Kevin Ring, the indefatigable editor of Beat Scene magazine, emailed me a few months ago to ask about the new reprint of "Cut Up or Shut Up" released by the German publisher Mokolo Print in a facsimile edition in English with a new cover design by Robert Schalinski and a modest intro by yours truly. Ever curious about all things Beat, Ring wanted to know the back story of the book's origin and development. Et voilà!
Before I needed to earn a living from writing, I was a member of the avant-garde — fervent and full of high opinion. The other day I came across a typescript of "Synchronic Non-Causative Agent," an unpublished paper of mine written more than half a century ago. Reading it over, I got the bright idea of posting here despite its age.
Leah Lowe, Professor of Theatre and Director of the Curb Center for Art, Enterprise and Public Policy at Vanderbilt University, talks about the ability for theatre to impact environmental activism.
Katie checks in with music director, supervisor, conductor, and pianist (Gutenberg!, The Who's Tommy, and KPOP on Broadway; Anne of Green Gables; Diary of a Wimpy Kid; Picnic at Hanging Rock), Amanda Morton.
I wrote a book looking at how different ways of moral and political theorizing drew different conclusions regarding whether the state should, or should not, subsidize...
Since 2001, the Jazz Journalists Association (over which I preside) has celebrated some 350 “activists, advocates, altruists, aiders and abettors of jazz,” as Jazz...
A. Robert Lee is such a prolific author in both his creative and academic books that I won’t try to characterize his writings other than to say they invariably illuminate life and literature with a wealth of scholarship, intelligence, and linguistic mastery. I will say, however, that his sense of humor is one aspect of his writings that I most treasure.
In 1952, when the late Gabe Pressman (dean of New York City's local TV press corps) was a young staff writer at the New York World-Telegram & The Sun, he came across a story tipped to him by a woman from Montreal who'd taken a cab ride in midtown Manhattan. This was the human-interest feature he wrote up. And this was the poem it generated, which I wrote many decades later.
Bill Banfield, Award-Winning Composer-in-Residence at the Interlochen Center for the Arts, shares the inspiring process of creating his new opera, Edmonia.