May 2006 Archives
II.
I've been trying to figure out a way to engage with you on some of your arguments. I deliberately steered clear of the homosexual themes in part because they don't reflect my direct experience but also because I felt a firm groundwork needed to be laid first before somebody could come along and give that treatment... I think it would still be very useful, can imagine a VERY good book waiting to get written... but to me the LEAST interesting aspects of Bowie, Elton John, and Boy George are their sexualities... I wanted to mount a spirited DEFENSE of Mick Jagger because I sense he gets too easily written off as a woman-hater when to my ear he's FAR more complicated than that.
Gender has become this buzzword, in academia it can mean almost anything, it gets tossed around too much, etc. I was trying to address the area that Robert Bly wrote so ignorantly of [in IRON JOHN] when he said "Young men today have no role models..." What do we mean when we talk about "feminism" anymore? How did men respond to it? Why has it gotten so demonized and twisted? And who will stand up for the figures that paraded through rock that set it all off?
That's the area... Presley's view on women is all over the place: he's a Momma's boy who was quickly corrupted by his power and tended to treat women as second-class citizens... but in SONG, it was clear how devoted, how romantic and how obviously wowed he was womanhood, don't you think? Otherwise, why are we still listening? Why does he stick up so firmly for his girl in "Blue Seude Shoes"? Why does "Suspicious Lies" sound so vulnerable? What is he so AFRAID of in that song?
yada yada yada, BUTCH
I've been trying to figure out a way to engage with you on some of your arguments. I deliberately steered clear of the homosexual themes in part because they don't reflect my direct experience but also because I felt a firm groundwork needed to be laid first before somebody could come along and give that treatment... I think it would still be very useful, can imagine a VERY good book waiting to get written... but to me the LEAST interesting aspects of Bowie, Elton John, and Boy George are their sexualities... I wanted to mount a spirited DEFENSE of Mick Jagger because I sense he gets too easily written off as a woman-hater when to my ear he's FAR more complicated than that.
Gender has become this buzzword, in academia it can mean almost anything, it gets tossed around too much, etc. I was trying to address the area that Robert Bly wrote so ignorantly of [in IRON JOHN] when he said "Young men today have no role models..." What do we mean when we talk about "feminism" anymore? How did men respond to it? Why has it gotten so demonized and twisted? And who will stand up for the figures that paraded through rock that set it all off?
That's the area... Presley's view on women is all over the place: he's a Momma's boy who was quickly corrupted by his power and tended to treat women as second-class citizens... but in SONG, it was clear how devoted, how romantic and how obviously wowed he was womanhood, don't you think? Otherwise, why are we still listening? Why does he stick up so firmly for his girl in "Blue Seude Shoes"? Why does "Suspicious Lies" sound so vulnerable? What is he so AFRAID of in that song?
yada yada yada, BUTCH
May 31, 2006 9:34 AM
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I.
Date: May 16, 2006 10:33 PM
Subject: finished your book
To: Tim Riley
and boy do I have comments. They are too lengthy to go into right now, but I hope to soon. In the meantime...
My main question is: What is this book about? What I expected was a book about Madonna, Bowie, Elton, Mick, k.d. lang, Boy George, 80s hair bands...and how they blurred gender. I also predicted comments on how shitty women in rock (not pop) are treated in the mainstream, or even in indie rock. Instead I read a book about how Elvis and Tina are the blueprint for male and female musical performers, and how Bruce Springsteen had trouble with his dad.
I guess gender may mean something different to me. I've got a lot of queer friends (and am a bit queer myself), and many of them have studied gender both in and out of academic realms. Gender is a totally made up thing to them. It's amazing that Elton, Bowie, and Boy George got away with acting like complete fags (pardon the slang but is there a better word for it?) before gay couples could even walk down the street holding hands without getting beat up. And nobody from Poison, Motley Crue, or Guns n' Roses were called fags or girlie for wearing loads of makeup and hairspray... they were MEN to the fullest, fillthiest degree. And the clincher is that women loved it. Why did they love it? It felt safe? It played out lesbian fantasies?
I suppose I'm interchanging sexual orientation with gender but to me they do go hand-in-hand to some degree.
