The Boston Globe's Steve Greenlee reports from the resuscitated Newport Jazz Festival that he found the weekend's best music in the festival's outlying precincts. Hiromi (she goes by her first name) started picking out a pretty stride version of "I Got Rhythm,'' but it erupted into a lightning storm that would have stunned Bud Powell. She half-stood and bounced on her feet as she played, her hands a blur. She leaned into the piano and bobbed her head, … [Read more...]
Recent Listening: Seikaly, Broom, Glover, Davis-Rollins
As the Alps tower over Swiss villages, stacks of compact discs tower over me. Sampling, auditioning, listening at length when something grabs my ear, I make my way through the CD Alps that surround me. If I live to be 115, which is my plan, there is no possibility of my fully hearing more than a smattering of these discs. Some of the arrivals in the never-ending stream of albums are from veterans, young and old, recording for prominent companies. Many more are by musicians or singers who … [Read more...]
Other Places: Zeitlin At Length
Marc Myers' JazzWax wraps up a four-part interview with Denny Zeitlin, packed with good questions, and answers that give insights into an intriguing man. For decades, Zeitlin has maintained parallel careers as a jazz pianist and a practicing psychiatrist. Myers asked him how empathy plays a role in both pursuits. When I'm doing my most effective work as a musician playing with other musicians, I try to lose that positional sense of self so I can enter their musical world and merge with what … [Read more...]
Louis Armstrong!
Yesterday was Louis Armstrong's 108th birthday, and I forgot to mention it. To make up for that oversight, Rifftides brings you Armstrong in 1958. Pops's singing and playing partner is his pal of 30 years, Jack Teagarden. Louis was 57 years old and playing beautifully on every level -- range, tone and ideas. At 2:41, listen to him turn a little lip bobble into pure gold. The cornetist who kicks things off is Ruby Braff. … [Read more...]
Compatible Quotes: Joe Zawinul
One day I heard a pianist play `Honeysuckle Rose,' ... and I was hooked. I said, `What is that?' He said, `jazz,' which was a word I had never heard, and I asked him to spell it for me. My life was changed after that. - Joe Zawinul I am an improviser, ... I improvise music. Whatever you want to call it all, it is all improvised music. I may capture it and go back and write it down for others, but it was originally improvised. - Joe Zawinul For a white Viennese boy to write a tune that's that … [Read more...]
Weekend Extra: Weather Report, Birdland
Put aside all of the old arguments about whether this is jazz, jazz-rock, fusion, world music, ethnic music, R&B, funk or something else. The arguments don't matter anymore, if they ever did. This is truly, to borrow Ellington's overused phrase, beyond category. There is no more stunning instance of what rhythm, harmony and harmonics can do for a repeated riff. Joe Zawinul wrote the song. This version of Weather Report is Zawinul at his electronic keyboard arsenal, Wayne Shorter playing two … [Read more...]





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
Recent Comments
Bill Crow on Weekend Listening And Viewing Tip: Stamm And Holober Live
Thanks for the link, Doug. I had to miss the concert because I had a gig in Staten Island that evening. I've played...Dr. MIke Baughan on Other Matters: Watergate
Time for some Watergate Blues? www.youtube.com/watch?v=vAHjqQcBmtA http://www.youtube.com/watch?v=Rh3bgPJ4dBs http://www.youtube.com/watch?v=fbb7mX67YBwDoug Potter on A Dave Brubeck Memorial Service
I also have the Brubeck-Bennett CD coming from Amazon for my birthday on the 29th of May....thank you guys for finding it WOW.. DP Essex...Danny Barrett on Followup: Bev Getz’s Father
..What wonderful stories I just read about Stan. I know Bev and Nonie, a little..There straight shooters,bright and lovely too..In regard to Don Albert's comment...Red Sullivan on Correspondence: Shearing And You Know Who
The second Shearing/Nancy Wilson album, Hello Young Lovers, also on Capitol, but lesser known, is even superior. Orchestrations - well, arrangements anyway, are Shearing's own...