La La La Human Steps / BAM Howard Gilman Opera House, Brooklyn, NY / February 1-5, 2002 There’s a part of the dance audience that—to hell with the classical tradition and the classical canon—only wants to see a vivid show. Increasingly, producing organizations are catering to these spectators. How else, the (just possibly faulty) logic goes, will they manage to sell enough tickets to stay afloat? Some go the “popular entertainment” route, delivering ballets aspiring to cousinship with light opera or musical comedy, even gaudy … [Read more...]
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Michael Mao on Armchair Travel
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