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The premiere of Lift: Slobodan Show
The premiere of Lift: Slobodan Show. Photograph: Andrej Isakovic/AFP/Getty Images
The premiere of Lift: Slobodan Show. Photograph: Andrej Isakovic/AFP/Getty Images

Slobodan Milošević musical divides audiences in Kosovo

This article is more than 6 years old

Lift: Slobodan Show, directed by Kosovan Serb Nenad Todorović, aims to treat the “last Serbian taboo”

A musical about the late Serbian leader Slobodan Milošević was staged in Kosovo on Tuesday, drawing strong emotions in the emerging nation still reeling from a bloody war that the former strongman waged here 20 years ago.

Lift: Slobodan Show premiered at a packed theatre in Gračanica, a Serb-populated town outside Kosovo’s capital of Pristina. It was performed by a local theatre group and artists from Serbia.

Kosovo’s ethnic Albanian majority shunned the play, reflecting the continued ethnic divisions in the former Serbian province that declared independence in 2008. Milošević’s brutal crackdown on Kosovo’s separatist ethnic Albanians in 1998-99 killed some 10,000 people.

Independent analyst Shkelzen Maliqi wrote in the newspaper Express: “I do not intend to see the show. I would not like to listen to the text with quotes from Slobo.”

The play deals with Milošević’s era in power as well as the lives of ordinary people in Kosovo. It combines historic events, personal moments between Milošević and his wife, Mirjana Marković, and real-life stories of the actors, most of who come from Kosovo.

Focused on the late 1990s during the bloodshed in Kosovo, the play also relates to the period after Milošević’s toppling in a popular revolution in 2000 and his subsequent UN war crimes trial.

Director Nenad Todorović, a Serb from Kosovo, explained that “the theme [of the play] is Milošević because he is the last Serbian taboo”.

Milošević is widely seen as the main architect of the bloody Balkan conflicts, but Serbs in both Kosovo and Serbia remain divided over his historic role, even though his rule brought sharp economic decline, international sanctions and a crackdown on political opponents. Tens of thousands of Serbs fled Kosovo after the war, while those who stayed behind live mostly in the Serb-dominated north or in Serb-populated enclaves elsewhere in the country.

Spiced with humour and music performed by a choir, the Milošević play drew laughter from many in the audience with details from Milošević’s family life, but it also angered some who walked out before it ended. Those who stayed gave it a long applause.

In Pristina, Agim Selimi, the ethnic Albanian dean of the Kosovo Arts Faculty, said that “any topic may be treated” artistically. “I believe that everybody, especially in the Balkans, should discuss both positive and negative sides of anything because that is very important for the future of the Balkans,” he said.

Milošević died in 2006 of a heart attack while on a genocide trial at the tribunal in The Hague, Netherlands.

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