“In the early to mid-nineteen-sixties, both before and after the Surgeon General issued his famous report on the dangers of tobacco, Mad took on the industry more than any ‘respectable’ magazine. Free from any dependency on advertising, Mad could be fearless, and it was. Its campaign of ridicule was unrelenting.”
Scotland is obviously an enjoyable place to be an artist. You can play in three bands, teach at Glasgow School of Art and show your prints in a pub. Maybe that is, to quote the tattoo Ross Sinclair showed me on his back, “Real Life”. But real art happens when the pubs have closed and someone with the serious mind of a Christine Borland or a Douglas Gordon looks into the bottom of a glass stained with terrible thoughts.
“Today’s innovations demand that we design with the unknown, the conjectural and the hypothetical in mind. Think about it: even the more complex interactions and interfaces made possible by mobile in recent years focus largely on real-time moments; one frame in the movie of someone’s life. But as personalization and predictive analytics work to anticipate what’s next, the emerging ecosystem will extend into the user’s future.”
“Spain returned 691 artefacts, spanning nearly 3,000 years of history, to Colombia on Tuesday. The pieces were recovered by Spanish police during a drug trafficking and money laundering investigation in 2003. Since then, the works have been kept for conservation in Madrid’s Museum of the Americas, where 885 recovered pieces were studied.”
“Mr. Rudel was the maestro and the impresario, the principal conductor and the director of City Opera for 22 years (1957-79), working in the orchestra pit while running the company on shoestring budgets, signing contracts, casting productions and nurturing young singers like José Carreras, Plácido Domingo, Sherrill Milnes and Beverly Sills.”
Music, like much else, has become globalised, drawing from different times and places. As Bryce Dessner puts it, “You can’t really say, that’s a guy from a rock band who writes classical music. You should say the opposite: Jonny Greenwood was a classical violist who became a guitarist with Radiohead.”
“In a case with far-reaching implications for the entertainment and technology business, the United States Supreme Court ruled on Wednesday that Aereo, a television streaming service, had violated copyright laws by capturing broadcast signals on miniature antennas and delivering them to subscribers for a fee.”