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Small German state appoints Australian music director

The press release is excessively puffy, but this may be a first. Has any Aussie before Nick ever been a GMD in Germany?


Australian Conductor Nicholas Milton appointed General Music Director and Chief Conductor of the State Theatre of Saarland, Germany
(Saarländisches Staatstheater), commencing with the 2014/15 season.

General Manager Dagmar Schlingmann engages a highly charismatic
conductor with an outstanding international reputation after an
extensive, rigorous international search process.

General Manager Dagmar Schlingmann has succeeded in engaging Nicholas Milton to be the new music director of the Saarland State Theatre. The Australian conductor will lead the Saarland State Orchestra from the summer of 2014. Nicholas Milton has established an outstanding international reputation for his charismatic stage presence and thrilling interpretations of an extensive repertoire spanning both
concert and opera. Renowned for his dynamic conducting style, energy,
and compelling musical integrity, the immediacy of Milton’s rapport
with musicians continues to captivate orchestras and audiences alike.
“This is an exhilarating house with a proud and distinguished
tradition, and one that I feel immensely proud to join as General
Music Director and Chief Conductor (Generalmusikdirektor).
In addition to its world-class orchestra, the singer ensemble is
exquisite – and I am extremely excited at the prospect of the dazzling
operatic and concert presentations that lie before us in the years
ahead”, said Nicholas Milton on his position in Saarbrücken.
Saarland’s Culture Minister, Ulrich Commerçon welcomed the decision
in favour of Milton. “The State Theatre of Saarland underwent a
rigorous and comprehensive international search process. At the
conclusion, it was absolutely convincing that Milton was the clear
favourite from the more than 100 finalists for the position. He was
selected as the preferred candidate with the overwhelming support of
the musicians and singers, and the appointment was unanimously
confirmed by the Board. I am delighted that we have been successful in
engaging such a highly respected and experienced conductor to be the
artistic director of the State Orchestra. With this appointment, the
artistic direction team of Dagmar Schlingmann for the next years is
now complete.”
“Nicholas Milton is an extremely passionate artist, who lives and
breathes music. All of us were instantly impressed by his energy”,
said General Manager Dagmar Schlingmann “Along with all of the
experience he has gained as General Music Director in Jena, as Chief
Conductor in Canberra, and as a guest conductor at major German
theatres, he is also incredibly open, communicative and involved. He
will profoundly shape the theatre and intends to work intensely on the
profile of our concert activity, and that strongly appeals to me”,
added Dagmar Schlingmann.
After pleasant and speedy negotiations, a contract for four years
until 2018 was agreed upon, reported the Business and Commercial
Director Dr. Matthias Almstedt. Preparation and planning for the new
season commences immediately, even though Milton’s next commitments
lie with guest engagements in Switzerland, Australia and, from March,
a series of performances at the Komische Opera in Berlin. Opera
Director Brigitte Heusinger added: “Already the collaboration with
Nicholas Milton is extremely inspiring and imbued with confidence and
trust, so that we have made extraordinary progress in our planning
within a matter of a few days.”
Nicholas Milton eagerly awaits his future activities at the State
“The State Orchestra of Saarland is an extraordinary and brilliant
orchestra – clearly a cultural jewel in this charming and lovely
city. I have heard the orchestra in a wide variety of repertoire and
have been delighted to enjoy their wonderful stylistic
differentiations across the broadest range of musical styles. Our
recent work together was absolutely magical and inspiring for me as an
artist and as a conductor. The orchestra’s flexibility, range of
colour, energy, and inspiration were miraculous. Between orchestra,
conductor, singers and chorus, we all felt an immediate and profound
musical and spiritual connection and I was amazed and delighted by the
astounding artistic integrity I experienced across every level of
those performances by each and every person involved in the
complicated and wondrous organism that is a thriving opera house, from
the lead singers to the hard-working team back stage” said Nicholas

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  1. Reconstructed modernist says:

    Not a first. Simone Young in Hamburg.

    • Quite right. I overlooked the obvious. Any more?

      • Jeeeeez Nooooorm…

        oi no we all av ow senya momens an thatya av sumthin agenst us aussie blokes but ow cudja ferget ow simone???
        asnt bin much els since ow jone (yer no- sutherlund) te make oz the grate muzicle cuntry thet we ar!
        jesses well she dussent rede yer blog mate!!!!

  2. Sir Charles Mackerras was also GMD in Hamburg..

  3. Saarbrücken is not such a small house; it’s got a good reputation and has helped many an aspiring young artist to greater things. I understand His Holiness Jonas the Kaufmann even started off there. The building is unashamedly Third Reich Neo-Classic or some such.

  4. Tor Fromyhr says:

    Bravo Nick! there was an Australian GMD in Jena. It says so in the above press release.

    • Nick Milton was the GMD in Jena!

      • Tor Fromyhr says:

        ;-), that was the point of my comment, Norman must have got bored with the platitudes in the press release, understandably, before he got to that statement to make the comments that he made or perhaps it was a test for the readers – prize may be a week on a luxury boat on the Saar

  5. Nicholas was a finalist for the position of music director of the Malaga Philharmonic in Spain until last week. They’ve just named a Venezuelan, Manuel Hernandez Silva to that position – only a few days ago, in fact! Certainly didn’t take Nicholas much time to land on his feet after not getting the Malaga job! Good for him!

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