Lyn Gardner: “At their best, [theatre buildings] are creative powerhouses, community hubs, a place of inspiration, succour and sanctuary. But often they come with self-perpetuating, top-down hierarchies” — not to mention burdensome running costs — “and fuel a self-importance around that building that keeps it from connecting with local networks, unknown artists, and from practices that do not conform to the norm. … They are not the only show in town, and maybe their dominance needs to be reconsidered.” – The Stage

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