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Youth in Bloom

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To call the School of American Ballet “selective” is an amusing understatement.  It’s the training ground in the U.S. for potential professional classical dancers (who must, of course, begin on the path as children) and the alma mater of a majority of the performers in the New York City Ballet. School of American Ballet Workshop Performances:  Jordan Miller and Alejandro Ocasio in George Balanchine’s Divertimento No. 15 Photo:  Paul Kolnik The academy draws students who show basic potential for the trade to which they aspire in anatomy, … [Read more...]

On Balanchine’s “Ivesiana”

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“I don’t have to tell you that Mr. B is with Mozart and Tschaikovsky and Stravinsky,” Lincoln Kirstein announced to the New York City Ballet audience, exactly 30 years before the company’s April 30 opening night this season.  The program, which inaugurated City Ballet’s three-week American Music Festival attracted a good house and fervid audience enthusiasm for two big pieces easy on both eye and spirit:  Who Cares? to Gershwin songs (their lyrics unsung, but engraved in popular memory; Tiler Peck at her familiar finest) and Stars and Stripes … [Read more...]

Wunderkinder

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The School of American Ballet’s Workshop Performances / Peter Jay Sharp Theater, Lincoln Center, NYC / June 2 matinee and evening; June 5, 2012   School of American Ballet’s Workshop Performances:  Austin Bachman in Peter Martins’ Les Petits Riens Photo:  Paul Kolnik Students at the School of American Ballet and the in-group that cares about it call it, simply, The School, as if it had no equals.  So far it doesn’t, at least in the States.   It’s the training academy of the New York City Ballet, which skims off the cream—according … [Read more...]

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