Stage Write: April 2008 Archives
When I was interrupted, a couple of weeks ago, by the news of Deborah Jowitt's dramatic change in status at The Village Voice, I was about to comment on the burgeoning of "historic preservation" in the dance and theater community.
In addition to the Jerome Robbins show at the Performing Arts Library, one week this spring yielded the kickoff of the 50th anniversary celebrations at the Alvin Ailey American Dance Theater, another session in the "History Matters" series at the Merce Cunningham Studio, and a panel discussion and performance event staged by members of Dancers Over 40, Inc., at the St. Luke's Theater.
All these events celebrated the past. Back in the mid-'80s, the National Endowment for the Arts' dance program, under the direction of Nigel Redden, was funding a lot of experimental work, and some of the artists involved raised the ire of Congress. Since that time funding has become conservative, with more attention paid to preserving the "treasures" of the dance culture so far, and less to the needs of emerging and mid-career artists.
That said, these events were also valuable, and sometimes delightful. The Dancers Over 40 Event on March 31 celebrated Gower Champion, a California native and Broadway gypsy dancer who directed and choreographed many hit musicals from the '50s through the '70s, succumbing to a heart attack the day his 42nd Street opened on Broadway in 1980. His former wife Marge was part of the festivities (she's in her late eighties, and looks fabulous), as were more than a dozen former "gypsies" from a range of Champion's hit shows. They reminisced, they danced...and we in the audience treasured every moment, knowing how essential it is to tease out and preserve this unique history.
Tapes of the evening were donated to the Jerome Robbins Dance Division of the Performing Arts Library at Lincoln Center, and DO40 plans more such sessions. They've established a new category, FODO 40 (that's "friends of Dancers Over 40"), for the people who love and want to support them. Check out the programs and personnel of this vital group at www.dancersover40.org.
In addition to the Jerome Robbins show at the Performing Arts Library, one week this spring yielded the kickoff of the 50th anniversary celebrations at the Alvin Ailey American Dance Theater, another session in the "History Matters" series at the Merce Cunningham Studio, and a panel discussion and performance event staged by members of Dancers Over 40, Inc., at the St. Luke's Theater.
All these events celebrated the past. Back in the mid-'80s, the National Endowment for the Arts' dance program, under the direction of Nigel Redden, was funding a lot of experimental work, and some of the artists involved raised the ire of Congress. Since that time funding has become conservative, with more attention paid to preserving the "treasures" of the dance culture so far, and less to the needs of emerging and mid-career artists.
That said, these events were also valuable, and sometimes delightful. The Dancers Over 40 Event on March 31 celebrated Gower Champion, a California native and Broadway gypsy dancer who directed and choreographed many hit musicals from the '50s through the '70s, succumbing to a heart attack the day his 42nd Street opened on Broadway in 1980. His former wife Marge was part of the festivities (she's in her late eighties, and looks fabulous), as were more than a dozen former "gypsies" from a range of Champion's hit shows. They reminisced, they danced...and we in the audience treasured every moment, knowing how essential it is to tease out and preserve this unique history.
Tapes of the evening were donated to the Jerome Robbins Dance Division of the Performing Arts Library at Lincoln Center, and DO40 plans more such sessions. They've established a new category, FODO 40 (that's "friends of Dancers Over 40"), for the people who love and want to support them. Check out the programs and personnel of this vital group at www.dancersover40.org.
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AJ Blogs
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Program Notes
the blog of the National Performing Arts Convention
culture
the blog of the National Performing Arts Convention
About Last Night
Terry Teachout on the arts in New York City
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
Rebuilding Gulf Culture after Katrina
diacritical
Douglas McLennan's blog
Douglas McLennan's blog
Flyover
Art from the American Outback
Art from the American Outback
Mind the Gap
No genre is the new genre
No genre is the new genre
Rockwell Matters
John Rockwell on the arts
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude
Jan Herman - arts, media & culture with 'tude
dance
Foot in Mouth
Apollinaire Scherr talks about dance
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...
Tobi Tobias on dance et al...
jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...
Doug Ramsey on Jazz and other matters...
media
Out There
Jeff Weinstein's Cultural Mixology
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...
Martha Bayles on Film...
classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Exploring Orchestras w/ Henry Fogel
PostClassic
Kyle Gann on music after the fact
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds
Norman Lebrecht on Shifting Sound Worlds
publishing
book/daddy
Jerome Weeks on Books
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera
Scott McLemee on books, ideas & trash-culture ephemera
theatre
lies like truth
Chloe Veltman on how culture will save the world
Chloe Veltman on how culture will save the world
Stage Write
Elizabeth Zimmer on time-based art forms
Elizabeth Zimmer on time-based art forms
visual
Aesthetic Grounds
Public Art, Public Space
Public Art, Public Space
Artopia
John Perreault's art diary
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Tyler Green's modern & contemporary art blog
