From Dan Walter, who’s 30, says he grew up with heavy metal,
rock, pop, and rap. Lately he’s been buying and downloading classical
recordings, and says he’s “a little bit upset with myself
for not discovering and continuing to follow this great form of music much
earlier in my life. I have been reading biographies of composers and doing
research on the web about all the music I am interested in and continue to
discover something new on a daily basis. I have a pretty big CD collection of
popular music and have decided to start a collection of classical music.”
But that’s not all. Here, with his permission, is what he
told me he’d like to see in classical music today:
1.
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music!
2.
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music!!
3.
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music that is relevant to today, and is marketed with as much effort as any
popular music.
4.
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taking advantage of PBS again.
5.
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without so many stifling rules.
6.
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without so many stifling rules.
7.
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halls embracing new technologies. (recording audio,
and visual tech.)
8.
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that has some controversy. (Political, social, religious, etc.) By this I don’t
mean controversy for controversy’s sake.
But a composer who is not afraid to take some risks and
class=GramE>a
9.
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cost or free children’s concerts that when it’s over the kids are allowed to go
up on stage and talk to the musicians and see and possibly try out the
instruments. Get the kids excited about
instruments they probably have never heard of before.
10.
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to lighten up when it comes to art. Far
more often than not art is to be enjoyed.
Not studied to death.
Many, many thanks to Dan for this. Point four might be reversed, so that
PBS (which is the culprit here) would telecast more orchestras. And point nine,
very happily, describes something that many orchestras have done.
But no one should underestimate how important this list is.
Here’s what someone who comes from classical music from the pop world would
love to see — or, to put it more strongly, what many people who look at
classical music from a pop perspective would like. Dan’s not alone. We’d
attract a lot more people his age — and have a much more
lively time ourselves — if we did what he suggests.


Recent Comments
Greg Sandow on Good news from Toronto
Thanks! It's wonderful to have this corroboration. I'm sure Peter Oundjian is a crucial part of the Symphony's success.Greg Sandow on Philharmonic clarification
Christina, when the Philharmonic played in Lewisohn Stadium, they didn't have any marketing department. Or any corporate sponsors. Those things...D Shapiro on Good news from Toronto
As a subscriber, and a parent of a 29-year-old, I can provide a little insight. My daughter is fairly typical...Christina Jensen on Philharmonic clarification
If that is true, it's unlikely any publicists were involved, but rather marketing departments and corporate sponsorship folks. http://nyphil.org/support/corporate_benefits.cfmJon Silpayamanant on Good news from Toronto
Some classical music institutions attract a young audience by lowering ticket prices, but then they need funding to offset the...