Christopher Rudd’s creation is the first romantic same-sex pas de deux in ABT’s history, and one of the first—if not the first—to celebrate queer lust so explicitly in ballet. Such a feat, while to be applauded, is long overdue for a world in which more than half of the men who perform in and champion the artform are members of the LGBTQ2S+ community, according to Dance Magazine. Maybe times are finally changing. – Xtra
