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	<title>Texas, a Concept</title>
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	<link>http://www.artsjournal.com/texas</link>
	<description>Art, Music, and Dance in the Lone Star state</description>
	<lastBuildDate>Mon, 23 Jan 2012 18:38:56 +0000</lastBuildDate>
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		<title>Dial M for Mahler</title>
		<link>http://www.artsjournal.com/texas/2012/01/dial-m-for-mahler/</link>
		<comments>http://www.artsjournal.com/texas/2012/01/dial-m-for-mahler/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 17:20:57 +0000</pubDate>
		<dc:creator>Theodore Bale</dc:creator>
				<category><![CDATA[Texas]]></category>
		<category><![CDATA[Hans Graf]]></category>
		<category><![CDATA[Houston Symphony]]></category>
		<category><![CDATA[Jones Hall]]></category>
		<category><![CDATA[Kirill Gerstein]]></category>
		<category><![CDATA[Mahler]]></category>
		<category><![CDATA[Piano Concerto]]></category>
		<category><![CDATA[Rachmaninoff]]></category>

		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=179</guid>
		<description><![CDATA[The “iPhone Marimba Man” accused of ruining the New York Philharmonic’s recent Mahler 9th was stoned to death this past weekend in a secluded alley of the city’s meat-packing district. “It’s a dirty job, but someone has to do it,” said one conductor wearing a woolen ski mask to conceal his identity. Photographers from New [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>A Town Without Critics</title>
		<link>http://www.artsjournal.com/texas/2011/12/a-town-without-critics/</link>
		<comments>http://www.artsjournal.com/texas/2011/12/a-town-without-critics/#comments</comments>
		<pubDate>Thu, 15 Dec 2011 20:02:14 +0000</pubDate>
		<dc:creator>Theodore Bale</dc:creator>
				<category><![CDATA[Texas]]></category>
		<category><![CDATA[advocacy journalism]]></category>
		<category><![CDATA[Anna Kisselgoff]]></category>
		<category><![CDATA[Art Guys Marry a Plant]]></category>
		<category><![CDATA[Devon Britt-Darby]]></category>
		<category><![CDATA[Douglas Britt]]></category>
		<category><![CDATA[Houston Chronicle]]></category>
		<category><![CDATA[Reliable Narratives]]></category>
		<category><![CDATA[The Art Guys]]></category>
		<category><![CDATA[The Menil Collection]]></category>
		<category><![CDATA[The New York Times]]></category>

		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=174</guid>
		<description><![CDATA[Many years ago in Cambridge, I had the pleasure of meeting the esteemed former New York Times dance critic Anna Kisselgoff. The lecture she’d delivered that night at Harvard was so inspiring that I decided I was going to become a critic as well. In a hopelessly naïve gesture, I went up to her after [...]]]></description>
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		<slash:comments>8</slash:comments>
		</item>
		<item>
		<title>Three Symphonies for the Price of One</title>
		<link>http://www.artsjournal.com/texas/2011/12/three-symphonies-for-the-price-of-one/</link>
		<comments>http://www.artsjournal.com/texas/2011/12/three-symphonies-for-the-price-of-one/#comments</comments>
		<pubDate>Wed, 07 Dec 2011 16:26:22 +0000</pubDate>
		<dc:creator>Theodore Bale</dc:creator>
				<category><![CDATA[Texas]]></category>
		<category><![CDATA[Christoph Eschenbach]]></category>
		<category><![CDATA[Houston Symphony]]></category>
		<category><![CDATA[Jones Hall]]></category>
		<category><![CDATA[Mahler Symphony No. 5]]></category>

		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=170</guid>
		<description><![CDATA[Here in Houston, it isn’t just the bronze commemorative star in front of Jones Hall that honors the legendary German conductor Christoph Eschenbach. Loyal fans in the city honor him with their presence and rapt attention. The orchestra members honor him with their finest performances. For music-loving Texans, he is a hero in the truest [...]]]></description>
		<wfw:commentRss>http://www.artsjournal.com/texas/2011/12/three-symphonies-for-the-price-of-one/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>There is nothing outside the dance</title>
		<link>http://www.artsjournal.com/texas/2011/12/there-is-nothing-outside-the-dance/</link>
		<comments>http://www.artsjournal.com/texas/2011/12/there-is-nothing-outside-the-dance/#comments</comments>
		<pubDate>Fri, 02 Dec 2011 17:29:14 +0000</pubDate>
		<dc:creator>Theodore Bale</dc:creator>
				<category><![CDATA[Texas]]></category>
		<category><![CDATA[Christmas Ballets]]></category>
		<category><![CDATA[David Parker]]></category>
		<category><![CDATA[Jennifer Wood]]></category>
		<category><![CDATA[Jeremy Choate]]></category>
		<category><![CDATA[Mark Morris]]></category>
		<category><![CDATA[Nijinsky]]></category>
		<category><![CDATA[Nutcracker]]></category>
		<category><![CDATA[Suchu Dance]]></category>
		<category><![CDATA[Sugar Plum]]></category>
		<category><![CDATA[Tchaikovsky]]></category>
		<category><![CDATA[Tina Shariffskul]]></category>
		<category><![CDATA[William Forsythe]]></category>
		<category><![CDATA[Щелкунчик (Shchelkunchik)]]></category>

