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	<title>Texas, a Concept</title>
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	<link>http://www.artsjournal.com/texas</link>
	<description>Art, Music, and Dance in the Lone Star state</description>
	<lastBuildDate>Thu, 23 May 2013 19:27:26 +0000</lastBuildDate>
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		<title>The Sound of the Wild, Wild West</title>
		<link>http://www.artsjournal.com/texas/2013/05/the-sound-of-the-wild-wild-west/</link>
		<comments>http://www.artsjournal.com/texas/2013/05/the-sound-of-the-wild-wild-west/#comments</comments>
		<pubDate>Thu, 23 May 2013 15:06:03 +0000</pubDate>
		<dc:creator>Theodore Bale</dc:creator>
				<category><![CDATA[Texas]]></category>
		<category><![CDATA[Carlos Miguel Prieto]]></category>
		<category><![CDATA[Centennial Season]]></category>
		<category><![CDATA[Christoph Eschenbach]]></category>
		<category><![CDATA[City Noir]]></category>
		<category><![CDATA[Grand Pianola Music]]></category>
		<category><![CDATA[Hans Graf]]></category>
		<category><![CDATA[Houston Symphony Orchestra]]></category>
		<category><![CDATA[Ingrid Fliter]]></category>
		<category><![CDATA[John Adams]]></category>
		<category><![CDATA[Juan Trigos]]></category>
		<category><![CDATA[La triste Historia]]></category>
		<category><![CDATA[Mahler 2nd]]></category>
		<category><![CDATA[Mahler 8th]]></category>
		<category><![CDATA[Moncayo]]></category>
		<category><![CDATA[Nixon in China]]></category>
		<category><![CDATA[Revueltas]]></category>

		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=237</guid>
		<description><![CDATA[As thrilling as the Houston Symphony Orchestra’s final concert with Hans Graf was last Friday night – everything came together perfectly for a stunning Mahler 2nd – it’s bittersweet to see him leave. He’ll be back as guest conductor at HSO next year, in particular, from November 29-December 1, for a concert with pianist Ingrid Fliter [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>That&#8217;s Right, You&#8217;re Not From Austin</title>
		<link>http://www.artsjournal.com/texas/2013/05/thats-right-youre-not-from-austin/</link>
		<comments>http://www.artsjournal.com/texas/2013/05/thats-right-youre-not-from-austin/#comments</comments>
		<pubDate>Fri, 03 May 2013 16:48:17 +0000</pubDate>
		<dc:creator>Theodore Bale</dc:creator>
				<category><![CDATA[Texas]]></category>
		<category><![CDATA[Austin]]></category>
		<category><![CDATA[Blanton Museum of Art]]></category>
		<category><![CDATA[Lama Dudjom Dorje]]></category>
		<category><![CDATA[Meryl Tankard]]></category>
		<category><![CDATA[Noguchi]]></category>
		<category><![CDATA[Paul White]]></category>
		<category><![CDATA[Petah Coyne]]></category>
		<category><![CDATA[Regis Lansac]]></category>
		<category><![CDATA[Rick Perry]]></category>
		<category><![CDATA[Robert Wilson]]></category>
		<category><![CDATA[South Congress Avenue]]></category>
		<category><![CDATA[Teresita Fernandez]]></category>
		<category><![CDATA[Texas Performing Arts]]></category>
		<category><![CDATA[The Oracle]]></category>
		<category><![CDATA[Through the Eyes of Texas]]></category>
		<category><![CDATA[University of Texas]]></category>

		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=226</guid>
		<description><![CDATA[When I lived in Boston, I met and worked with many press agents. I remember one of them saying once, “you know, there’s good news and there’s bad news. And then, there is some f*cking serious news.”   I know she would agree when I say the past few weeks have been filled with way too much [...]]]></description>
		<wfw:commentRss>http://www.artsjournal.com/texas/2013/05/thats-right-youre-not-from-austin/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Hydrocarbons: They&#8217;re What&#8217;s For Dinner</title>
		<link>http://www.artsjournal.com/texas/2013/04/hydrocarbons-theyre-whats-for-dinner/</link>
		<comments>http://www.artsjournal.com/texas/2013/04/hydrocarbons-theyre-whats-for-dinner/#comments</comments>
		<pubDate>Tue, 02 Apr 2013 14:03:19 +0000</pubDate>
		<dc:creator>Theodore Bale</dc:creator>
				<category><![CDATA[Texas]]></category>
		<category><![CDATA[808 Gallery]]></category>
		<category><![CDATA[Anna Hopkins]]></category>
		<category><![CDATA[Boston University]]></category>
		<category><![CDATA[DiverseWorks]]></category>
		<category><![CDATA[hydrocarbons]]></category>
		<category><![CDATA[icebergs]]></category>
		<category><![CDATA[Joseph Campana]]></category>
		<category><![CDATA[Lauryn Tyrell]]></category>
		<category><![CDATA[Marina Zurkow]]></category>
		<category><![CDATA[Michael Connor]]></category>
		<category><![CDATA[Tim Morton]]></category>

