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	<title>Comments for Texas, a Concept</title>
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	<link>http://www.artsjournal.com/texas</link>
	<description>Art, Music, and Dance in the Lone Star state</description>
	<lastBuildDate>Mon, 08 Apr 2013 17:06:52 +0000</lastBuildDate>
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		<title>Comment on Coming Together, in December by Theodore Bale</title>
		<link>http://www.artsjournal.com/texas/2012/12/coming-together-in-december/#comment-623</link>
		<dc:creator>Theodore Bale</dc:creator>
		<pubDate>Mon, 08 Apr 2013 17:06:52 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=197#comment-623</guid>
		<description><![CDATA[Hello Joshua and thanks for your comment. Not an odd request at all. The photo was lifted from another WP blog, and I can&#039;t speak to its authenticity. If you are publishing on Sam Melville, please do keep me posted and I&#039;d be glad to link my blog to your writing. best regards, tedd]]></description>
		<content:encoded><![CDATA[<p>Hello Joshua and thanks for your comment. Not an odd request at all. The photo was lifted from another WP blog, and I can&#8217;t speak to its authenticity. If you are publishing on Sam Melville, please do keep me posted and I&#8217;d be glad to link my blog to your writing. best regards, tedd</p>
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		<title>Comment on Coming Together, in December by Joshua</title>
		<link>http://www.artsjournal.com/texas/2012/12/coming-together-in-december/#comment-620</link>
		<dc:creator>Joshua</dc:creator>
		<pubDate>Sat, 06 Apr 2013 21:42:28 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=197#comment-620</guid>
		<description><![CDATA[Where has the photo (attached to Rzewski&#039;s Coming Together review) been sourced from? Is that a confirmed portrait of Sam Mellville? Odd request I know, but of utmost importance to my work.
Thank you, I enjoyed the article]]></description>
		<content:encoded><![CDATA[<p>Where has the photo (attached to Rzewski&#8217;s Coming Together review) been sourced from? Is that a confirmed portrait of Sam Mellville? Odd request I know, but of utmost importance to my work.<br />
Thank you, I enjoyed the article</p>
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		<title>Comment on Coming Together, in December by Living Room for the Performers</title>
		<link>http://www.artsjournal.com/texas/2012/12/coming-together-in-december/#comment-574</link>
		<dc:creator>Living Room for the Performers</dc:creator>
		<pubDate>Tue, 26 Mar 2013 16:09:26 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=197#comment-574</guid>
		<description><![CDATA[[...] in December at the Station Museum, was a stunning event focused on Frederick Rzewski (covered  elsewhere on this [...]]]></description>
		<content:encoded><![CDATA[<p>[...] in December at the Station Museum, was a stunning event focused on Frederick Rzewski (covered  elsewhere on this [...]</p>
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		<title>Comment on Coming Together, in December by Theodore Bale</title>
		<link>http://www.artsjournal.com/texas/2012/12/coming-together-in-december/#comment-573</link>
		<dc:creator>Theodore Bale</dc:creator>
		<pubDate>Tue, 26 Mar 2013 15:10:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=197#comment-573</guid>
		<description><![CDATA[Hello Allan, glad you enjoyed reading the post. I heard two wonderful live performances of &quot;The People United Will Never Be Defeated,&quot; both of them while I was living in Boston. The first was from Ursula Oppens. The second was by Stephen Drury, who played the entire set of variations from memory. Please let me know when you post your list!]]></description>
		<content:encoded><![CDATA[<p>Hello Allan, glad you enjoyed reading the post. I heard two wonderful live performances of &#8220;The People United Will Never Be Defeated,&#8221; both of them while I was living in Boston. The first was from Ursula Oppens. The second was by Stephen Drury, who played the entire set of variations from memory. Please let me know when you post your list!</p>
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		<title>Comment on Coming Together, in December by Allan J. Cronin</title>
		<link>http://www.artsjournal.com/texas/2012/12/coming-together-in-december/#comment-569</link>
		<dc:creator>Allan J. Cronin</dc:creator>
		<pubDate>Thu, 21 Mar 2013 00:15:29 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=197#comment-569</guid>
		<description><![CDATA[I came across this great post of yours as I was writing a blog post of my own.  I am working on coming up with a detailed list of classical political music and included the iconic &quot;Coming Together&quot; and &quot;Attica&quot; as the first pieces I chose to analyze.  
I have never heard these pieces live but I treasure my vinyl copy of the Opus One recording that Rzewski made in 1973.  I even got him to autograph the album after a stunning performance of &quot;The People United Will Never Be Defeated&quot;.
