The younger audience

As we all know, the classical music world is looking for a new, younger audience. Just today I learned about a chamber music concert where a lot of the audience was young. Turned out these younger people worked for companies that gave money to the group that presented the concert, and they'd gotten free tickets. But still they seemed to love the music.

(An obvious question: Does the presenting group have these people's names? It's important to market future concerts to them!)

And then at the ASOL conference in Pittsburgh, I met the new executive director of an important orchestra, who's just 30 years old. He has a new marketing director with dynamic ideas, who's also in his 30s. And, I'm told, the new board chairman of this orchestra is also under 40.

All this focused something I've been thinking for a while. There's no shortage of younger people who work in the classical music business. My wife, a classical music critic for The New York Times, is in her 30s, and many times has told me how many colleagues she has of about the same age. I know plenty of orchestra administators (along with staff members of other classical music organizations) who are in their 30s or their 40s. Orchestral musicians, too, can be young, even in major orchestras. Some are in their 20s. As I've pointed out before, orchestras now are younger than their audience.

So if people in the field are young, there's got to be a younger audience, out there somewhere, ready to come to concerts whenever someone figures out how to attract it. That's much more logical than thinking that the younger people who work in classical music are somehow aberrations, so untypical of people their age that they can't possibly be representative. I'd add that this pessimistic supposition doesn't fit my experience. All the younger people I've met in the classical music business seem perfectly normal (one measure of which is that they all have friends who don't pay attention to classical music at all).

So where's the younger audience? I bet it's not so very far away.

June 15, 2004 11:24 AM |

Categories:

Resources

Age of the Audience 
Conventional wisdom: the classical music audience has always been the age it is now. Reality: It used to be younger -- dramatically younger, in fact. Here's some evidence -- actual texts of old studies, links to NEA studies -- plus my blog posts on this subject. more

earlier resources

Things I like

Frank O'Hara... 
...or rather these lines from one of his poems, quoted today in the New York Times Book Review: more

The Ten-Cent Plague
 
To paraphrase the old quote about the Nazis: "They came for the comic books, but I didn't read comic books..." more

Improvisation Games
 
An inspired book... more

Elektra 1957
 
Seismic recording.  more

Carmen Sings Monk
 
It's piano music, but she'll sing it anyway...
more
more things

About this Entry

This page contains a single entry by Sandow published on June 15, 2004 11:24 AM.

What I did on my work binge was the previous entry in this blog.

Fun, but… is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Ads

Introducing
AJ Arts Blog Ads

Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.

Advertise Here

AJ Blogs

AJBlogCentral | rss

special
Program Notes
the blog of the National Performing Arts Convention
culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
diacritical
Douglas McLennan's blog
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Stage Write
Elizabeth Zimmer on time-based art forms

visual
Aesthetic Grounds
Public Art, Public Space
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.