		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=162</guid>
		<description><![CDATA[After more than three decades of observing that holiday über-warhorse, The Nutcracker, one would think my exhaustion had reached its limits. Seven of those years were spent dancing in various permutations of the ballet, 12 more were spent writing reviews and labored newspaper features about it. In recent years, my essays have focused primarily on [...]]]></description>
		<wfw:commentRss>http://www.artsjournal.com/texas/2011/12/there-is-nothing-outside-the-dance/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Sopranos Yearning for Zion, in New York</title>
		<link>http://www.artsjournal.com/texas/2011/11/sopranos-yearning-for-zion-in-new-york/</link>
		<comments>http://www.artsjournal.com/texas/2011/11/sopranos-yearning-for-zion-in-new-york/#comments</comments>
		<pubDate>Tue, 22 Nov 2011 23:27:01 +0000</pubDate>
		<dc:creator>Theodore Bale</dc:creator>
				<category><![CDATA[Texas]]></category>
		<category><![CDATA[Caitlin Lynch]]></category>
		<category><![CDATA[Dark Sisters]]></category>
		<category><![CDATA[Eldorado]]></category>
		<category><![CDATA[Eve Gigliotti]]></category>
		<category><![CDATA[Fendamentalish Church of Jesus Christ of Latter Day Saints]]></category>
		<category><![CDATA[Gotham Chamber Opera]]></category>
		<category><![CDATA[Meredith Monk]]></category>
		<category><![CDATA[Michael Zuraw]]></category>
		<category><![CDATA[Mothertongue]]></category>
		<category><![CDATA[Music-Theatre Group]]></category>
		<category><![CDATA[Nico Muhly]]></category>
		<category><![CDATA[Noah Scalin]]></category>
		<category><![CDATA[Opera Company of Philadelphia]]></category>
		<category><![CDATA[Quiet Music]]></category>
		<category><![CDATA[Robert Wilson]]></category>
		<category><![CDATA[Stephen Karam Kevin Burdette]]></category>
		<category><![CDATA[Stephen Petronio]]></category>
		<category><![CDATA[Two Boys]]></category>

		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=158</guid>
		<description><![CDATA[As I watched Nico Muhly’s new opera Dark Sisters last weekend in New York, at the same time his Quiet Music for solo piano was being performed in Houston by Aperio’s Michael Zuraw. I would have loved to attend both performances. Muhly’s work figures prominently right now on my MP3 player, and it’s been a [...]]]></description>
		<wfw:commentRss>http://www.artsjournal.com/texas/2011/11/sopranos-yearning-for-zion-in-new-york/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Color My World With Hopes</title>
		<link>http://www.artsjournal.com/texas/2011/11/color-my-world-with-hopes/</link>
		<comments>http://www.artsjournal.com/texas/2011/11/color-my-world-with-hopes/#comments</comments>
		<pubDate>Wed, 16 Nov 2011 23:14:33 +0000</pubDate>
		<dc:creator>Theodore Bale</dc:creator>
				<category><![CDATA[Texas]]></category>
		<category><![CDATA[Bill Ryan]]></category>
		<category><![CDATA[Complexions Contemporary Ballet]]></category>
		<category><![CDATA[Cynthia Wood Mitchell Center for the Arts]]></category>
		<category><![CDATA[Houston Ballet]]></category>
		<category><![CDATA[Karen Stokes]]></category>
		<category><![CDATA[Marc Bamuthi Joseph]]></category>
		<category><![CDATA[Mark Morris Dance Group]]></category>
		<category><![CDATA[Red Black and Green A Blues]]></category>
		<category><![CDATA[Society for the Performing Arts]]></category>
		<category><![CDATA[The Secondary Colors]]></category>

		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=142</guid>
		<description><![CDATA[Contemporary dance prevails this autumn in Houston, with two events in particular focusing on themes of color, literal and figurative. They are major works that suggest a new, prosperous and invigorating period in this city’s dance scene. The premiere of choreographer Karen Stokes and composer  Bill Ryan’s The Secondary Colors in Houston (see my preview [...]]]></description>
		<wfw:commentRss>http://www.artsjournal.com/texas/2011/11/color-my-world-with-hopes/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Houston Symphony in the Desert of the Real</title>
		<link>http://www.artsjournal.com/texas/2011/11/houston-symphony-in-the-desert-of-the-real/</link>
		<comments>http://www.artsjournal.com/texas/2011/11/houston-symphony-in-the-desert-of-the-real/#comments</comments>
		<pubDate>Fri, 04 Nov 2011 19:11:12 +0000</pubDate>
		<dc:creator>Theodore Bale</dc:creator>
				<category><![CDATA[Texas]]></category>
		<category><![CDATA[Don Davis]]></category>
		<category><![CDATA[Film Scores]]></category>
		<category><![CDATA[Houston Symphony]]></category>
		<category><![CDATA[John Adams]]></category>
		<category><![CDATA[Keanu Reeves]]></category>
		<category><![CDATA[Philip Glass]]></category>
		<category><![CDATA[The Lord of the Rings]]></category>
		<category><![CDATA[The Matrix]]></category>