		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=217</guid>
		<description><![CDATA[Editor&#8217;s note: My partner Joseph Campana and I discovered Marina Zukow&#8217;s work when it was presented in Houston by Diverseworks (see below). One of the most important American artists of her generation, Zurkow will be coming to Houston later this year as part of Joe and his colleague Tim Morton&#8217;s unique seminar on energy and the arts. Joe [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Living Room for the Performers</title>
		<link>http://www.artsjournal.com/texas/2013/03/living-room-for-the-performers/</link>
		<comments>http://www.artsjournal.com/texas/2013/03/living-room-for-the-performers/#comments</comments>
		<pubDate>Tue, 26 Mar 2013 16:09:21 +0000</pubDate>
		<dc:creator>Theodore Bale</dc:creator>
				<category><![CDATA[Texas]]></category>
		<category><![CDATA[14 Pews]]></category>
		<category><![CDATA[Chapman Welch]]></category>
		<category><![CDATA[Daniel Saenz]]></category>
		<category><![CDATA[David Lang]]></category>
		<category><![CDATA[George Heathco]]></category>
		<category><![CDATA[Glenn Branca]]></category>
		<category><![CDATA[Houston music scene]]></category>
		<category><![CDATA[Jeremy Nuncio]]></category>
		<category><![CDATA[Liminal Space Contemporary Music Ensemble]]></category>
		<category><![CDATA[Luke Hubley]]></category>
		<category><![CDATA[Mark Buller]]></category>
		<category><![CDATA[Sydney Boyd]]></category>

		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=214</guid>
		<description><![CDATA[Liminal Space Contemporary Music Ensemble is a recently-formed, Houston-based new music group I’ve decided to follow. Regrettably, I missed their first concert last year, devoted to John Cage’s work. Liminal’s second performance in December at the Station Museum was a stunning event focused on Frederick Rzewski (covered  elsewhere on this blog). The ensemble&#8217;s founders and main performers Luke Hubley [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Only a Red Glow in the West</title>
		<link>http://www.artsjournal.com/texas/2013/03/only-a-red-glow-in-the-west/</link>
		<comments>http://www.artsjournal.com/texas/2013/03/only-a-red-glow-in-the-west/#comments</comments>
		<pubDate>Wed, 06 Mar 2013 17:23:00 +0000</pubDate>
		<dc:creator>Theodore Bale</dc:creator>
				<category><![CDATA[Texas]]></category>
		<category><![CDATA[Alban Berg]]></category>
		<category><![CDATA[Anne Schwanewilms]]></category>
		<category><![CDATA[Einstein on the Beach]]></category>
		<category><![CDATA[Gordon Gietz]]></category>
		<category><![CDATA[Hans Graf]]></category>
		<category><![CDATA[Houston Symphony]]></category>
		<category><![CDATA[Karl Bohm]]></category>
		<category><![CDATA[Marc Molomot]]></category>
		<category><![CDATA[Nathan Berg]]></category>
		<category><![CDATA[Roman Trekel]]></category>
		<category><![CDATA[The Hartt School]]></category>
		<category><![CDATA[The Metropolitan Opera]]></category>
		<category><![CDATA[Wozzeck]]></category>

		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=208</guid>
		<description><![CDATA[It was, without doubt, the frightening photo of Dietrich Fischer-Dieskau and Evelyn Lear on the Deutsche Grammophon boxed vinyl recording of Alban Berg’s Wozzeck that first attracted me to this modern masterpiece. The cover promised whatever was contained inside was bound to be completely different. I was still an undergraduate music student at the time, [...]]]></description>
		<wfw:commentRss>http://www.artsjournal.com/texas/2013/03/only-a-red-glow-in-the-west/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Coming Together, in December</title>
		<link>http://www.artsjournal.com/texas/2012/12/coming-together-in-december/</link>
		<comments>http://www.artsjournal.com/texas/2012/12/coming-together-in-december/#comments</comments>
		<pubDate>Thu, 13 Dec 2012 18:24:33 +0000</pubDate>
		<dc:creator>Theodore Bale</dc:creator>
				<category><![CDATA[Texas]]></category>
		<category><![CDATA[Coming Together/Attica]]></category>
		<category><![CDATA[Follow Our Orders]]></category>
		<category><![CDATA[Francois Rabbath]]></category>
		<category><![CDATA[Frederic Rzewski]]></category>
		<category><![CDATA[George Heathco]]></category>
		<category><![CDATA[Karim Al-Zand]]></category>
		<category><![CDATA[Les Moutons de Panurge]]></category>
		<category><![CDATA[Liminal Space]]></category>
		<category><![CDATA[Luke Hubley]]></category>
		<category><![CDATA[Misha Penton]]></category>
		<category><![CDATA[Museum of Fine Arts Houston]]></category>
		<category><![CDATA[The Station Museum]]></category>
		<category><![CDATA[War is Over John & Yoko]]></category>
		<category><![CDATA[WATIV]]></category>