Thanks for this article.  It gives me more leads in my search for political classical music.

Best,
Allan]]></description>
		<content:encoded><![CDATA[<p>I came across this great post of yours as I was writing a blog post of my own.  I am working on coming up with a detailed list of classical political music and included the iconic &#8220;Coming Together&#8221; and &#8220;Attica&#8221; as the first pieces I chose to analyze.<br />
I have never heard these pieces live but I treasure my vinyl copy of the Opus One recording that Rzewski made in 1973.  I even got him to autograph the album after a stunning performance of &#8220;The People United Will Never Be Defeated&#8221;.<br />
Thanks for this article.  It gives me more leads in my search for political classical music.</p>
<p>Best,<br />
Allan</p>
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		<title>Comment on Only a Red Glow in the West by Theodore Bale</title>
		<link>http://www.artsjournal.com/texas/2013/03/only-a-red-glow-in-the-west/#comment-556</link>
		<dc:creator>Theodore Bale</dc:creator>
		<pubDate>Mon, 11 Mar 2013 18:53:34 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=208#comment-556</guid>
		<description><![CDATA[the Wozzeck story is truly timeless. The characters archetypes. One would think this opens the script up to a wide variety of interpretation, but strangely enough the opposite has occurred. I hope you will pursue again in your work!]]></description>
		<content:encoded><![CDATA[<p>the Wozzeck story is truly timeless. The characters archetypes. One would think this opens the script up to a wide variety of interpretation, but strangely enough the opposite has occurred. I hope you will pursue again in your work!</p>
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		<title>Comment on Only a Red Glow in the West by Theodore Bale</title>
		<link>http://www.artsjournal.com/texas/2013/03/only-a-red-glow-in-the-west/#comment-555</link>
		<dc:creator>Theodore Bale</dc:creator>
		<pubDate>Mon, 11 Mar 2013 18:51:17 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=208#comment-555</guid>
		<description><![CDATA[Thanks so much for commenting. The performance here in Houston was brilliantly multi-layered. The main revelation was having the orchestra on the stage.]]></description>
		<content:encoded><![CDATA[<p>Thanks so much for commenting. The performance here in Houston was brilliantly multi-layered. The main revelation was having the orchestra on the stage.</p>
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		<title>Comment on Only a Red Glow in the West by Theresa Quintanilla</title>
		<link>http://www.artsjournal.com/texas/2013/03/only-a-red-glow-in-the-west/#comment-538</link>
		<dc:creator>Theresa Quintanilla</dc:creator>
		<pubDate>Thu, 07 Mar 2013 23:31:01 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=208#comment-538</guid>
		<description><![CDATA[Excellent perspective.... Got me thinking about many issues.]]></description>
		<content:encoded><![CDATA[<p>Excellent perspective&#8230;. Got me thinking about many issues.</p>
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		<title>Comment on Only a Red Glow in the West by Daniel P Quinn</title>
		<link>http://www.artsjournal.com/texas/2013/03/only-a-red-glow-in-the-west/#comment-535</link>
		<dc:creator>Daniel P Quinn</dc:creator>
		<pubDate>Thu, 07 Mar 2013 22:57:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=208#comment-535</guid>
		<description><![CDATA[I directed scenes from WOYZECK in College that was thrilling and shocking for students in the 1970&#039;s; later I heard rehersala for Abbado at LaScala in Ronconi&#039;s production that were unforgettable.  The Met, has done
Berg&#039;s opera somewhat regularly over the years but noth renditions I saw were dull or rudely unimaginative,
as The Met can be w/MAHAGONNY as well.  One of these days....maybe a shattering production in my mind.]]></description>
		<content:encoded><![CDATA[<p>I directed scenes from WOYZECK in College that was thrilling and shocking for students in the 1970&#8242;s; later I heard rehersala for Abbado at LaScala in Ronconi&#8217;s production that were unforgettable.  The Met, has done<br />
Berg&#8217;s opera somewhat regularly over the years but noth renditions I saw were dull or rudely unimaginative,<br />
as The Met can be w/MAHAGONNY as well.  One of these days&#8230;.maybe a shattering production in my mind.</p>
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		<title>Comment on Singin&#8217; the Turtle Blues in Port Arthur by Andrew</title>
		<link>http://www.artsjournal.com/texas/2011/01/singin-turtle-blues-in-port-arthur/#comment-340</link>
		<dc:creator>Andrew</dc:creator>
		<pubDate>Sat, 12 Jan 2013 08:45:55 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsjournal.com/texas/?p=25#comment-340</guid>
		<description><![CDATA[With all due respect, Mr. Bale, I believe there are a few facts you have either misinterpreted or overlooked. Unless the context of the article indicates differently, the &quot;integration&quot; Mrs. Ervin was referring to in the high schools was likely not racial integration as you believe. I think she was referring to the merger of Port Arthur&#039;s three high schools: Thomas Jefferson, Abraham Lincoln and Stephen F. Austin. Although TJ and SFA were the traditionally white schools and Lincoln the traditionally black school, they had been racially integrated for a long time (I believe the integration of the entire district occurred in 1972; it was definitely in that neighborhood) before they were merged into Port Arthur Memorial in 2001. I may be wrong because it has been some time since then, but I believe all three schools were predominantly black at the time of the merger; Memorial still is today, albeit by a shrinking margin.