You have convinced me that Elvis played a major role in shaping how the boys who listened to him acted, especially as compared to John Wayne. But what was Elvis's view on women? Was he really sensitive? Sure, he danced and felt comfortable with being sexy, but what good did it do? No, the first generation of men to really improve themselves in terms of how they treated women and their families was the generation listening to the Beatles and all the hippie post-1965 bands. Flower power, man. That's what really transformed gender in America.
I did really like the last chapter on rock super couples though. Very well done.
Anyway, now that you hate me...
-- SM of heresyourwater.com/blog
Date: May 16, 2006 10:33 PM
Subject: finished your book
To: Tim Riley
and boy do I have comments. They are too lengthy to go into right now, but I hope to soon. In the meantime...
My main question is: What is this book about? What I expected was a book about Madonna, Bowie, Elton, Mick, k.d. lang, Boy George, 80s hair bands...and how they blurred gender. I also predicted comments on how shitty women in rock (not pop) are treated in the mainstream, or even in indie rock. Instead I read a book about how Elvis and Tina are the blueprint for male and female musical performers, and how Bruce Springsteen had trouble with his dad.
I guess gender may mean something different to me. I've got a lot of queer friends (and am a bit queer myself), and many of them have studied gender both in and out of academic realms. Gender is a totally made up thing to them. It's amazing that Elton, Bowie, and Boy George got away with acting like complete fags (pardon the slang but is there a better word for it?) before gay couples could even walk down the street holding hands without getting beat up. And nobody from Poison, Motley Crue, or Guns n' Roses were called fags or girlie for wearing loads of makeup and hairspray... they were MEN to the fullest, fillthiest degree. And the clincher is that women loved it. Why did they love it? It felt safe? It played out lesbian fantasies?
I suppose I'm interchanging sexual orientation with gender but to me they do go hand-in-hand to some degree.
You have convinced me that Elvis played a major role in shaping how the boys who listened to him acted, especially as compared to John Wayne. But what was Elvis's view on women? Was he really sensitive? Sure, he danced and felt comfortable with being sexy, but what good did it do? No, the first generation of men to really improve themselves in terms of how they treated women and their families was the generation listening to the Beatles and all the hippie post-1965 bands. Flower power, man. That's what really transformed gender in America.
I did really like the last chapter on rock super couples though. Very well done.
Anyway, now that you hate me...
-- SM of heresyourwater.com/blog
May 30, 2006 12:04 PM
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SPIN CYCLEIn ONE WEEK, the Bush Administration, mired in DEEP POISON-POLL DOO-DOO, still managed to turn the story from this (G.O.P. LAWMAKERS FAULT A TOP PICK TO LEAD THE C.I.A.) to this (Bush's Picks for C.I.A. and a Court Succeed). Imagine the kind of success they could enjoy elsewhere if they were as competent at spin as they were policy, deployment, international relations, emergency management, etc.
BANDS ARE BANKS
Investment banks have identifiable personalities, decided Mark Gilbert, a columnist for Bloomberg News. So do rock bands. So he matched the characteristics of the banks to those of the bands (Bloomberg.com).--DAN MITCHELL (NYT) [to be continued...]
Goldman Sachs is like the Rolling Stones: "Unrivaled profit-generating abilities arouse jealousy and admiration in equal measure."
Deutsche Bank is like Fleetwood Mac: "Immensely profitable? Check. Years of infighting and not communicating with one another? Check. Badly in need of a style makeover? Check."
And, "both Merrill Lynch & Company and Madonna peaked in the 1980's and have been irrelevant since the 1990's..."
COUNTRY ALWAYS GOT THERE FIRST
Latest NPR podcast (RA): Country music politics, pegged to those Dixie Fried Chicks.
May 26, 2006 10:12 AM
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LINE OF THE MONTH
"Crime watch on the braid..." Marjene reluctantly agrees with her neighbor to keep an eye on her own polygamist wife.
SONG TITLES TO LIVE BY
from Willie Nelson on Imus in the Morning: "I Hate Every Bone In Your Body Except Mine."
"Crime watch on the braid..." Marjene reluctantly agrees with her neighbor to keep an eye on her own polygamist wife.
