One of the Web’s more accomplished snarkmeisters argues that the push by some goody-goodies for more niceness on the Internet – for instance, the decision by BuzzFeed’s new books editor to avoid negative reviews, or, in Scocca’s opinion, almost anything Dave Eggers says – is worse than the problem it’s trying to address.
“It’s not discussed enough… someone should write a book on it – how we really lost how we make and listen to music with the onslaught of mass media. It’s changed so much – in 1933 there were 20,000 jukeboxes in America. By 1939 there were 400,000 jukeboxes! That immediately eliminates so many live musicians.”
“Scavengers obsessively comb through page after page of Google Books, hoping to stumble upon some glitch that hasn’t yet been unearthed. This phenomenon is most thoroughly documented on a Tumblr called The Art of Google Books, which collects two types of images: analog stains that are emblems of a paper book’s history and digital glitches that result from the scanning.”
“In particular, the obsession with codifying, regulating, recording, reviewing, verifying, vetting, and chronicling, with assessing achievement, forecasting achievement, identifying weak points, then establishing commissions for planning strategies for regular encounters to propose solutions to weak points, and further commissions empowered to apply for funding to pay for means to implement these solutions, and so on.”
“Long considered one of the most influential letters in the Roman alphabet, at the turn of the century E had originally been heralded as the signal letter in the digital world. But in recent years, the letter had suffered a series of debilitating setbacks that closely correlated with the rise of online applications. It died May 20, 2013.”
“Britain already had a world-class franchise, in the shape of the James Bond films – but they tend to only come along every three or four few years, whereas there were eight Potter movies in the space of a decade – which meant virtually continuous employment for literally thousands of film workers in this country.”
In a statement, the biennial’s president, Paolo Baratta, referred to Okwui Enwezor’s knowledge of the “complex phenomenon of globalisation”. The curator of Documenta 11 in Kassel, Enwezor has organised biennials from Seville to South Korea and the major travelling survey of post-war African art “The Short Century” (2001-02).
“The drawing of Isabella in the Louvre, on which the painting is clearly based, was done some time between late 1499 and March of 1500, when Leonardo was a guest at her court in Mantua. According to the newspaper, carbon dating of the painting conducted at the University of Arizona confirms that it was executed sometime between 1460 and 1650, placing it in a corresponding timeframe.”