...of Seville, I mean. A Met Opera performance broadcast in December of 1950, and newly released (or soon to be released) on Sony Classical. I was interested initially for opera geek reasons. The cast included Lily Pons (the Met's leading coloratura of those days) as Rosina, and Giuseppe Di Stefano as the Count. Pons has always struck me on commercial recordings as rather feeble, and while I've known that Di Stefano began his career singing light, lyric tenor roles, I'd never heard him in anything this light. Instead I've known him from … [Read more...]
Screaming for other divas
A worthy question -- did Geraldine Farrar have screaming girl fans only because of her opera success, or because she was also a silent movie star? I don't have any information that would help me answer that. But other divas had followings of excited women -- for instance, Amelita Galli-Curci, the early 20th century coloratura, and (according to a 1940s piece in Time magazine) also Lily Pons, the glamorous coloratura of the mid-20th century. (See my sidebar on the age of the audience for documentation.)Pons made films, too, in the 1930s, … [Read more...]










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Greg Sandow on The Monday post
I'd add, Herbert, that I've looked through many old Novello scores, including some older than Elgar. I found one once,...Greg Sandow on The Monday post
I'll add, Ariel, that I still don't know what your own point of view is on the important questions we...Greg Sandow on The Monday post
Ariel, have you studied all of this very much? See my reply to Pauls. It's especially easy to cherry-pick your...Greg Sandow on The Monday post
And the experimental/modern/avant-garde new music always had more prestige than performances. If you look, for instance, at what US opera...Greg Sandow on The Monday post
The William Weber book I cited takes into account most, if not all, of what you're mentioning. For much of...