“He comes from the Walker Art Center in Minneapolis, where his track record includes the surprise success of the Internet Cat Video Festival, which brought 10,000 people together in a field in 2012 and then 11,000 paying customers at the 2013 Minnesota State Fair.”
“We’re at an excitingly early stage in working out how to best produce and provide news in a social world. There are lots of business models that might work; there are also editorial models that look like they work until they don’t. But if you look at the news business as a whole, rather than at individual companies, it’s almost impossible not to be incredibly optimistic.”
“In the last decade, dance on TV has become popular, sometimes wildly so. Dancing With the Stars launched in 2004 and is one of Nielsen’s highest-rated primetime programs. So You Think You Can Dance (2005) has had rating ups and downs but its contestants are generally exceptional and it has a strong fan base.”
“Hollywood is the closest thing the business world has to a Roman Empire: a largely self-sustaining, self-contained industry, reigning supreme over most premium content in most media channels. And like Rome, the entertainment business has plenty of enemies who’d love to watch it burn. They probably won’t get their wish.”
Surely the anti-Lindsay Lohan, STB, who has died at age 85, was a creature of Hollywood who survived being the most famous preschooler on the planet to become a well-adjusted, successful, meltdown-free adult. “If she emerged unscarred, it’s not for the film industry’s lack of trying.” How did she do it?
What’s So Good About Milwaukee?
Source: Real Clear Arts | Published on 2014-02-12
New art vs. old growth
Source: The Artful Manager | Published on 2014-02-11
Calder, Bookstores and the Death of Cool
Source: CultureCrash | Published on 2014-02-11
‘Dirt Always Wins’ (Part Five) — Pay Dirt
Source: Out There | Published on 2014-02-11
Passings: Alice Babs, Dick Berk
Source: RiffTides | Published on 2014-02-12
“The reconstructions are just that — re-creations of particularly inflamed and idiotic YouTube comment exchanges — except they’re acted out by two well-dressed, middle-aged British men (or men with stellar British accents) who sit in shadowy domestic interiors populated with high-backed armchairs and baroque chandeliers.”