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	<title>Comments for blog riley</title>
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	<link>http://www.artsjournal.com/riley</link>
	<description>rock culture approximately</description>
	<lastBuildDate>Tue, 19 Feb 2013 18:26:17 +0000</lastBuildDate>
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		<title>Comment on DOWNTON&#8217;S ROB JAMES-COLLIER, EARS BUZZING by Jonathan Bumas</title>
		<link>http://www.artsjournal.com/riley/2013/02/downtons-rob-james-collier-ears-buzzing/#comment-1560</link>
		<dc:creator>Jonathan Bumas</dc:creator>
		<pubDate>Tue, 19 Feb 2013 18:26:17 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsjournal.com/riley/?p=1992#comment-1560</guid>
		<description><![CDATA[For the Attention of TR: 

An article you may have missed in The New York Times for 30 January made me think of the headline for your BlogRiley entry of 23 December, &quot;All Newspapers Make Mistakes.&quot;

The article is about an e-book reprinting of Abe Rosenthal&#039;s 1965 Thirty-Eight Witnesses: The Kitty Genovese Case. The case was a murder in Forest Hills, NY. It became, now seemingly in part because of Rosenthal&#039;s writings,  godsend to a couple of generations of sociologists examining  conditions of American urbanites, their isolation &amp; anomie – &quot;callousness&quot; is the word used in this article. It was too good to be untrue. The ghost of K. G. haunted me and surely many others; fifteen years later, I still felt more comfortable walking Sara down Austin Street in daylight (well, it&#039;s also true that Son of Sam murders had occurred nearby, two summers before…).

The e-book is appearing with an introduction that makes no mention of Rosenthal&#039;s – what to call them, distortions? inventions? At any event, I thought that this Paper of Record&#039;s look at its younger self might interest you. I found it very contortionistic &amp; dizzily non-judgmental. It may not make you read the Times and weep, but it may make you shake your head – and shake your head about shaking your head. What a group of journalism folks at Emerson College would make of it, I can only wonder.

Best wishes,

Jonathan]]></description>
		<content:encoded><![CDATA[<p>For the Attention of TR: </p>
<p>An article you may have missed in The New York Times for 30 January made me think of the headline for your BlogRiley entry of 23 December, &#8220;All Newspapers Make Mistakes.&#8221;</p>
<p>The article is about an e-book reprinting of Abe Rosenthal&#8217;s 1965 Thirty-Eight Witnesses: The Kitty Genovese Case. The case was a murder in Forest Hills, NY. It became, now seemingly in part because of Rosenthal&#8217;s writings,  godsend to a couple of generations of sociologists examining  conditions of American urbanites, their isolation &amp; anomie – &#8220;callousness&#8221; is the word used in this article. It was too good to be untrue. The ghost of K. G. haunted me and surely many others; fifteen years later, I still felt more comfortable walking Sara down Austin Street in daylight (well, it&#8217;s also true that Son of Sam murders had occurred nearby, two summers before…).</p>
<p>The e-book is appearing with an introduction that makes no mention of Rosenthal&#8217;s – what to call them, distortions? inventions? At any event, I thought that this Paper of Record&#8217;s look at its younger self might interest you. I found it very contortionistic &amp; dizzily non-judgmental. It may not make you read the Times and weep, but it may make you shake your head – and shake your head about shaking your head. What a group of journalism folks at Emerson College would make of it, I can only wonder.</p>
<p>Best wishes,</p>
<p>Jonathan</p>
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		<title>Comment on EAT THE PLUTOCRATS by william osborne</title>
		<link>http://www.artsjournal.com/riley/2012/06/1633/#comment-1369</link>
		<dc:creator>william osborne</dc:creator>
		<pubDate>Thu, 14 Jun 2012 15:30:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsjournal.com/riley/?p=1633#comment-1369</guid>
		<description><![CDATA[The plutocracy in our cultural lives was firmly established over a century ago.  The USA is the only developed country in the world without a comprehensive system of public arts funding.  Instead, the wealthy fund our non-profit arts organizations which allows them to shape our cultural institutions and cultural lives according to their interests.   Outside of a few financial centers where the wealthy live, the quality and quantity of our cultural offerings in areas like opera performances and orchestra concerts remain one of the most paltry in the developed world, and our tickets by far the most expensive. 

