNarendra Modi Launches A Culture War Against Bollywood
Next articleGottfried Böhm, The German Expressionist Of Brutalist Architects, Dead At 101