Also, I don&#039;t know what Port Arthur native you are acquainted with, but I do not believe he or she has been to Port Arthur in quite some time. You say you were told that Port Arthur&#039;s black neighborhoods are located on one side of the tracks and Port Arthur&#039;s white neighborhoods are located on the other. That has not been the case since the pre-integration days. In fact, as a fourth generation native of the Golden Triangle area who grew up just outside of Port Arthur (&quot;white territory,&quot; as you refer to it; for the record, I am not fully white) with quite a bit of family still in Port Arthur, simply put, Port Arthur has no white neighborhoods. There are many whites who live in Port Arthur (36.1% of the city is white, according to the latest census data), but the idea that they live in neighborhoods all to themselves is, for the most part, outdated. In fact, I can only think of one neighborhood located within the Port Arthur city limits that might be mostly white. Many are mixed to some degree with the rest being either almost entirely black or Hispanic.

On that note, it should be said that the racial divide you seem to believe exists in Southeast Texas is not as entrenched in the minds of Southeast Texans as it was in the days of Ms. Joplin. That&#039;s not to say that you won&#039;t find neighborhoods entirely dominated by one race in the greater Golden Triangle (meaning the entire tri-county area, not just Port Arthur or the &quot;white territory&quot; of Nederland, Port Neches and Groves), but it is to say that you won&#039;t find a definitive boundary that starkly contrasts those neighborhoods (i.e., the railroad tracks). And that&#039;s not uncommon in the South. I read here that you&#039;re a columnist living in Houston. I&#039;m sure you notice that Houston, like many other major cities and fairly populated areas, has neighborhoods predominantly occupied by one race (Sunnyside, for instance) that are buffered against each other with mixed neighborhoods, rather than outlined by a distinct physical feature. It is no different in the Golden Triangle.

I notice that you included a picture of Edison Middle School, where Ms. Joplin attended her sophomore and junior years of high school while it was still serving as the TJ campus. Based on her birth date, I assume she attended her senior year at what was then the new TJ campus. I don&#039;t know if you were able to find that or not, but if you would like to see it, it&#039;s located on Stadium Road (it may appear on a GPS as Highway 347 or Twin City Highway) not terribly far from downtown Port Arthur. When TJ, Lincoln and SFA were consolidated, the TJ campus served Memorial&#039;s upperclassmen. When the new Memorial campus was eventually built a few years ago, the building was repurposed and is today Thomas Jefferson Middle School. You can&#039;t miss it; as the name of the road may suggest, it is located directly adjacent to the stadium.

