When conservators at the Tate Britain removed the frame on The Oise at Auvers, a corner of the canvas that hadn’t faded from exposure to light revealed what color van Gogh meant that sky to be when he painted it. – The Guardian
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When conservators at the Tate Britain removed the frame on The Oise at Auvers, a corner of the canvas that hadn’t faded from exposure to light revealed what color van Gogh meant that sky to be when he painted it. – The Guardian