Right now, though not only right now, there’s an issue with Black horror. “Black horror faces a distinct paradox: The genre has long been a valuable tool for creators of different backgrounds to process their traumas, and for audiences to reckon with their own. Some Black writers and producers in America use horror and science fiction as a lens through which to examine the grotesquerie of the country’s racist systems and history (Jordan Peele, for example, made Get Out after the killing of Trayvon Martin). But productions that engage with that real-life terror can, at times, feel more like brutal reenactments of senselessness than purposeful works of art, unintentionally compounding some Black viewers’ traumas.” – The Atlantic

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