“The Nashville Symphony has paid off $2.5 million of its restructured $25.3 million debt. … However, with $22.8 million of debt on its books and labor negotiations looming with musicians, there’s still work to be done, including reaching its fundraising goal.”
“[Such trials] are fairly banal legal processes, cases settled by a jury of peers that considers the facts and comes to a conclusion. But these human beings also become, for a period of a few hours, days, or weeks, endowed with a unique power and perspective: critics with the force of law.” Hyperallergic offers a Q&A with a member of the panel that convicted a Florida pastor of selling fake Hirsts.
“Assessing his first year in Philadelphia, he wrote, ‘I have not been startled here as often as I would like to have been nor have I felt the energy that is generated by a city where art is important and in ferment.’ But he stayed, and over three decades observed ever-increasing energy, plenty of artistic ferment, and some startling developments.” (includes excerpts)
“Why does the Bolshoi matter outside Moscow? Many seasoned balletgoers ultimately prefer the styles of certain Western companies or that of the Mariinsky Ballet of St. Petersburg. Yet your knowledge of ballet is incomplete until you’ve witnessed how the Bolshoi can seem the most red-blooded, exuberant and viscerally stirring of ballet companies.”
Artist Julian Bell: “At first, the blow seeming so clean and entire, I glimpsed a neat image for it. A rectangle had been punched straight through me and I was an empty frame, the picture gone. And I was struck by the way my fuzzy life had suddenly acquired definition, even if only in negative mode. Now I start to sense the rip is more ragged.”
“As recently as 2008, only 2.9 million LPs were sold in the United States, representing about 0.7 percent of annual album sales, according to the Recording Industry Association of America. Last year those sales climbed to 9.4 million, representing 3 percent of all albums, and the independent, off-the-grid nature of many of those sales may mean that vinyl’s numbers are underreported.”
“I think that classical music is always going to be here, as long as there are human beings. But I think that everyone has to think about what is the right way to take care of classical music. It is not the first time when there are problems. I don’t know if there has ever been something which is not called difficult time, in history. I think it’s always time to try to adjust.”