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Still more on the new audience

What I'm going to talk about -- but not quite yet -- is whether this new audience could be found outside New York. But first, a summary. I'm reminded in a blog comment from my friend Aleba Gartner (who does publicity work with the triumphantly resurgent  New York City Opera) that City Opera's Monodramas production -- three atonal one-act, one-singer operas, currently in repertoire, and tremendously worth seeing -- also drew the kind of audience I've been talking about. Which would be an audience of smart (and in this case, maybe … [Read more...]

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