		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=197</guid>
		<description><![CDATA[The weeks preceding Christmas might seem like a strange time for musical performances with a political and/or military flavor. Maybe not. In 1969, of course, John Lennon and Yoko Ono chose December to disseminate their billboard message, &#8220;WAR IS OVER! If You Want It &#8211; Happy Christmas From John and Yoko,&#8221; around the world. We [...]]]></description>
		<wfw:commentRss>http://www.artsjournal.com/texas/2012/12/coming-together-in-december/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Light Years</title>
		<link>http://www.artsjournal.com/texas/2012/08/light-years/</link>
		<comments>http://www.artsjournal.com/texas/2012/08/light-years/#comments</comments>
		<pubDate>Mon, 13 Aug 2012 15:51:41 +0000</pubDate>
		<dc:creator>Theodore Bale</dc:creator>
				<category><![CDATA[Texas]]></category>
		<category><![CDATA[DiverseWorks]]></category>
		<category><![CDATA[Jeremy Choate]]></category>
		<category><![CDATA[Light Artist]]></category>
		<category><![CDATA[Lighting Designer]]></category>
		<category><![CDATA[Mass MoCA]]></category>
		<category><![CDATA[Stephen Vitiello]]></category>

		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=191</guid>
		<description><![CDATA[The last time I spoke with Houston artist and lighting designer Jeremy Choate, he was planning an installation for the exterior building of the Contemporary Arts Museum Houston, a project about which he was very excited. This morning, I learned that Jeremy died suddenly Saturday night in Houston. Stopped at a red light on his [...]]]></description>
		<wfw:commentRss>http://www.artsjournal.com/texas/2012/08/light-years/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Choreographer Vanishes</title>
		<link>http://www.artsjournal.com/texas/2012/06/the-choreographer-vanishes/</link>
		<comments>http://www.artsjournal.com/texas/2012/06/the-choreographer-vanishes/#comments</comments>
		<pubDate>Thu, 21 Jun 2012 20:35:46 +0000</pubDate>
		<dc:creator>Theodore Bale</dc:creator>
				<category><![CDATA[Texas]]></category>
		<category><![CDATA[John Cage]]></category>
		<category><![CDATA[Jonah Bokaer]]></category>
		<category><![CDATA[The Asia Society Houston]]></category>

		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=182</guid>
		<description><![CDATA[Just before I moved to Texas, people warned me Houston was a kind of dance wasteland. Even a local critic told me there was “nothing here” in terms of dance, saying in a scolding tone, “you know, you’re not in New York!” While my experience has been variable (check out my latest review of Houston Ballet [...]]]></description>
		<wfw:commentRss>http://www.artsjournal.com/texas/2012/06/the-choreographer-vanishes/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Dial M for Mahler</title>
		<link>http://www.artsjournal.com/texas/2012/01/dial-m-for-mahler/</link>
		<comments>http://www.artsjournal.com/texas/2012/01/dial-m-for-mahler/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 17:20:57 +0000</pubDate>
		<dc:creator>Theodore Bale</dc:creator>
				<category><![CDATA[Texas]]></category>
		<category><![CDATA[Hans Graf]]></category>
		<category><![CDATA[Houston Symphony]]></category>
		<category><![CDATA[Jones Hall]]></category>
		<category><![CDATA[Kirill Gerstein]]></category>
		<category><![CDATA[Mahler]]></category>
		<category><![CDATA[Piano Concerto]]></category>
		<category><![CDATA[Rachmaninoff]]></category>

		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=179</guid>
		<description><![CDATA[The “iPhone Marimba Man” accused of ruining the New York Philharmonic’s recent Mahler 9th was stoned to death this past weekend in a secluded alley of the city’s meat-packing district. “It’s a dirty job, but someone has to do it,” said one conductor wearing a woolen ski mask to conceal his identity. Photographers from New [...]]]></description>
		<wfw:commentRss>http://www.artsjournal.com/texas/2012/01/dial-m-for-mahler/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>A Town Without Critics</title>
		<link>http://www.artsjournal.com/texas/2011/12/a-town-without-critics/</link>
		<comments>http://www.artsjournal.com/texas/2011/12/a-town-without-critics/#comments</comments>
		<pubDate>Thu, 15 Dec 2011 20:02:14 +0000</pubDate>
		<dc:creator>Theodore Bale</dc:creator>
				<category><![CDATA[Texas]]></category>
		<category><![CDATA[advocacy journalism]]></category>
		<category><![CDATA[Anna Kisselgoff]]></category>
		<category><![CDATA[Art Guys Marry a Plant]]></category>
		<category><![CDATA[Devon Britt-Darby]]></category>
		<category><![CDATA[Douglas Britt]]></category>
		<category><![CDATA[Houston Chronicle]]></category>
		<category><![CDATA[Reliable Narratives]]></category>
		<category><![CDATA[The Art Guys]]></category>
		<category><![CDATA[The Menil Collection]]></category>
		<category><![CDATA[The New York Times]]></category>

		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=174</guid>
		<description><![CDATA[Many years ago in Cambridge, I had the pleasure of meeting the esteemed former New York Times dance critic Anna Kisselgoff. The lecture she’d delivered that night at Harvard was so inspiring that I decided I was going to become a critic as well. In a hopelessly naïve gesture, I went up to her after [...]]]></description>
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		<slash:comments>8</slash:comments>
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