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Getty: Back on The Acquisition Trail

Rembrandt_13

It seems like only yesterday that I wrote here about a spectacular acquisition by the Getty Museum. But it was really in December: at the time, the Getty bought a illuminated manuscript,  Roman de Gillion de Trazegnies, by Lieven van Lathem (1430–1493), at Sotheby’s in London for nearly $6.2 million. It's a true masterpiece, and -- last I heard -- the British government was holding up the export, calling it a national treasure. The Brits have some time now to raise money to match the price. Today the Getty announced two additional … [Read more...]

In Birmingham: The Power of Art

BirminghamWedding

Last week, I posted here about museums that give space and exposure to regional and local artists, past and present. The Birmingham Museum of Art is, apparently, among them, although I did not know it at the time. Here, in part, is what the marketing director, Cate McCusker Boehm, wrote to me afterwards -- a sweet story that energized the museum staff: Our recent installation of Alabama artists in our contemporary gallery was in fact a response to requests from our visitors. While we boast the world's largest museum collection of Wedgwood … [Read more...]

Remember That Rediscovered LeBrun?

LeBrun-Met

It now belongs to the Metropolitan Museum.* In January, I posted here about The Sacrifice of Polyxena by Charles Le Brun, which had been found in the Coco Chanel Suite at the Hôtel Ritz in Paris by the London-based fine art consultant Joseph Friedman. It was put up for sale on Monday, and the Met bought it, Christie's said today. Here's the link to my original post, with the circumstances of its finding. It was estimated to sell for €300,000-500,000 -- or $393,430 - $655,717 -- and in the event, fetched $1,885,194, including the … [Read more...]

Noteworthy Acquistions

LACMA-AfricanWood

It's spring-buying season: several museums in recent days have announced acquisitions (none as gigantic as the Met's gift from Leonard Lauder, but noteworthy just the same). Here are some of them. The Kimbell Art Museum has purchased two big Mayan Palenque-style ceramic censer stands -- definitely museum-quality, as they were once, from 1985 to 1999, on long-term loan to the Detroit Institute of Arts. The Kimbell got them from privately: the museum said that they were imported into the U.S. from Mexico with proper documentation on … [Read more...]

Why The Met Can Thank Brooklyn For “Madame X”

Last Friday, the Brooklyn Museum opened John Singer Sargent Watercolors – a landmark show, really, because it brings together a groups watercolors acquired by the Brooklyn Museum in 1909 and by the Museum of Fine Arts, Boston, in 1912 for the first time. These early twentieth century watercolors together show how innovative Sargent was in this medium, which the museums assert was heretofore considered “tangential” to Sargent’s oeuvre and reputation — but shouldn’t be. I wrote about the exhibition, Sargent’s mid-life … [Read more...]

…isms: A Throwback Little Publication

51Rh-W18QDL._SY300_

We still talk about Impressionism and Cubism, Modernism and Expressionism, but it has been a long while since we had a new ism. That's may be a good thing, saying that art is so disparate and inventive today that it can't be categorized into one school, or a bad thing, signifying that art today is a mess. Or it may mean that isms are truly only discernable after the fact. Whichever place you fall on those alternatives, they are use shorthand for communicating about art. I don't have to explain any of those -isms listed above. You know … [Read more...]

Revealed: Crystal Bridges Has Been Buying More Than You Know

Cone Stone City Landscape 5x6 300ppi

Guess who was a (pretty) big buyer in last fall's contemporary art auctions? Yup -- Crystal Bridges. The museum dropped $10.2 million on a Donald Judd stack at Christie's, and another $3.4 million at Sotheby's for Andy Warhol's Hammer and Sickle, from 1977. Those two works, plus the previously disclosed purchase of a Rothko from 1960 from a private Swiss collector at the estimated cost of $25 million (which I revealed in a Wall Street Journal article last September), are enabling the museum to mount a sweeping reinstallation of its 20th … [Read more...]

Bonus Post: What You’d See If You Were Going To Maastricht

MaastrichtOpening

Alas, I am not going to Maastricht this year for TEFAF, the best art fair in the world, in my opinion. Last year was the 25th edition, and it was spectacular. If you have time to read this, instead of looking at the art on view, you're probably not there either. But though Maastricht is known for its Old Masters, it has more to offer -- lots of 20th century work, for sure, and some from the 21st century. Presumably, this breadth is why those entering the fair, which begins tomorrow to invited guests and on Friday to the public, will see this … [Read more...]

Now At The Frick: A Show, At Last, For Piero

StAugustine

For a founder of the Italian Renaissance, it's amazing that the exhibition opening tomorrow at the Frick Collection is "the first monographic exhibition in the United States on the artist." The artist is Piero della Francesca, born circa 1411 and dead the year Columbus set sail for America. Even more amazing perhaps is that the exhibit fits comfortably in the Frick's small oval gallery -- it's just 7 works, and if memory serves four are from the Frick itself. Yet it's an occasion, worth a visit by any serious art lover.   Along one … [Read more...]

An Imaginary, But Ferocious, Masterpiece

Chimera of Arezzo

I've already told you that I visited the Bronze exhibition at the Royal Academy on my trip to London last fall, and loved it. I didn't mention at the time that one of my favorites, among many, was the Etruscan Chimera of Arezzo -- because I was hoping to write about it for the Masterpiece column in the Saturday Wall Street Journal. And now I have. In tomorrow's paper, you'll see it under the headline The Imaginary Turned Nearly Real. The Chimera is frightening on many levels, an impossible fusion of three animals that is more than 2,400 … [Read more...]

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