“‘Every increase of one letter in the average length of words describing a dish is associated with an increase of 69 cents in the price of that dish.’ Compared with inexpensive restaurants, the expensive ones are ‘three times less likely to talk about the diner’s choice’ (your way, etc.) and ‘seven times more likely to talk about the chef’s choice’.”
“[Advocates say] it’s time for the county to look for a new, more transparent, professional and equitable option for funding the arts.” And there’s no reason an arts council (like the one in, say, the city of San Diego) couldn’t work. But it probably won’t.
After finding out that only 18% of its listeners tune in via AM or FM radio, the network’s execs have decided to sell all but one of its 24 U.S. stations. (Radio Disney will keep its L.A.-based flagship station, which will produce and distribute the national digital and satellite feed.)
Research psychologists call them metaphorical effects: “instances in which a metaphor commonly used to describe a psychological state or social reality can, in turn, induce that state or reality. So, for example, holding a warm cup of coffee makes people feel warmly toward each other … and cleaning one’s hands makes a person feel morally clean.”
“Putting a new spin on crowdsourcing and the very risky business of producing Broadway shows, investors Howard and Janet Kagan have launched a new online investment platform invest.maxolev.com, offering equity in Broadway productions.” Their first venture,
Máximo Caminero will spend 18 months on probation, do 100 hours of community service and reimburse the insurance company $10,000, but he’ll avoid further jail time for dropping one of Ai’s painted Han Dynasty urn in front of a photograph of Ai dropping a Han Dynasty urn.
When the news hit that Millepied was to be artistic director of the Paris Opera Ballet beginning this fall, observers were skeptical (despite his protestations) that he’d continue to pay attention to the company he had founded just in 2012. Now LADP has announced it will premiere a new Millepied work in October.
“Seeing a musical or operatic performance from only one performer’s point of view actually destroys the experience. It confuses ordinary reality with the artificial reality that art creates. … If you see [an opera] though the eyes of one participant, the performance is revealed for what it actually is; a bunch of people in fancy dress shouting in a foreign language.”
“If we are our own harshest critics, why do we miss those annoying little details? The reason typos get through isn’t because we’re stupid or careless, it’s because what we’re doing is actually very smart.”
“Hands down. Nowhere else has a mythology formed so beautifully in a perfect amalgam of too much whiskey, too little sleep, and perhaps some accidentally consumed magic mushrooms.”
“Actors can chew scenery, but sometimes, the scenery chews back.” Two Argentines and a Canadian have filed a complaint in Federal court alleging that The Zero Theorem, starring Matt Damon and Christoph Waltz, “violates the copyright they hold on a large-scale mural titled Castillo on public display in Buenos Aires.”
“Sources say the studio is digitally altering thousands of buttons worn by characters in the film … because they depict the actual hardware worn by the North Korean military to honor the country’s leader, Kim Jong Un, 31, and his late father, Kim Jong Il (showcasing military decorations would be considered blasphemous to the nuclear-armed nation).” North Korea has already described the movie as “an act of war.”
“China’s culture-watchers have pitted Han Han and Guo Jingming against each other since they were teenagers. The two men, both now in their early thirties, make for a tempting juxtaposition, a sort of Mailer-Vidal rivalry” – except that Mailer and Vidal didn’t write million-selling Young Adult novels, record pop albums, and direct hit movies.
Accusing the network of “undervaluing” writing talent, the Writers’ Guild of Great Britain “reluctantly” accepted the offer, which is effective as of August 1, to avoid months of bargaining and the ensuing difficulty of backdating freelancers’ contracts.
The Baroque flute and recorder soloist of choice for many of the pathbreaking recordings by the likes of Nikolaus Harnoncourt and Gustav Leonhardt, Brüggen went on to a busy career conducting both period and mainstream orchestras. In 1981, he founded the Netherlands-based Orchestra of the 18th Century, with which he did hundreds of concerts and dozens of recordings over the next three decades.
“The gallery relaxed its strict no-photography policy last month after staff found it ‘increasingly difficult’ to distinguish between guests using free wi-fi to research paintings and those trying to take pictures with mobile phones.”
Rebecca Mead: “The distinction partakes of a debased cultural Puritanism, which insists that the only fun to be had with a book is the frivolous kind, or that it’s necessarily a pleasure to read something accessible and easy … [or] that literary works, especially those not written last year, are placed at the opposite pole to fun.”
“For more than 325,000 recording artists, in genres ranging from folk and rap to polka and bhangra” – and yes, classical, too – “CD Baby has become a vital lifeline. For a fee, the company not only sells copies of their CDs and digital versions of their songs, it can also track, collect and distribute royalties for musicians who don’t have – or don’t want – a big record label or song publisher behind them.”
“[She] was one of the last surviving major stars of the studio system, which flourished from the silent-movie era to the dawn of the television age. … [Her] husky voice and smoldering onscreen chemistry with her husband Humphrey Bogart made her a defining movie star of the 1940s … Decades later [she] won Tony Awards in the Broadway musicals Applause and Woman of the Year.”
“When the flags appeared, rumors flapped: It was a prank or a grave security breach. But the artists, Mischa Leinkauf and Matthias Wermke, … explained that they only wanted to celebrate ‘the beauty of public space’ and the great American bridge whose German-born engineer, John Roebling, died in 1869 on July 22, the day the white flags appeared.” (They even say the flags were white-on-white stars and stripes.)