“Nobody who’s ever been online would be surprised that comments can get nasty. But book reviews are new ground for this fight. Reviews are one of the only places where saying whether you don’t like the thing you’re discussing is kind of the point.”
“I didn’t need a Ph.D. to work at Kickstarter, just like I wouldn’t have needed a Ph.D. to wait tables (though it adds color to both). In truth, nobody needs a Ph.D. Ok technically you need one to be a college professor, but it is not an indicator of whether you will be a good college professor.”
“I’m not suggesting for a moment that we should cease to celebrate, cherish and, indeed, support our rich theatre culture – and that includes what has gone before. But by playing it too safe, hunkering down and not shifting investment into grassroots, new forms and genuine risk-taking productions, there is a real possibility that you will destroy theatre’s many possible and as yet undreamed of futures.”
“Black MIDI,” a subculture of electronic music remixing that mutated into existence in Japan five years ago, is an aesthetic snapshot of the early 21st century if there ever was one. It’s digital, viral, and truly “multimedia”–because it’s music, data visualization, and software demonstration at once.
“It’s clear that universities will have to figure out the balance between commercial relevance and basic research, as well as how to prove their value beyond being vehicles for delivering content. But lost in the shuffle of commentary here is something arguably more important than and yet containing all of these factors: culture.”
“Getty’s not doing this out of the good of its heart. It recognizes that images on the Internet are treated as de facto public domain by many people on social networks, blogs, and the scummier parts of the content web. It knows it’s highly unlikely to ever get significant money out of any of those people.”
“The plan calls for more art in just about every venue within city reach, from its buildings and theaters to its parks and even the streets themselves. In addition, it lays the groundwork for more funding of art projects, as well as incentives for planners and developers who make art a priority.”
“Ire at Google buses, tech-driven gentrification in San Francisco and Silicon Valley’s close collaboration with the NSA has been all over the news, but the demonstration at Wisdom 2.0 was different. It wasn’t just aimed at the tech industry; it was also aimed at what some see as an elitist streak in American convert Buddhism.”
The youth-oriented channel BBC3 will be pulled from the airwaves, with programming available only online, as part of BBC Director General Tony Hall’s planned £100 million in budget cuts. “His decision also signals a reprieve for its sister channel, the arts and culture specialist BBC4, which has faced calls for it to be axed and merged into BBC2.”
The much-awarded director warns that we “make sure that young people have access to West End theatre, and the only way you can do that is through pricing. It stands to reason that if we don’t do it, the West End will close when this generation becomes senior citizens. Because who will replace the people who are now old?”
“The hunt for Indian antiquities allegedly smuggled into New York by Subhash Kapoor, a former Manhattan gallery owner accused of overseeing a $100 million art trafficking ring, led to a Queens warehouse Tuesday where federal officials seized hundreds of Southeast Asian and Indian items that they valued at $8 million.”
“From pop culture to high culture, Venezuela’s conflict is leading actors, artists, athletes and fashion designers to voice their support for the antigovernment protesters, with a minority backing President Nicolás Maduro.” And those celebrity statements have inspired conspiracy theories from both sides of Venezuela’s political divide.
Just this past weekend, The New York Times ran an article on how Joshua Oppenheimer’s award-winning documentary about the massacres after Indonesia’s failed 1965 coup is having little visible effect in Indonesia itself. Here another author describes a screening in Yogyakarta and suggests that the film is having a quiet but powerful effect in the country.
The Future of Alternative Weeklies, and Chiming Indie
AJBlog: CultureCrash | Published 2014-03-05