		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=144</guid>
		<description><![CDATA[I’ve had an extraordinary and most unexpected experience in the concert hall. In a time where symphony orchestras appear to be losing audiences, Houston Symphony is gathering a new one. Last night at Jones Hall, a nearly sold-out house enjoyed a screening of the Wachowski Brothers’ The Matrix with Don Davis, a formidable composer in various [...]]]></description>
		<wfw:commentRss>http://www.artsjournal.com/texas/2011/11/houston-symphony-in-the-desert-of-the-real/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Two Alike: The Cogent and Irrational Dance of Jack Ferver</title>
		<link>http://www.artsjournal.com/texas/2011/09/two-alike-the-cogent-and-irrational-dance-of-jack-ferver/</link>
		<comments>http://www.artsjournal.com/texas/2011/09/two-alike-the-cogent-and-irrational-dance-of-jack-ferver/#comments</comments>
		<pubDate>Fri, 30 Sep 2011 22:17:28 +0000</pubDate>
		<dc:creator>Theodore Bale</dc:creator>
				<category><![CDATA[Texas]]></category>
		<category><![CDATA[Contemporary Arts Museum Houston]]></category>
		<category><![CDATA[DiverseWorks Art Space]]></category>
		<category><![CDATA[Jack Ferver]]></category>
		<category><![CDATA[Joshua Lubin-Levy]]></category>
		<category><![CDATA[Marc Swanson]]></category>
		<category><![CDATA[Roarke Menzies]]></category>

		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=139</guid>
		<description><![CDATA[I had never seen Jack Ferver dance, but I remembered him as Jimmy Tickles in Strangers With Candy, still my favorite program ever aired on Comedy Central, when he appeared last week in Texas. Well-known in New York, his works with titles such as Death is Certain, Rumble Ghost, and When We Were Young and [...]]]></description>
		<wfw:commentRss>http://www.artsjournal.com/texas/2011/09/two-alike-the-cogent-and-irrational-dance-of-jack-ferver/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>What Remains on the Canvas</title>
		<link>http://www.artsjournal.com/texas/2011/09/what-remains-on-the-canvas/</link>
		<comments>http://www.artsjournal.com/texas/2011/09/what-remains-on-the-canvas/#comments</comments>
		<pubDate>Thu, 22 Sep 2011 00:50:55 +0000</pubDate>
		<dc:creator>Theodore Bale</dc:creator>
				<category><![CDATA[Texas]]></category>
		<category><![CDATA[G Gallery]]></category>
		<category><![CDATA[Houston painters]]></category>
		<category><![CDATA[Human Remains]]></category>
		<category><![CDATA[Wayne Gilbert]]></category>

		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=128</guid>
		<description><![CDATA[Houston artist Wayne Gilbert makes paintings out of cremated human remains. Most people who have observed his work wonder first where he obtained the material, which he mixes into nearly-colorless resin before applying witha  palette knife to stretched canvas. The recent summer day we spoke in his vast home and studio, Gilbert told me that [...]]]></description>
		<wfw:commentRss>http://www.artsjournal.com/texas/2011/09/what-remains-on-the-canvas/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Grim Eye for the New Guy</title>
		<link>http://www.artsjournal.com/texas/2011/08/grim-eye-for-the-new-guy/</link>
		<comments>http://www.artsjournal.com/texas/2011/08/grim-eye-for-the-new-guy/#comments</comments>
		<pubDate>Fri, 26 Aug 2011 16:59:32 +0000</pubDate>
		<dc:creator>Theodore Bale</dc:creator>
				<category><![CDATA[Texas]]></category>
		<category><![CDATA[andrea Dawn Shelley]]></category>
		<category><![CDATA[Barnevelder Movement Arts Complex]]></category>
		<category><![CDATA[Houston Dance]]></category>
		<category><![CDATA[iMEE]]></category>
		<category><![CDATA[Infinite Movement Ever Evolving]]></category>
		<category><![CDATA[Jeremy Choate]]></category>
		<category><![CDATA[Maurice Causey]]></category>
		<category><![CDATA[Spencer Gavin Hering]]></category>

		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=125</guid>
		<description><![CDATA[Infinite Movement Ever Evolving’s recent premiere of Maurice Causey’s Grim Eye made me feel like I was in 1990s Berlin. In particular, I thought of a Depeche Mode record party I attended one December night in a smoke-filled warehouse in Kreuzberg. This is not to suggest that either iMEE or Causey are in any way [...]]]></description>
		<wfw:commentRss>http://www.artsjournal.com/texas/2011/08/grim-eye-for-the-new-guy/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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