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Angela Gheorghiu’s new status

It was frontally announced on her t-shirt, while rehearsing this morning at the Concertgebouw.

gheorghiu new status2gheorghiu new status

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Comments

  1. I remember Marilyn Hill Smith coming to a recording of Havergal Brian’s opera _The Tigers_ in BBC Maida Vale in 1983 in a tight-fitting T-shirt with a caption (made up by her then husband, apparently) which read: “Don’t look at mine — grow your own”.

  2. What does it say? I can’t read it

  3. Oh, I thought it read In Hove.

  4. This concert is being streamed on the web live by Netherlands Radio even as I type this. It’s a good bet that it eventually will be available for replay at NR’s Concerthouse site (a superb place to find all sorts of great stuff). It is easy to navigate even if you don’t know Dutch.

    http://www.radio4.nl/
    http://concerthuis.radio4.nl/

    The program:

    Vandaag in de uitzending
    In het programma Avondconcert hoort u dagelijks live opnamen van Nederlandse en internationale concertpodia.

    Het Gelders Orkest o.l.v. Ramon Tebar, m.m.v. Angela Gheorghiu (sopraan):

    Mozart – Ouverture (uit ‘Le nozze di Figaro’, KV 492)
    Händel – Aria ‘Frondi tenere…Ombra mai fu’ (uit ‘Serse’, HWV 40)
    Mozart – Recitatief en aria ‘Giunse alfin il momento … Deh vieni, non tardar’ (uit ‘Le nozze di Figaro’, KV 492)
    Berlioz – Le carnaval romain, H 95, op. 9 ‘Ouverture caractéristique’
    Massenet – Vive l’amour (uit ‘Chérubin’)
    Dvořák – Lied van de maan (uit ‘Rusalka’, op. 114)
    Hérold – Ouverture (uit ‘Zampa, ou la fiancée de marbre’)
    Massenet – Aria ‘Adieu, notre petite table’ (uit ‘Manon’)
    Massenet – Aria ‘Pleurez, pleurez mes yeux’ (uit ‘Le Cid’)
    Ponchielli – Danza delle ore del giorno (uit ‘La Gioconda’)
    Spontini – Aria ‘O nume tutelar’ (uit ‘La vestale’)
    Puccini – Aria ‘O mio babbino caro’ (uit ‘Gianni Schicchi’)
    Catalani – Aria ‘Ebben? Ne andrò lontana’ (uit ‘La Wally’)

    Live vanuit Concertgebouw Amsterdam

  5. Steve Foster says:

    Wonderful. Public displays of affection have figured out how to annoy everyone even more.

  6. We should ask,”with whom ?”

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