The editor of Gramophone has resigned.
That’s a pity, because James Inverne greatly brightened up the old rag and reclaimed a good deal of independence from the record business. There was a time when major labels got prior approval of reviews that appeared in Gramophone. That, I understand, is no longer the case. Gramophone’s integrity has been restored.
James apparently wants to do other things with his life. You can read the press release below.
More alarming is the continued practice at the US classical record magazine Fanfare of offering reviews for cash. Here’s how it works. When Fanfare receives a copy of your CD, it asks you to take an advert ‘at special rates’. The bigger the ad, the larger the coverage. No ad, no guaranteed review. Simple as that.
The most shocking thing? That many artists and labels accept these terms and conditions.
The terms are stated baldly in a pro forma letter to a composer friend of mine. I have deleted his name. The rest is verbatim. read it, and fume.
James Inverne steps down as Gramophone editor, becomes contributing editor
After nearly six years as editor of Gramophone, the world’s most authoritative classical music magazine, James Inverne has decided to relinquish the role.
“Having just completed an exciting redesign of the magazine, to be unveiled in the forthcoming November issue, the time felt right for me to move on,” said Inverne, who will retain links with the magazine as contributing editor.
“Six years is a long time for an editorship, and having come from a journalistic background where I worked across the arts, I feel a drive to once again broaden my horizons. I’ve also missed writing more than being editor allows time for. With Gramophone in fine shape I am confident it is well-positioned for a wonderful future.”
During his tenure, Inverne has won two major awards and has helped to guide on- and offline development of the Gramophone brand that has included redesigning the magazine, and the launch of an online audio/visual player.
Gramophone’s publisher Kate Law comments, “James will be missed and has been a great asset for Gramophone. But we understand that after six years he wants to move in new directions and we wish him the very best as he does so. He leaves Gramophone healthy and vibrant for whoever succeeds him as editor.”
Editor in Chief, James Jolly comments, “James’ eye for what makes for a great story made a real impact on Gramophone. His tireless work in promoting the magazine in the media ensured that Gramophone reached an ever wider public and retained its position as the most influential magazine in the classical world. All the staff at the magazine wish him every success and look forward to his future contributions to Gramophone.”
A new Gramophone editor will be announced in the coming weeks.
“Gramophone is an incredible brand to publish,” said Law. “It has a fantastic heritage, and a profoundly knowledgeable team. I’m proud of the way that it is successfully expanding onto new platforms, and in doing so attracting new audiences worldwide. The new editor will be in an excellent place to capitalise on those strengths.”
The redesigned Gramophone magazine is on sale from 2 November.
James Jolly continues in his role as Editor in Chief. Editorial queries relating to Gramophone should be directed to (Acting Editor) Martin Cullingford at firstname.lastname@example.org.