“Everyone should have a museum dedicated to the worst day of their life and be forced to attend it with a bunch of tourists from Denmark.”
“When there’s no immediate threat to our understanding of the world, we change our beliefs. It’s when that change contradicts something we’ve long held as important that problems occur.” So one researcher may have worked out an unexpected way to break through.
“Seizo Fukumoto has been stabbed, slashed and sliced with Japanese swords for over 50 years. He is one of the top kirareyaku actors, stuntmen who specialize in being killed by the hero samurai in period movies and TV shows. A true kirareyaku is one who can make viewers cringe in their seats, … Mr. Fukumoto said.”
“Mentioning a singer’s looks may be relevant in some cases, but dismissing a strong vocal performance as a ‘problem’ because of those looks seems to me singularly clueless. Opera’s history has been full of the physiques that gave birth to the fat-lady cliché. To suddenly act as though credible looks represented the ultimate criterion of a successful performance is at the very least confusing.”
While Saudi art up to the present day will be included in the scheme, the emphasis is on archaeology. “‘Islam is a great religion and through its openness and sustainability it has enlightened the rest of the world,’ said Prince Sultan. ‘But if we only research the history of Saudi Arabia post 610AD and say nothing about our history before then, we are belittling Islam.'”
The King Abdulaziz Center for World Culture, set top open in 2015, “has been designed by the Norwegian architectural firm Snøhetta and will have a library, archive, multimedia theatre, children’s discovery zone, a great hall for international exhibitions and an ambitious museum.”
“Dominic Antonucci was attacked as he strolled in a park just before going on stage for a performance. The 40-year-old dad needed surgery to repair a damaged retina and spent two months off work recovering from his injuries, which also included a broken nose.”
Or, how “Just remember, once you’re over the hill you begin to pick up speed” got attributed to, of all people, Arthur Schopenhauer.
The four U.S. TV series “were ordered off video streaming websites in China because the popular shows breached regulations on harmful content, according to China’s media watchdog.” (The public was not happy.)
“Business leaders like Steve Jobs who bounced back from embarrassing failure to reach their greatest success are a common American archetype, and a common motif for the TED Talk set. But in China, where entrepreneurship is a newer phenomenon and millions are only recently emerging from poverty, the idea that you need to fail before you can succeed is a tougher sell.”
“With more than 10,000 objects, 23,000 images and 500 hours of film and video, the 110,000-square-foot Memorial Museum opens with a collection and square footage to match many substantial museums. That’s why the museum, along with the memorial, cost a staggering $700 million, requiring a $24 adult admission and a $60 million annual budget that’s far from fully endowed. At such a scale, it cannot entirely avoid grandiosity.”
“We are working with Turner Construction, the company that is responsible for building our new home downtown, to ensure that all construction workers who are contributing their time and effort to the project will be given complimentary admission for the first year that we are open.”
‘Fun Home’, the musical based on Alison Bechdel’s graphic memoir, won two prizes, for musical theater and for its ten-year-old co-star, Sydney Lucas. Branden Jacobs-Jenkins earned best new American play honors for two different scripts, and the 86-year-old Parsons took home a Lifetime Achievement award.
“It started off as a novelty and now it’s becoming a trend, as Natalia Osipova and Ivan Vasiliev have joined the list of top-flight ballet dancers who are opting to expand their performing (and earning) potential by presenting their own independent projects. In recent years that list has included Darcey Bussell, Carlos Acosta and the all-male Kings of the Dance ensemble, all of whom have moonlighted from their home companies to present and star in programmes of works they’ve personally selected or commissioned.”
“If BMW announced that it was closing up shop because that there was no longer the market for luxury cars that there once was, people would laugh, and say that it served them right. … Whatever the future of opera and classical music may be, it looks like it favors the smaller, more flexible, more spontaneous, more visionary, and may look bad for the monumental and the status quo. I fail to see how that’s a bad thing.”
His work on the Godfather trilogy, The Parallax View, Klute, and Woody Allen’s films helped define the very look of 1970s American cinema.
Jessa “Bookslut” Crispin considers the reasons that ghostwriters’ clients want to be seen as authors in the first place, why the ghostwriters themselves will do the job, and why the reading public calmly accepts the arrangements.
“Turkish archaeologists excavating a harbor site on the European side of the Bosphorus have unearthed a 1,200-year-old wooden object which they claim is the ancient equivalent of a tablet computer. The device was a notebook and tool – in one.”
“YIVO Institute for Jewish Research, once located in Poland but now in New York, has created a portal, Polishjews.yivoarchives.org, that presents a variety of documents, videos (from film), audio clips in Yiddish , Polish, Hebrew and Russian – all described in English.”
The Deathbed Deal With Cornelius Gurlitt
AJBlog: Real Clear Arts | Published 2014-05-18
The Forgotten Fifties: Debut of a Guest Columnist
AJBlog: CultureCrash | Published 2014-05-19
Singers in uproar over critical body insults at Glyndebourne
AJBlog: Slipped Disc | Published 2014-05-19
Alice Coote: An open letter to opera critics
AJBlog: Slipped Disc | Published 2014-05-19
Pulling the Rug Out from Under the Corcoran and Disregarding William Corcoran’s Deed
AJBlog: CultureGrrl | Published 2014-05-19
Board President Carol Lazier, surrounded by fellow board members, opera staff, choristers and union members made the announcement at a news conference outside the Civic Theatre in downtown San Diego where the company stages its operas.