SONG TITLES TO LIVE BY
from Willie Nelson on Imus in the Morning: "I Hate Every Bone In Your Body Except Mine."
May 23, 2006 11:46 AM
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CAN YOU UNDERSTAND MY PAIN?"*
Despite some SHAMELESS name-dropping (never a good sign), Goldstein's "Satellite Dylan" piece in The Nation (nice cover!) steers things back to the bard's misogyny, which he usually skates on:
Richard Goldstein
Goldstein in LookSmart
Out of Ear's Reach, Riley on Ricks in Slate (June 2004)
Wiki Dylan links
[*Actual lyric from "Is Your Love In Vain" off of 1978's STREET LEGAL, notoriously omitted among Ph.Dylanologists.]
Despite some SHAMELESS name-dropping (never a good sign), Goldstein's "Satellite Dylan" piece in The Nation (nice cover!) steers things back to the bard's misogyny, which he usually skates on:
I don't claim that Dylan is determined by machismo -- there's much more to him than that. But I will say that he reaches many men of a certain age and status on precisely these grounds. He digs beneath their ambivalent embrace of sexual equality, the insistence that they acknowledge their interests as a sex, and he proposes that these demands insult the fundamentals. Liberals won't accept that regressive message when it's wrapped in conservative politics, as it often is in country music. But because Dylan is as critical of injustice as he is of liberation, he overrides such reservations. And if you take a purely textual approach, it's possible to forget that his mystique rests substantially on his sexual politics. Dylan is a liberal man's man.
Richard Goldstein
Goldstein in LookSmart
Out of Ear's Reach, Riley on Ricks in Slate (June 2004)
Wiki Dylan links
[*Actual lyric from "Is Your Love In Vain" off of 1978's STREET LEGAL, notoriously omitted among Ph.Dylanologists.]
May 16, 2006 10:34 AM
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Time was when a set of Chopin Nocturnes didn't really make waves... everybody does'em, and recently the fad has centered more around the Preludes. Both can be mistaken for student pieces, but like everything else by our beloved Freddie, they're all student pieces and every pianist is gonna play them to death so get used to it.
Still, this DG set from Pollini stands out more for the pianist than for the material; it's the kind of recording that could be defining for him, after eons of ravishing perfection, the great Italian takes his biggest risk and turns inward.
Another disc, from Japan's Yundi Li, set him tackling the great warhorses with Schumann's Carnaval, the gimmick is the Musikhuas in Wien. The clue to greatness lies in the opening Scarlattis. A couple weeks back
May 12, 2006 9:40 AM
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THE BOB DYLAN ENCYCLOPEDIA
by Michael Gray (832 pp, Continuum)
While not the David Thomson of rock, Gray aims pretty high, and hits enough marks to keep you going back for more (see Marcus, Greil, and Lee, CP). Without ever describing his tone or solo style, his incisive entry on Robbie Robertson spins your head around several lampposts:
pub date: June 15, 2006
Continuum
Michael Gray's Blog
BLOG OF THE WEEK
Coolfer, it's daily music industry news links are... CONDI-licious.
While not the David Thomson of rock, Gray aims pretty high, and hits enough marks to keep you going back for more (see Marcus, Greil, and Lee, CP). Without ever describing his tone or solo style, his incisive entry on Robbie Robertson spins your head around several lampposts:
...In 2005 he saw the rease of another of his rewriting of history, a 5-CD plus one DVD set titled THE BAND: A MUSICAL HISTORY, in which he re-mastered his own choices of material from Ronnie Hawkins & the Hawks' 1963 single 'Who Do You Love' through to the combined Band and Staple Singers performing Robertson's 'The Weight' in a studio in 1977 for inclusion in the LAST WALTZ movie--THE NOTES TO WHICH FUDGE OVER THE DATE AND PLACE OF RECORDING FOR QUITE A NUMBER OF THOSE ITEMS ONCE CLAIMED AS COMING FROM THE BASEMENT TAPES SESSIONS... the re-masters include 'Can YOU Please Crawl Out Your Window?' single from 1965, 'Tell Me Mama' and 'Just Like Tom Thumb's Blues' live from Liverpool May 1966, 'Odds and Ends' from the Basement Tapes 1967, 'I Ain't Got No Home' from the Guthrie Memorial Concert in 1968, 'Forever Young' from PLANET WAVES recordedin 1973, and 'Rainy Day Women #12 & 35' and 'Highway 61 Revisited' from the 1974 come-back tour... [emphasis added]All this and NO entry for Peter Stone Brown, tsk tsk.
pub date: June 15, 2006
Continuum
Michael Gray's Blog
BLOG OF THE WEEK
Coolfer, it's daily music industry news links are... CONDI-licious.
