Where Do TV Shows Get Their (Often Mediocre) Art?

TV Art

“TV art is headed in the right direction, but it’s been flattened. The failure of these fabricated art objects to be neither valid nor completely ridiculous means that most of the comedy comes from outside the art.”

Email this to someoneShare on FacebookTweet about this on Twitter

Letting Loose the Clogs of War

clog dancing alfred hickling northern broadsides

A theatre company in northern England works clogging and Morris dancing into most of its productions – from Shakespeare’s history plays (the houses of York and Lancaster did battle with their wooden shoes) to a new script about the First World War.

Email this to someoneShare on FacebookTweet about this on Twitter

Felix Salmon: We Should Be Happy About How The Sharing Of News Is Evolving

upe2_tn_1267-profile-image

“We’re at an excitingly early stage in working out how to best produce and provide news in a social world. There are lots of business models that might work; there are also editorial models that look like they work until they don’t. But if you look at the news business as a whole, rather than at individual companies, it’s almost impossible not to be incredibly optimistic.”

Email this to someoneShare on FacebookTweet about this on Twitter

Behind The TV Dance Shows

20140211_inq_dm1dance28z-d

“In the last decade, dance on TV has become popular, sometimes wildly so. Dancing With the Stars launched in 2004 and is one of Nielsen’s highest-rated primetime programs. So You Think You Can Dance (2005) has had rating ups and downs but its contestants are generally exceptional and it has a strong fan base.”

Email this to someoneShare on FacebookTweet about this on Twitter

Hollywood Should Probably Die (But It Won’t, And Here’s Why)

Netflix's House of Cards, season 2.

“Hollywood is the closest thing the business world has to a Roman Empire: a largely self-sustaining, self-contained industry, reigning supreme over most premium content in most media channels. And like Rome, the entertainment business has plenty of enemies who’d love to watch it burn. They probably won’t get their wish.”

Email this to someoneShare on FacebookTweet about this on Twitter

Shirley Temple Black, the Child Star Who Wasn’t a Cautionary Tale

Shirley Temple

Surely the anti-Lindsay Lohan, STB, who has died at age 85, was a creature of Hollywood who survived being the most famous preschooler on the planet to become a well-adjusted, successful, meltdown-free adult. “If she emerged unscarred, it’s not for the film industry’s lack of trying.” How did she do it?

Email this to someoneShare on FacebookTweet about this on Twitter

When Academics Study Comedy

Jo Brand says it's great to see academics taking an interest.

Our correspondent visits the Playing for Laughs symposium at De Montfort University in Leicester (with reference to “the Chuckle Brothers of philosophy, Plato and Hobbes”).

Email this to someoneShare on FacebookTweet about this on Twitter

Top Posts From AJBlogs 02.11.14

What’s So Good About Milwaukee?
Source: Real Clear Arts | Published on 2014-02-12

New art vs. old growth
Source: The Artful Manager | Published on 2014-02-11

Calder, Bookstores and the Death of Cool
Source: CultureCrash | Published on 2014-02-11

‘Dirt Always Wins’ (Part Five) — Pay Dirt
Source: Out There | Published on 2014-02-11

Passings: Alice Babs, Dick Berk
Source: RiffTides | Published on 2014-02-12

Kiev Biennale Postponed Because Of Political Unrest

255-kiev-biennale-postponed

“Ukraine is experiencing an unprecedentedly difficult time, when the question of the state’s future is being decided. Taking this into account, it is impossible to carry out responsibly the preparation needed for a large-scale artistic project of international significance like the biennial.”

Email this to someoneShare on FacebookTweet about this on Twitter

Remix: Actors Act Out Internet Comment Strings

Google ChromeScreenSnapz099

“The reconstructions are just that — re-creations of particularly inflamed and idiotic YouTube comment exchanges — except they’re acted out by two well-dressed, middle-aged British men (or men with stellar British accents) who sit in shadowy domestic interiors populated with high-backed armchairs and baroque chandeliers.”

Email this to someoneShare on FacebookTweet about this on Twitter