IKAR’s services incorporate Sephardic and Mizrachi-style drumming, chanting and droning (using a low-pitched, sustained tone as a harmony) with what Tigay called a “catchy melody on top” as a way of “giving people a sense that they are entering into uncharted psychological territory and transcending the everyday.” Worshippers are induced “not to tolerate things as they are, but to climb the ramp higher and higher,” in order to be more godly — and more involved in the world. “The music,” he explained, “is a catalyst to effect personal and communal change.” – Jewish Week