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Glimpses #13: Sara Mearns Away from Home

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Sara Mearns, studio portrait Sara Mearns, the object of fervid admiration as a principal with the New York City Ballet, is paying a visit to Fall for Dance.  This annual event, which showcases bits of every kind of dance imaginable (something for everyone, so to speak, and at a reasonable price), is sheltered at City Center and often sells out—to an audience of both newbies and old hands. In this year’s opening program, the audience got to see a ballerina who doesn’t conform to any of the usual types we view nowadays:  the lyrical, frangible … [Read more...]

Untitled

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American Ballet Theatre / City Center, NYC / October 16-20, 2012 American Ballet Theatre, financially afflicted like many a dance company in these stringent days, gave a Fall “season” consisting of just one “week”—October 16-20.  Did the brevity of the run ensure the excellence of the repertory?   Presented at the City Center, it consisted of seven ballets or stand-alone excerpts, none of which was filler or “novelty.”   Most were safe (and worthy) favorites—Agnes de Mille’s Rodeo, for instance; Antony Tudor’s The Leaves Are Fading; Twyla … [Read more...]

Tracking Corella

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Barcelona Ballet / New York City Center / April 17-20, 2012 Ángel Corella, artistic director of the Barcelona Ballet and the company’s star dancer Photo:  Erin Baiano For a long and happy time, we thought of Ángel Corella, a much-adored star with American Ballet Theatre, simply as a king of dance.  Now we’re coming to know him as a “native son.”  The classical company he founded in Spain, his birthplace, now called the Barcelona Ballet, owes its existence in large measure to his decision that such a troupe was needed.  Spain, celebrated for … [Read more...]

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