Today, I'll have the pleasure of being a guest on The Leonard Lopate Show on WNYC, New York, 93.9 FM. I'm scheduled sometime around 12:30 or 1:00 pm. WNYC streams on the net here. Later (much later) at 1:00 am Friday, I'll talk about Take Five: The Public and Private Lives of Paul Desmond with Joey Reynolds on his WOR (710 AM) show. The Joey Reynolds Show streams on the net and also rides a satellite across much of the world, from Hawaii to Puerto Rico. … [Read more...]
Reviews
Here is a possibly prejudiced assertion: Jazz albums should have program notes. Listeners want and deserve information about the music. It seems that years ago someone in record company accounting decided that since rock albums sold in the millions without notes, why not treat jazz albums the same way and save a buck? Case in point: Don Byron’s Ivey-Divey titled after a saying of Lester Young’s and inspired by Young’s trio recordings with Nat Cole and Buddy Rich. CD buyers would have no … [Read more...]
Two From AAJ
Ken Dryden’s long review for All About Jazz of Take Five: The Public and Private Lives of Paul Desmond notes an aspect of the book with which I took some pains. Ramsey avoids the use of psychobabble to explain Desmond’s relationship with his mentally disturbed mother, his reluctance to make long term commitments to any of the women in his life, or his experimentation with drugs. Instead one comes to accept them as part of his extremely complex character. Read the entire review here. Also in … [Read more...]





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
Recent Comments
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