Though there are some historians of American music who dispute the crucial importance of Dvorak, and many more who simply ignore him, that the impact of his short American sojourn (1892-1895) remains incalculable was driven home afresh during the recent "Dvorak and America" NEH teacher-training institute in Pittsburgh. After World War I, the iconic American spiritual was "Deep … [Read more...] about Did Dvorak Compose “Deep River”?
Archives for 2010
Swapping Horowitz for Arrau
SWAPPING HOROWITZ FOR ARRAU As readers of this blog may be aware, my son Bernie is a diehard Vladimir Horowitz enthusiast who has forced me to my knees ("Horowitz on Horowitz on Horowitz on Horowitz: A Recantation") - more or less. Bernie recently restored the "Vladimir Horowitz Website," which had been taken offline. He continues to collect obscure concert and studio … [Read more...] about Swapping Horowitz for Arrau
Reinventing the Orchestra: The Role of Education
The Philadelphia Inquirer reported the other day that, "facing chronic red ink and houses only two-thirds full," the Philadelphia Orchestra might be undertaking "profound change." Alison Vulgamore, the orchestra's president, was quoted saying, "We simply can't go on doing the same thing . . . we have to be able to experiment." Already, there are American orchestras in cities … [Read more...] about Reinventing the Orchestra: The Role of Education
In the Ear of the Beholder
Readers of this blog might (or might not) be wondering what's become of me. There have been no postings in recent weeks because with the conclusion of the concert season I found it necessary to write half a dozen grant applications. This left little time for anything else other than complaining about it. I am now in Pittsburgh, where I'm directing an NEH teacher-training … [Read more...] about In the Ear of the Beholder
Gershwin, Stravinsky, Harrison festivals
During my tenure as Executive Director of the Brooklyn Philharmonic at BAM, I was handed an opportunity to refashion the orchestra's mission. In the course of two years, it had been abandoned by more than two-thirds of its subscribers: there was nothing left to lose. I proposed making all the programming thematic and inter-disciplinary. Harvey Lichtenstein, BAM's mastermind, … [Read more...] about Gershwin, Stravinsky, Harrison festivals