Hypothetical question

Suppose orchestras knew they were in desperate trouble -- trouble so bad that they could see extinction looming. Or if not extinction, then at least a sharp cutback in their operations. Should they talk about this publicly?

Maybe not. It's hard to raise money when extinction looms. "We're asking you [says the orchestra to a wealthy donor, or corporation or foundation] for two million dollars. Oh, and we might be out of business three years from now." Understandably, orchestras might not want to go there. They might think, "Well, we've got a year or two, at least, and maybe more, before the trouble really hit. Maybe we can fix things before anybody notices how very bad they are."

But maybe they really should go public. If they don't, what happens if the truth gets known? Suppose things suddenly got even worse, and an orchestra was forced to make dramatic cutbacks earlier than it expected. Its donors might feel betrayed. "Last year I gave you two million dollars. But you never told me how bad things were!" The orchestra could lose its credibility. The entire field could, including the American Symphony Orchestra League.

And there's another possible advantage to going public. If you say that things are bad, you have to find solutions. I mean serious solutions, whose viability you can demonstrate to everyone.

But of course -- always speaking hypothetically -- that could also be a reason (though a sad one) for keeping quiet. If you don't announce your problems, then you don't have to find solutions. You can stay in denial, understanding that things are very bad, but not quite admitting (even to yourself) that you don't know what to do.

February 10, 2005 5:22 PM |

Categories:

Resources

Age of the Audience 
Conventional wisdom: the classical music audience has always been the age it is now. Reality: It used to be younger -- dramatically younger, in fact. Here's some evidence -- actual texts of old studies, links to NEA studies -- plus my blog posts on this subject. more

earlier resources

Things I like

Frank O'Hara... 
...or rather these lines from one of his poems, quoted today in the New York Times Book Review: more

The Ten-Cent Plague
 
To paraphrase the old quote about the Nazis: "They came for the comic books, but I didn't read comic books..." more

Improvisation Games
 
An inspired book... more

Elektra 1957
 
Seismic recording.  more

Carmen Sings Monk
 
It's piano music, but she'll sing it anyway...
more
more things

About this Entry

This page contains a single entry by Sandow published on February 10, 2005 5:22 PM.

John Cage in Pittsburgh was the previous entry in this blog.

The crisis (first followup) is the next entry in this blog.

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