“If you live and die at the box office, as does Broadway, you are not rewarded for indulgence or self-involvement. More importantly, you often are better able to reach non-elites. Broadway attracts more lower-middle class theatergoers than many pretentious nonprofit institutions; it pulls more young people to shows like “Mean Girls” and “To Kill a Mockingbird,” and it is far more likely to attract the large and diverse audience for shows that intersect with the history of recorded music. In short, the argument for a capitalist Broadway in a capitalist society is that it tends to end up as populist.” – Chicago Tribune
