“I don’t have to tell you that Mr. B is with Mozart and Tschaikovsky and Stravinsky,” Lincoln Kirstein announced to the New York City Ballet audience, exactly 30 years before the company’s April 30 opening night this season. The program, which inaugurated City Ballet’s three-week American Music Festival attracted a good house and fervid audience enthusiasm for two big pieces easy on both eye and spirit: Who Cares? to Gershwin songs (their lyrics unsung, but engraved in popular memory; Tiler Peck at her familiar finest) and Stars … [Read more...]
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costas cacaroukas on Youth in Bloom
Very well thought out and well written, as usual, Tobi. Many thanks.Daniel Benton on Youth in Bloom
Very nice! You manage to capture the spirit of the performance and give us a larger context in which to...Michael Noga on Keeping Count
I saw this performance and enjoyed it. I have seen three of Justin Peck's works and noticed that he...Leo Greenbaum on Dvorovenko Moves On
Superb Classical technique. Beautiful woman. Will miss her.Richard Chang on Keeping Count
I so agree with you, Tobi: "... dance is not made of ideas but rather of people moving to music...Martha Ullman West on Keeping Count
"frosty abstraction that offers very little to see..." does seem to be the order of the day for a lot...Mary Cargill on Dvorovenko Moves On
"Enigma Variations", certainly, would count for married love in a ballet.Jann Parry on Dvorovenko Moves On
Apropos Onegin's mature love pas de deux: can you think of any other ballets in which a married couple express...Shelley KOLIN on Dvorovenko Moves On
I was introduced to Irina and Maxim during the Southern Ballet Theatre days with Vadim Fedotov and Irina Depler. We...Alice Helpern on Dvorovenko Moves On
I've seen a number of performances with Irina and Maxim and each of them with other partners but in the...