February 2009 Archives
"The madness of our financial system cries out for comic demolition - it needs Preston Sturges. But the glimpses of the big 2009 films gathered at the end of the Oscar show looked old-hat already, before they've even opened..."--David Thomson on the Oscars. The big routine around this house was Stiller as the Unabomber, but Steve and Tina got all the ink. (Is she more famous than him now?)
Asked what punishment he would like to see for Mr. Madoff, Mr. Wiesel said: "I would like him to be in a solitary cell with only a screen, and on that screen for at least five years of his life, every day and every night, there should be pictures of his victims, one after the other after the other, all the time a voice saying, 'Look what you have done to this old lady, look what you have done to that child, look what you have done,' nothing else."--Elie Wiesel in the NYTImes.
Sounds like a good prescription for Bush-Cheney crowd: strap them to chairs and make them watch loops of "collateral damage."
but check it
Redoubtable mashable runs best music tumblelogs, so crank it. [for "dandelions" read: "deadlines"]
MISSED OPPORTUNITY
In the current issue of the Atlantic, James Parker wonders: "Has rock history ended, its glorious teleology exhausted?" Unpack and expand please. Some quotes from Harmonix principals and history of the game's evolution from Japanese models, there are many more, and far bigger questions than asked here. For example: Is Aerosmith (or Metallica or Your Band Here) exploiting the game or does the game exploit the band? What are the revenue shares like? When will a new band BREAK across the game sector? Who will Rock Band's Nirvana be? How does video gaming music affect radio? MTV? Where is the requiem for MTV, why it rose, why it dove? Will iPhone games soon overtake the home model, and how will that affect the music?
A Sound Check SMACKDOWN where Morrissey pushes the boulder of camp (Years of Refusal) up the mountain of art, artlessly.
FILE UNDER: Why didn't I think of this?
Jon Nelson hosts "Some Assembly Required," which specializes in underground sound collage and mashups. As "Escape Mechanism," he's released an album of his own, "Emphasis Added." This ON POINT interview includes music from Nelson, Eno and Byrne, Eric B and Rakim, Girl Talk, People Like Us, Wobbly, Turnstylz, and DJ callers who argue for a new musicianship. Broadcast on Thursday, February 5, 2009. (mp3)
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AJ Blogs
AJBlogCentral | rssculture
Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
rock culture approximately
Laura Collins-Hughes on arts, culture and coverage
Richard Kessler on arts education
Douglas McLennan's blog
Dalouge Smith advocates for the Arts
Art from the American Outback
For immediate release: the arts are marketable
No genre is the new genre
David Jays on theatre and dance
Paul Levy measures the Angles
Judith H. Dobrzynski on Culture
John Rockwell on the arts
Jan Herman - arts, media & culture with 'tude
dance
Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
jazz
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Doug Ramsey on Jazz and other matters...
media
Jeff Weinstein's Cultural Mixology
Martha Bayles on Film...
classical music
Fresh ideas on building arts communities
Greg Sandow performs a book-in-progress
Exploring Orchestras w/ Henry Fogel
Harvey Sachs on music, and various digressions
Bruce Brubaker on all things Piano
Kyle Gann on music after the fact
Greg Sandow on the future of Classical Music
Norman Lebrecht on Shifting Sound Worlds
publishing
Jerome Weeks on Books
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Wendy Rosenfield: covering drama, onstage and off
Chloe Veltman on how culture will save the world
visual
Public Art, Public Space
Regina Hackett takes her Art To Go
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Tyler Green's modern & contemporary art blog
