With a 1962 Indiana University master’s degree in saxophone, Jamey Aebersold might have carved out a career as a performer. He has never stopped playing, but a casual request set him on a course that led to success as the best-known third-party teacher in jazz. In 1966, a student at a workshop asked Aebersold, who is also a pianist, to record accompaniments that would help him practice. That recording and a companion book morphed into How to Play Jazz and Improvise, the first volume of 133 Aebersold play-along albums designed to help musicians at all levels teach themselves. Most of the CDs or downloads have a several standard songs or jazz originals, books of lead sheets and professional accompaniment on the CDs. Using them, a fledgling horn player can work out with, in this example, Kenny Barron, Ron Carter and Grady Tate. That may be a higher-quality rhythm section than the student would find in his hometown and one that never complains about going over a tune ten times in a row.
When the 2014 NEA Jazz Masters awards are presented tomorrow at Lincoln Center in New York, Aebersold will receive one for jazz advocacy. The National Endowment for the Arts says that the award goes to, “an individual who has contributed significantly to the appreciation, knowledge, and advancement of the art form of jazz.” Previous winners in the category have included critics and authors Nat Hentoff and Dan Morgenstern, personal manager (and bassist) John Levy, producer Orrin Keepnews, recording engineer Rudy Van Gelder and club owner Lorraine Gordon.
In addition to his play-along business, Aebersold has continued as a jazz educator, conducting summer workshop sessions at the University of Louisville. When he is teaching, he keeps his alto saxophone handy to illustrate pointsand work in a little blowing time. The rhythm section is Steve Crews, piano; Tyrone Brown, bass; and Jonathon Higgins, drums.
Aebersold will collect his Jazz Masters Award tomorrow evening. If you are not on the guest list or can’t make it to New York, you can watch the ceremony streamed live on the internet at 7:30 p.m. on the arts.gov and Jazz at Lincoln Center websites.
When they practice with Aebersold albums, musicians the world over eagerly anticipate his tempo countoffs and sometimes imitate them on the job. If you’ve never heard one, you’re in for a treat as he sets the time for the accompaniment to “Ornithology.” The rhythm section is again Barron, Carter and Tate. Feel free to play, or scat, along.