For just one example, America only has 3 cities in the top 100 for opera performances per year, and the tickets usually cost 4 to 5 times more than in Europe.  

This abysmal situation will not be changed regardless of who is elected.  All of our Presidential candidates are bankrolled by the wealthy and answer to their interests.  No candidate will begin movement toward establishing a comprehensive public funding system for the arts like every other developed country has long had.  We are not given a choice.  And of course, we will hear virtually nothing about this even on NPR.]]></description>
		<content:encoded><![CDATA[<p>The plutocracy in our cultural lives was firmly established over a century ago.  The USA is the only developed country in the world without a comprehensive system of public arts funding.  Instead, the wealthy fund our non-profit arts organizations which allows them to shape our cultural institutions and cultural lives according to their interests.   Outside of a few financial centers where the wealthy live, the quality and quantity of our cultural offerings in areas like opera performances and orchestra concerts remain one of the most paltry in the developed world, and our tickets by far the most expensive. </p>
<p>For just one example, America only has 3 cities in the top 100 for opera performances per year, and the tickets usually cost 4 to 5 times more than in Europe.  </p>
<p>This abysmal situation will not be changed regardless of who is elected.  All of our Presidential candidates are bankrolled by the wealthy and answer to their interests.  No candidate will begin movement toward establishing a comprehensive public funding system for the arts like every other developed country has long had.  We are not given a choice.  And of course, we will hear virtually nothing about this even on NPR.</p>
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		<title>Comment on CLASSICAL COVER ART SEMIOTICS by Andy Parker</title>
		<link>http://www.artsjournal.com/riley/2009/08/classical_cover_art_semiotics/#comment-560</link>
		<dc:creator>Andy Parker</dc:creator>
		<pubDate>Tue, 01 Sep 2009 16:39:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsjournal.com/riley/wp/2009/08/classical_cover_art_semiotics/#comment-560</guid>
		<description><![CDATA[Ha I love that Morrissey cover - I remember laughing out loud when I first saw it. No, I&#039;m NOT simple. Honest! lol
His latest album (Years Of Refusal) has RUBBISH artwork though.
]]></description>
		<content:encoded><![CDATA[<p>Ha I love that Morrissey cover &#8211; I remember laughing out loud when I first saw it. No, I&#8217;m NOT simple. Honest! lol<br />
His latest album (Years Of Refusal) has RUBBISH artwork though.</p>
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		<title>Comment on WOODSTOCK NATION by Victor</title>
		<link>http://www.artsjournal.com/riley/2009/08/woodstock_nation/#comment-561</link>
		<dc:creator>Victor</dc:creator>
		<pubDate>Wed, 12 Aug 2009 15:11:23 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsjournal.com/riley/wp/2009/08/woodstock_nation/#comment-561</guid>
		<description><![CDATA[I have a personal commentary of Woodstock seen through my eyes, 40 years later. Please have a read if you are interested in an other slant of history.
]]></description>
		<content:encoded><![CDATA[<p>I have a personal commentary of Woodstock seen through my eyes, 40 years later. Please have a read if you are interested in an other slant of history.</p>
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		<title>Comment on IF I COULD HACK WHITE HOUSE TV by moratmarit</title>
		<link>http://www.artsjournal.com/riley/2007/04/if_i_could_hack_white_house_tv/#comment-511</link>
		<dc:creator>moratmarit</dc:creator>
		<pubDate>Mon, 27 Jul 2009 09:25:46 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsjournal.com/riley/wp/2007/04/if_i_could_hack_white_house_tv/#comment-511</guid>
		<description><![CDATA[Interested,,good job.
