Nathan Currier cannot comment on his current lawsuit against the Brooklyn Phil, but he’d like to share the following information:
I had a Symphony premiered with the Simon Bolivar Orchestra this past season, called Hildegard’s Symphony, which also has an environmental theme (albeit somewhat less explicit), as in the oratorio. Here’s a link to the video:
Coming from the other side of my life, yet deeply related to the material behind the oratorio – if in somewhat complex ways – is my my most recent article in Huffington Post, which just appeared two days ago. The single quote from me in the article you cited the other day, in which I said that my oratorio is becoming “more relevant by the day,” is, I suppose, explicated somewhat in the details you will find in this most recent HuffPost piece, found here.