May 12, 2006 1:20 AM
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May 9, 2006 10:19 AM
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On May 4, 2006, at 2:07 PM, JB wrote:
Dear fellow music lovers: As you know, I collect lists. Over the years, I have assembled a list of the top records of all time, as identified by various critics and publications. These lists usually focus on rock, pop and r&b, with very little attention to blues, jazz or country and no classical at all. I am looking to fill in some of the gaps in my collection, but the gift certificate I have will only allow me to buy 2 or 3 CDs, so I need your help.
The list below contains the highest ranking albums from my list compilation that I don’t own already. In many cases I own other recordings by the same artists; in some cases these are greatest hits compilations. Where I own none of the artist’s recordings, I have put an asterisk next to the artist’s name. If you need more information about what albums I already own, I’d be glad to let you know, but I wanted to keep this short. We are relieved to hear you own records by stones, Zep, Gaye, Young and the rest, but there are MANY TITLES HERE that are simply too esteemed to be without... And not just the "highly rated" kind of esteemed that you own but never listen to... I must say I can't get through the month without putting on BEGGAR'S BANQUET, and I'm sure that makes me an old FUDDY DUDDY, and I DON'T GIVE A HANG.
If you could only pick three off this list, which would you pick?
Led Zeppelin IV
The Rolling Stones Let It Bleed
David Bowie Ziggy Stardust & the Spiders from Mars
Marvin Gaye What’s Going On
The Clash The Clash
*Michael Jackson Thriller
The Rolling Stones Sticky Fingers
*AC/DC Back in Black
The Band The Band
*Joy Division Closer
Prince Sign o’ the Times
The Rolling Stones Beggar’s Banquet
Neil Young After the Goldrush
Led Zeppelin II
*Massive Attack Blue Lines
*Metallica Metallica
Nirvana In Utero
Oasis What’s the Story, Morning Glory?
*Primal Scream Screamadelica
Simon & Garfunkel Bridge over Troubled Water
Bruce Springsteen Darkness on the edge of town
*The Stone Roses The Stone Roses
Stevie Wonder Songs in the Key of Life
The Band Music from Big Pink
*Michael Jackson Off the Wall
*Joy Division Unknown Pleasures
*N.W.A. Straight Outta Compton
Pink Floyd The Wall
*Portishead Dummy
Public Enemy Fear of a Black Planet
Otis Redding Otis Blue/Otis Redding Sings Soul
*The Verve Urban Hymns
JB
Poncy Law Firm
State Street, Suite xxx
Boston, MA 02109
617-523-25xx
CONFIDENTIALITY AND INADVERTENT DISCLOSURE NOTICE: This e-mail transmission may contain confidential information belonging to the sender which is legally privileged and which is only intended for the use of the intended recipient. If you have received this e-mail in error, such transmission is an inadvertent disclosure, and any copying, disclosure, distribution or dissemination of this information or the taking of any action based on the contents of this communication is strictly prohibited. Please notify me immediately of any inadvertent disclosure by e-mail, delete the original transmission and destroy any printouts you may have made.
JB,
My man you frighten me to the quick. TO NOT OWN some of these puts you in great peril, weak from cultural deprivation and vulnerable to attack.
TO ADMIT not owning them amounts to HIGH AESTHETIC TREASON. I hear the ghost of G.B. Shaw wailing "If you do not know DIE ZAUBERFLOTE, you are an ignoramus..."
You are brave, however, and worthy. And so to the matter at hand, in order of personal preference:
*Portishead Dummy
*Joy Division Closer
*Massive Attack Blue Lines
This was easy: I just chose three asterisked titles since you need all three AND stop ANNOUNCING to people that you DON'T OWN ANYTHING BY THESE BANDS.