Thanks for information.
]]></description>
		<content:encoded><![CDATA[<p>Interested,,good job.<br />
Thanks for information.</p>
]]></content:encoded>
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		<title>Comment on YOU&#8217;VE COME A LONG WAY BABY by zhangdan</title>
		<link>http://www.artsjournal.com/riley/2009/06/youve_come_a_long_way_baby/#comment-557</link>
		<dc:creator>zhangdan</dc:creator>
		<pubDate>Mon, 27 Jul 2009 07:19:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsjournal.com/riley/wp/2009/06/youve_come_a_long_way_baby/#comment-557</guid>
		<description><![CDATA[&lt;a href=&quot; &lt;a href=&quot; rel=&quot;nofollow&quot;&gt;air&quot;&gt;http://www.aj2u.com/&quot;&gt;air&lt;/a&gt; jordan shoes
]]></description>
		<content:encoded><![CDATA[<p><a href=" <a href=" rel="nofollow">air&#8221;>http://www.aj2u.com/&#8221;>air</a> jordan shoes</p>
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		<title>Comment on MORE MJ: LEGACY ISSUES by Kendall Weddington</title>
		<link>http://www.artsjournal.com/riley/2009/07/more_mjlegacy_issues/#comment-559</link>
		<dc:creator>Kendall Weddington</dc:creator>
		<pubDate>Thu, 16 Jul 2009 01:13:16 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsjournal.com/riley/wp/2009/07/more_mjlegacy_issues/#comment-559</guid>
		<description><![CDATA[I just read a powerful article about Michael Jackson at www.ebmpublishing.com.  The article was wonderfully written and showed a different side of him.  It discussed his amazing rise from the grim streets of Indiana to international stardom.  It’s an engaging, thought provoking article that gave me a new found level of respect for him as a man and artist.  The article is located on the home page in the departments section under Hitman.
]]></description>
		<content:encoded><![CDATA[<p>I just read a powerful article about Michael Jackson at <a href="http://www.ebmpublishing.com" rel="nofollow">http://www.ebmpublishing.com</a>.  The article was wonderfully written and showed a different side of him.  It discussed his amazing rise from the grim streets of Indiana to international stardom.  It’s an engaging, thought provoking article that gave me a new found level of respect for him as a man and artist.  The article is located on the home page in the departments section under Hitman.</p>
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		<title>Comment on RESEGREGATING THE CHARTS by Ries</title>
		<link>http://www.artsjournal.com/riley/2009/06/resegregating_the_charts/#comment-558</link>
		<dc:creator>Ries</dc:creator>
		<pubDate>Thu, 25 Jun 2009 22:36:50 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsjournal.com/riley/wp/2009/06/resegregating_the_charts/#comment-558</guid>
		<description><![CDATA[I am dubious.
Not a huge Beatles fan, but to give them their due, they did manage to use the established English Studio system as an instrument, rather than be used by it, and that may have been one of their biggest breakthoughs. The George Martin/classical orchestra/recording studio manipulation stuff they did on Sgt. Peppers, the White Album, and so on, did indeed have a HUGE effect on black american artists like Marvin Gaye, or George Clinton, and a lot of the Motown packaged acts followed their earlier teen hit formula pretty closely as well.
So to say that the did not effect black american music- I just dont see it.
But the reaction to the packaging of pop, even by the Beatles themselves, is probably their greatest legacy, and that hit both white and black bands in the 70&#039;s.
At the same time punk rock was lashing out against radio hits, early rap and hiphop was doing the same thing.
In both cases, Mammon eventually won, and most post punk acts, as well as most hiphop acts, became more and more commercial, cause thats where the Benjamins are.
