New York City Ballet / David H. Koch Theater, Lincoln Center, NYC / January 15 – February 24, 2013 The New York City Ballet opened its six-week Winter Season at Lincoln Center’s David H. Koch Theater with George Balanchine’s Serenade, created in 1935 and set to Tschaikovsky’s Serenade for Strings. It was the first ballet the choreographer made in America. (In the two weeks immediately following, the company’s repertory is devoted—with a single exception, a new work by Peter Martins—to this extensive and often felicitous … [Read more...]
Recent Comments
Virginia on On Balanchine’s “Ivesiana”
I just returned from an afternoon at NYCB, watching Balanchine's various responses to American music. Like some of you,...Tobi Tobias on The Royal Danish Ballet in New York
Hello, Katrine, Jeanette Andersen is a long-experienced dance critic, currently living in Germany, She frequently writes about the Royal Danish...Thomas Schoff on On Balanchine’s “Ivesiana”
Ivesiana has been out of NYCB's standard repertory for many years--at least a decade, I think, and maybe more. ...Katrine on The Royal Danish Ballet in New York
I know this post was done a long time ago, but I must say, what Jeanette Andersen (who?) wrote is...Leo Greenbaum on On Balanchine’s “Ivesiana”
Thank you! I was there too.Theresa Bener on On Balanchine’s “Ivesiana”
Dear Tobi, It was with great interest that I read your detailed review of Ivesiana. Your vivid descriptions made it...Ann Allen-Ryan on On Balanchine’s “Ivesiana”
Tobi, thank you (once again) for sharing your insights and interpretations. I'm off to see this program this afternoon. While...George Dorris on On Balanchine’s “Ivesiana”
Ivesiana is indeed a remarkable work, perhaps not to be seen too often, to preserve its special feeling but also...Myra Malkin on On Balanchine’s “Ivesiana”
I'm going to a couple of performances just to see Ivesiana, and am very grateful for your description and your...Martha Ullman West on On Balanchine’s “Ivesiana”
Thank you, TT, for the blow by blow, play by play account of a ballet that is very much on...