You don't need anything by Michael Jackson, the world keeps turning. Perhaps a Motown compilation, but don't even make it a twofer. That's the stuff you can deal with by downloading since WHO WANTS TO PAY HIS LEGAL BILLS? That should keep you away from ALL Sony product from here on in.
But knowing you, and knowing your disposition, I should think you could cadge some bills out of mary's purse when she's not looking and snatch GOLD RUSH, STICKY FINGERS, LET IT BLEED, BIG PINK, and OTIS BLUE, that should get you through the summer. Next time you see one in a used shop, just plunk down for that ZEP box, it's the doorstop that keeps on giving. And also, go get those STONE ROSES, world's unlikeliest durability... on a COMPLETELY different order than Verve, and I LIKE Verve, honest. Indulge me by seeking out Ride's NOWHERE, same ilk, bigger mess. And My Bloody Valentine.
Somehow I know you would treat me gently if I came to you with my legal theories, so I'm trying to be nice... BUT DO TAKE A TIP AND PRETEND TO BE A BIT MORE LEARNED IN THESE MATTERS, BUBBA. People will talk.
CLEM
PS: Now I want to be in the loop for exactly WHAT titles you choose, HOW you choose, and WHAT your response is... will you make an average of all our recommentations, or pick the most eccentric tips? Or spite us all and pick all the ones we leave out, taunting us with your "insider" knowledge the next time we bump into you with your clothes on. Or is this whole thing a RUSE to foil us into admitting that none of can hear past the list? (For the Band, MAKE SURE YOU HAVE MOONDOG MATINEE...)
Dear fellow music lovers: As you know, I collect lists. Over the years, I have assembled a list of the top records of all time, as identified by various critics and publications. These lists usually focus on rock, pop and r&b, with very little attention to blues, jazz or country and no classical at all. I am looking to fill in some of the gaps in my collection, but the gift certificate I have will only allow me to buy 2 or 3 CDs, so I need your help.
The list below contains the highest ranking albums from my list compilation that I don’t own already. In many cases I own other recordings by the same artists; in some cases these are greatest hits compilations. Where I own none of the artist’s recordings, I have put an asterisk next to the artist’s name. If you need more information about what albums I already own, I’d be glad to let you know, but I wanted to keep this short. We are relieved to hear you own records by stones, Zep, Gaye, Young and the rest, but there are MANY TITLES HERE that are simply too esteemed to be without... And not just the "highly rated" kind of esteemed that you own but never listen to... I must say I can't get through the month without putting on BEGGAR'S BANQUET, and I'm sure that makes me an old FUDDY DUDDY, and I DON'T GIVE A HANG.
If you could only pick three off this list, which would you pick?
Led Zeppelin IV
The Rolling Stones Let It Bleed
David Bowie Ziggy Stardust & the Spiders from Mars
Marvin Gaye What’s Going On
The Clash The Clash
*Michael Jackson Thriller
The Rolling Stones Sticky Fingers
*AC/DC Back in Black
The Band The Band
*Joy Division Closer
Prince Sign o’ the Times
The Rolling Stones Beggar’s Banquet
Neil Young After the Goldrush
Led Zeppelin II
*Massive Attack Blue Lines
*Metallica Metallica
Nirvana In Utero
Oasis What’s the Story, Morning Glory?
*Primal Scream Screamadelica
Simon & Garfunkel Bridge over Troubled Water
Bruce Springsteen Darkness on the edge of town
*The Stone Roses The Stone Roses
Stevie Wonder Songs in the Key of Life
The Band Music from Big Pink
*Michael Jackson Off the Wall
*Joy Division Unknown Pleasures
*N.W.A. Straight Outta Compton
Pink Floyd The Wall
*Portishead Dummy
Public Enemy Fear of a Black Planet
Otis Redding Otis Blue/Otis Redding Sings Soul
*The Verve Urban Hymns
JB
Poncy Law Firm
State Street, Suite xxx
Boston, MA 02109
617-523-25xx
CONFIDENTIALITY AND INADVERTENT DISCLOSURE NOTICE: This e-mail transmission may contain confidential information belonging to the sender which is legally privileged and which is only intended for the use of the intended recipient. If you have received this e-mail in error, such transmission is an inadvertent disclosure, and any copying, disclosure, distribution or dissemination of this information or the taking of any action based on the contents of this communication is strictly prohibited. Please notify me immediately of any inadvertent disclosure by e-mail, delete the original transmission and destroy any printouts you may have made.