Which is not to say that there were not then, and are not now, groups that mix black and white musicians and influences. I remember 50&#039;s and early 60&#039;s pop music as being MORE segregated than post Beatles 70&#039;s stuff as well- so I dont see how the Beatles, singlehandledly, somehow ripped apart a happy family.
And, now, of course, the number 1 musical genre among white teenagers is black music- rap.
The book sounds interesting nonetheless, and I will be buying it and reaidng it.
]]></description>
		<content:encoded><![CDATA[<p>I am dubious.<br />
Not a huge Beatles fan, but to give them their due, they did manage to use the established English Studio system as an instrument, rather than be used by it, and that may have been one of their biggest breakthoughs. The George Martin/classical orchestra/recording studio manipulation stuff they did on Sgt. Peppers, the White Album, and so on, did indeed have a HUGE effect on black american artists like Marvin Gaye, or George Clinton, and a lot of the Motown packaged acts followed their earlier teen hit formula pretty closely as well.<br />
So to say that the did not effect black american music- I just dont see it.<br />
But the reaction to the packaging of pop, even by the Beatles themselves, is probably their greatest legacy, and that hit both white and black bands in the 70&#8242;s.<br />
At the same time punk rock was lashing out against radio hits, early rap and hiphop was doing the same thing.<br />
In both cases, Mammon eventually won, and most post punk acts, as well as most hiphop acts, became more and more commercial, cause thats where the Benjamins are.<br />
Which is not to say that there were not then, and are not now, groups that mix black and white musicians and influences. I remember 50&#8242;s and early 60&#8242;s pop music as being MORE segregated than post Beatles 70&#8242;s stuff as well- so I dont see how the Beatles, singlehandledly, somehow ripped apart a happy family.<br />
And, now, of course, the number 1 musical genre among white teenagers is black music- rap.<br />
The book sounds interesting nonetheless, and I will be buying it and reaidng it.</p>
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		<title>Comment on lists to live for&#8230; by Albert</title>
		<link>http://www.artsjournal.com/riley/2007/06/lists_to_live_for/#comment-517</link>
		<dc:creator>Albert</dc:creator>
		<pubDate>Sun, 07 Jun 2009 04:58:50 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsjournal.com/riley/wp/2007/06/lists_to_live_for/#comment-517</guid>
		<description><![CDATA[These are some nice shares, thanks.
]]></description>
		<content:encoded><![CDATA[<p>These are some nice shares, thanks.</p>
]]></content:encoded>
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		<title>Comment on B. KLIBAN AGAIN B. KLIBAN by Mike FItzpatrick</title>
		<link>http://www.artsjournal.com/riley/2009/04/b_kliban_again/#comment-554</link>
		<dc:creator>Mike FItzpatrick</dc:creator>
		<pubDate>Fri, 22 May 2009 19:08:04 +0000</pubDate>
		<guid isPermaLink="false">http://www.artsjournal.com/riley/wp/2009/04/b_kliban_again/#comment-554</guid>
		<description><![CDATA[Just a wheeze, I&#039;m disappointed that even though there are a lot of great and funny Kliban drawings out there, the one I NEED to illustrate a point hasn&#039;t seemed to make anybody&#039;s favorite lists...  &quot;Ugly Roomer&quot; from Never Eat Anything, etc. or whack your porcupine....  I think.  I can&#039;t find my books in the mire of my hovel.  Anyhow, just being sort of a crab.  Thanks for posting
]]></description>
		<content:encoded><![CDATA[<p>Just a wheeze, I&#8217;m disappointed that even though there are a lot of great and funny Kliban drawings out there, the one I NEED to illustrate a point hasn&#8217;t seemed to make anybody&#8217;s favorite lists&#8230;  &#8220;Ugly Roomer&#8221; from Never Eat Anything, etc. or whack your porcupine&#8230;.  I think.  I can&#8217;t find my books in the mire of my hovel.  Anyhow, just being sort of a crab.  Thanks for posting</p>
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