In Portland, Oregon, there’s a radio storyteller named Lynn Darroch. He tells about ordinary people and events near home or extraordinary ones abroad or, often, about jazz. When he performs in public, he may hire a musician or two and make a video. Here’s Darroch with guitarist John Stowell and tenor saxophonist Rob Davis, prominent inhabitants of Portland’s rich music scene. The story is about Elvin Jones. To learn more about Darroch, Stowell and Davis, and to hear and see more … [Read more...]

For a couple of weeks, I’ve been waiting for permission to post photographs from the collection that Lennie Sogoloff donated to Salem State University in Massachusetts. Sogoloff was the proprietor of Lennie’s On the Turnpike, a club north of Boston that presented jazz, comics and cabaret from 1951 to 1972. In that era, it was not unusual for artists to appear in clubs for a week, two weeks or longer, not the one- or two-night gigs customary in the 21st century. The range of performers that … [Read more...]

National Public Radio’s Fresh Air last night rebroadcast Terry Gross’s 2006 interview with drummer Paul Motian, who died on November 22. Motian’s conversation was like much of his drumming—low-key, definite and often surprising. Here is some of what he said. I'm not a showpiece drummer. ... I feel like I'm an accompanist. It's my sort of thing to make the other people sound good, as good as they can be. I feel like I should accompany them, and I should accompany the sound that … [Read more...]

During the years in which Art Farmer (1928-1999) played trumpet as his main horn, his muted work was a pleasure to hear. After he switched to flugelhorn in the early 1960s, his playing took on greater lyricism and depth, but because there were no flugelhorn mutes, a satisfying aspect of his sound went by the wayside. Then, in the late ‘70s he found a technician who was able to convert a trombone mute so that the flugel could accommodate it. Here’s Farmer on muted flugelhorn in 1982 with a … [Read more...]