JB,
My man you frighten me to the quick. TO NOT OWN some of these puts you in great peril, weak from cultural deprivation and vulnerable to attack.
TO ADMIT not owning them amounts to HIGH AESTHETIC TREASON. I hear the ghost of G.B. Shaw wailing "If you do not know DIE ZAUBERFLOTE, you are an ignoramus..."
You are brave, however, and worthy. And so to the matter at hand, in order of personal preference:
*Portishead Dummy
*Joy Division Closer
*Massive Attack Blue Lines
This was easy: I just chose three asterisked titles since you need all three AND stop ANNOUNCING to people that you DON'T OWN ANYTHING BY THESE BANDS.
You don't need anything by Michael Jackson, the world keeps turning. Perhaps a Motown compilation, but don't even make it a twofer. That's the stuff you can deal with by downloading since WHO WANTS TO PAY HIS LEGAL BILLS? That should keep you away from ALL Sony product from here on in.
But knowing you, and knowing your disposition, I should think you could cadge some bills out of mary's purse when she's not looking and snatch GOLD RUSH, STICKY FINGERS, LET IT BLEED, BIG PINK, and OTIS BLUE, that should get you through the summer. Next time you see one in a used shop, just plunk down for that ZEP box, it's the doorstop that keeps on giving. And also, go get those STONE ROSES, world's unlikeliest durability... on a COMPLETELY different order than Verve, and I LIKE Verve, honest. Indulge me by seeking out Ride's NOWHERE, same ilk, bigger mess. And My Bloody Valentine.
Somehow I know you would treat me gently if I came to you with my legal theories, so I'm trying to be nice... BUT DO TAKE A TIP AND PRETEND TO BE A BIT MORE LEARNED IN THESE MATTERS, BUBBA. People will talk.
CLEM
PS: Now I want to be in the loop for exactly WHAT titles you choose, HOW you choose, and WHAT your response is... will you make an average of all our recommentations, or pick the most eccentric tips? Or spite us all and pick all the ones we leave out, taunting us with your "insider" knowledge the next time we bump into you with your clothes on. Or is this whole thing a RUSE to foil us into admitting that none of can hear past the list? (For the Band, MAKE SURE YOU HAVE MOONDOG MATINEE...)
May 7, 2006 9:53 AM
| Permalink
blog of the week
What Would Jesus Blog?
LOVE LIKE A TRUCK
On two new releases, the Bottle Rockets make like special prosecutor's on the country's warrantless wire-tapping WMD-lying ass:
Zoysia and
Live in Heilbronn Germanny July 17, 2005 on which they make Neil Young's "Cortez" lie down and beg for it.
PS: Does anybody else remember El Chicano? Pueblo, Colorado, 1971?
METANEWS
CJR * Daily
CSJ Links
Editor&Pub
freepress
JExpress
IWantMedia
Newsbot
News*Links
Newseum
Newzbin
Newshounds
NHBlogRoll
NVoyager
MagLinks
mediaaccess
mediamatters
Poynter
Rnesko
WikiNews
WriteNews
What Would Jesus Blog?
LOVE LIKE A TRUCK
On two new releases, the Bottle Rockets make like special prosecutor's on the country's warrantless wire-tapping WMD-lying ass:
Zoysia and
Live in Heilbronn Germanny July 17, 2005 on which they make Neil Young's "Cortez" lie down and beg for it.
PS: Does anybody else remember El Chicano? Pueblo, Colorado, 1971?
METANEWS
CJR * Daily
CSJ Links
Editor&Pub
freepress
JExpress
IWantMedia
Newsbot
News*Links
Newseum
Newzbin
Newshounds
NHBlogRoll
NVoyager
MagLinks
mediaaccess
mediamatters
Poynter
Rnesko
WikiNews
WriteNews
May 5, 2006 9:43 AM
| Permalink
FINISH THAT THOUGHT
[DEPT OF FISH IN A BARREL]
"I think people who want to be a citizen of this country ought to learn English and they ought to learn to sing the national anthem in English..." and all those Texas towns should all be English and the Latin on our judicial buildings should be in English and the Bible should be read in Aramaic...