I am forced to agree with an earlier comment in that it appears that you simply passed through Port Arthur, took a look at some landmarks, captured some photos, formed an opinion and moved on. I am glad that you stopped at the Museum of the Gulf Coast; I think you&#039;re correct in saying that it is now, unfortunately, the lone bright spot in a derelict downtown area. I hope that, while you were there, you took the time to look at some of the other exhibits in the building outside of the one dedicated to Ms. Joplin. If you did, or if you ever decide to go and see them at some point in the future, I hope you&#039;ll realize that although Port Arthur&#039;s past is certainly not problem-free and definitely has its troubles, it is, for the most part, something to be proud of. I know it&#039;s hard to believe based on the condition of the city today, but there was a time when Port Arthur was a place of opportunity, and there are many distinguished natives of Port Arthur - black and white. I&#039;m sorry that Ms. Joplin had to seek her place in life elsewhere and that you only saw one side of the Golden Triangle, but do not let yourself believe that the Port Arthur of yesterday is the Port Arthur of today or that what you saw during your visit to the area or read in Ms. Joplin&#039;s writings tells you everything there is to know about us.]]></description>
		<content:encoded><![CDATA[<p>With all due respect, Mr. Bale, I believe there are a few facts you have either misinterpreted or overlooked. Unless the context of the article indicates differently, the &#8220;integration&#8221; Mrs. Ervin was referring to in the high schools was likely not racial integration as you believe. I think she was referring to the merger of Port Arthur&#8217;s three high schools: Thomas Jefferson, Abraham Lincoln and Stephen F. Austin. Although TJ and SFA were the traditionally white schools and Lincoln the traditionally black school, they had been racially integrated for a long time (I believe the integration of the entire district occurred in 1972; it was definitely in that neighborhood) before they were merged into Port Arthur Memorial in 2001. I may be wrong because it has been some time since then, but I believe all three schools were predominantly black at the time of the merger; Memorial still is today, albeit by a shrinking margin.</p>
<p>Also, I don&#8217;t know what Port Arthur native you are acquainted with, but I do not believe he or she has been to Port Arthur in quite some time. You say you were told that Port Arthur&#8217;s black neighborhoods are located on one side of the tracks and Port Arthur&#8217;s white neighborhoods are located on the other. That has not been the case since the pre-integration days. In fact, as a fourth generation native of the Golden Triangle area who grew up just outside of Port Arthur (&#8220;white territory,&#8221; as you refer to it; for the record, I am not fully white) with quite a bit of family still in Port Arthur, simply put, Port Arthur has no white neighborhoods. There are many whites who live in Port Arthur (36.1% of the city is white, according to the latest census data), but the idea that they live in neighborhoods all to themselves is, for the most part, outdated. In fact, I can only think of one neighborhood located within the Port Arthur city limits that might be mostly white. Many are mixed to some degree with the rest being either almost entirely black or Hispanic.</p>
<p>On that note, it should be said that the racial divide you seem to believe exists in Southeast Texas is not as entrenched in the minds of Southeast Texans as it was in the days of Ms. Joplin. That&#8217;s not to say that you won&#8217;t find neighborhoods entirely dominated by one race in the greater Golden Triangle (meaning the entire tri-county area, not just Port Arthur or the &#8220;white territory&#8221; of Nederland, Port Neches and Groves), but it is to say that you won&#8217;t find a definitive boundary that starkly contrasts those neighborhoods (i.e., the railroad tracks). And that&#8217;s not uncommon in the South. I read here that you&#8217;re a columnist living in Houston. I&#8217;m sure you notice that Houston, like many other major cities and fairly populated areas, has neighborhoods predominantly occupied by one race (Sunnyside, for instance) that are buffered against each other with mixed neighborhoods, rather than outlined by a distinct physical feature. It is no different in the Golden Triangle.</p>
<p>I notice that you included a picture of Edison Middle School, where Ms. Joplin attended her sophomore and junior years of high school while it was still serving as the TJ campus. Based on her birth date, I assume she attended her senior year at what was then the new TJ campus. I don&#8217;t know if you were able to find that or not, but if you would like to see it, it&#8217;s located on Stadium Road (it may appear on a GPS as Highway 347 or Twin City Highway) not terribly far from downtown Port Arthur. When TJ, Lincoln and SFA were consolidated, the TJ campus served Memorial&#8217;s upperclassmen. When the new Memorial campus was eventually built a few years ago, the building was repurposed and is today Thomas Jefferson Middle School. You can&#8217;t miss it; as the name of the road may suggest, it is located directly adjacent to the stadium.</p>
<p>I am forced to agree with an earlier comment in that it appears that you simply passed through Port Arthur, took a look at some landmarks, captured some photos, formed an opinion and moved on. I am glad that you stopped at the Museum of the Gulf Coast; I think you&#8217;re correct in saying that it is now, unfortunately, the lone bright spot in a derelict downtown area. I hope that, while you were there, you took the time to look at some of the other exhibits in the building outside of the one dedicated to Ms. Joplin. If you did, or if you ever decide to go and see them at some point in the future, I hope you&#8217;ll realize that although Port Arthur&#8217;s past is certainly not problem-free and definitely has its troubles, it is, for the most part, something to be proud of. I know it&#8217;s hard to believe based on the condition of the city today, but there was a time when Port Arthur was a place of opportunity, and there are many distinguished natives of Port Arthur &#8211; black and white. I&#8217;m sorry that Ms. Joplin had to seek her place in life elsewhere and that you only saw one side of the Golden Triangle, but do not let yourself believe that the Port Arthur of yesterday is the Port Arthur of today or that what you saw during your visit to the area or read in Ms. Joplin&#8217;s writings tells you everything there is to know about us.</p>
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