HAPPY ANNIVERSARY, JANN -- love Neil... or
THAT'S SGT PEPPER TO YOU, POTHEAD
Original RS Interview
BLOGROLL 3.5.0.a, Supplemental Patch for version Q3F-B (unlicenseed users must use the previous patch UPDGRADE)
For folding, spindling, mutilating... abbreviated to suit strict column width... full titles embedded in links...
ABOVE THE FOLD
AL Daily
ArtsJournal
AssignEd
Biz 2.0
Buzzflash
HuffPost
LATimes
Lexis
MediaMons
NYTTopics
NYTimes
NYTFile
NYTAnn
NYTMus
NYTWatch [DEPT OF "KEEP YOUR ENEMIES CLOSER..."]
OpEdNews
Opinionator
OpinionJnl
WPostEd
TEAR OFF YOUR OWN HEAD
Ron Rosenbaum on FLIGHT 93
COMING SOON
METANEWS links, Classical roundup, Annette Bening as MRS HARRIS, and JUICY QUOTES FROM OBVIOUS SOURCES...
"I think people who want to be a citizen of this country ought to learn English and they ought to learn to sing the national anthem in English..." and all those Texas towns should all be English and the Latin on our judicial buildings should be in English and the Bible should be read in Aramaic...
HAPPY ANNIVERSARY, JANN -- love Neil... or
THAT'S SGT PEPPER TO YOU, POTHEAD
Original RS Interview
BLOGROLL 3.5.0.a, Supplemental Patch for version Q3F-B (unlicenseed users must use the previous patch UPDGRADE)
For folding, spindling, mutilating... abbreviated to suit strict column width... full titles embedded in links...
ABOVE THE FOLD
AL Daily
ArtsJournal
AssignEd
Biz 2.0
Buzzflash
HuffPost
LATimes
Lexis
MediaMons
NYTTopics
NYTimes
NYTFile
NYTAnn
NYTMus
NYTWatch [DEPT OF "KEEP YOUR ENEMIES CLOSER..."]
OpEdNews
Opinionator
OpinionJnl
WPostEd
TEAR OFF YOUR OWN HEAD
Ron Rosenbaum on FLIGHT 93
COMING SOON
METANEWS links, Classical roundup, Annette Bening as MRS HARRIS, and JUICY QUOTES FROM OBVIOUS SOURCES...
May 2, 2006 9:14 AM
| Permalink
Blogroll
AJ Blogs
AJBlogCentral | rssculture
About Last Night
Terry Teachout on the arts in New York City
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
Rebuilding Gulf Culture after Katrina
diacritical
Douglas McLennan's blog
Douglas McLennan's blog
Flyover
Art from the American Outback
Art from the American Outback
Rockwell Matters
John Rockwell on the arts
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude
Jan Herman - arts, media & culture with 'tude
dance
Foot in Mouth
Apollinaire Scherr talks about dance
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...
Tobi Tobias on dance et al...
media
Out There
Jeff Weinstein's Cultural Mixology
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...
Martha Bayles on Film...
music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Focus on New Orleans. Jazz and Other Sounds
On the Record
Exploring Orchestras w/ Henry Fogel
Exploring Orchestras w/ Henry Fogel
PostClassic
Kyle Gann on music after the fact
Kyle Gann on music after the fact
Rifftides
Doug Ramsey on Jazz and other matters...
Doug Ramsey on Jazz and other matters...
Sandow
Greg Sandow on the future of Classical Music
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds
Norman Lebrecht on Shifting Sound Worlds
publishing
book/daddy
Jerome Weeks on Books
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Stage Write
Elizabeth Zimmer on time-based art forms
Elizabeth Zimmer on time-based art forms
visual
Aesthetic Grounds
Public Art, Public Space
Public Art, Public Space
Artopia
John Perreault's art diary
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Tyler Green's modern & contemporary art blog
