Disney at The New Orleans Museum Of Art: Where Are The Curators?

While everyone's been getting worked up about the exhibition of art, curated by Jeff Koons, from Dakis Joannou's collection at the New Museum, something that looks far worse is going on at the New Orleans Museum of Art. Starting today, it's showing Dreams Come True: Art of the Classic Fairy Tales from The Walt Disney Studio.

The timing couldn't be better -- for Disney. According to NOMA, the show

also will include artwork from the upcoming Walt Disney Animation Studios musical, The Princess and The Frog, an animated comedy from the creators of The Little Mermaid and Aladdin, set in New Orleans and due for release at Christmas 2009.

NOMAfront2.jpgThe movie opens nationwide on Dec. 11. Makes you wonder who the biggest beneficiary of this exhibit is, doesn't it?

Wait, it gets worse. According to The Times-Picayune, "Lella Smith, the creative director of Disney's Animation Research Library...selected the art for the exhibit..."

And that was because? NOMA has no curators? (I see several listed on the website.)

Ms. Smith also wrote the catalogue. Disney animation may be a legitimate exhibit. E. John Bullard, the museum's director, defended it to the T-P this way:

Do people still look down their noses at pop culture?...We're going back and discovering what turned people onto art in the first place. ... There can't be anyone in America who has not seen a Disney movie, as a child, a parent or a grandparent.

But that's the wrong question. One right is, why didn't the museum exercise its curatorial judgment and its right to select what is in the exhibit? And other, is this the right time for the show, given the movie tie-in? And a third, did Disney contribute to the cost of the exhibit? And a fourth, whose idea was the exhibit?

This is starting to be a trend, a very bad one.  

BTW, I've chosen to illustrate this post with a picture of NOMA, not a "princess" cell, because why give Disney more free publicity? Turns out that choice was an easy one anyway: Disney has a always been a fierce defender of its copyright, and the picture on NOMA's website for the exhibit is emblazoned with a large  © Disney Enterprises, Inc. that spoils the view anyway.

Photo: Courtesy of the New Orleans Museum of Art  

November 15, 2009 8:15 PM | | Comments (2) |

2 Comments

True, we in the art world don't always love the range of art that is out there. Shouldn't we aspire to a little bit more than just doing what would sell tickets (or papers for that matter)? When owners of art or underwriters call the shots with a show, things tend to creep away from mission toward hype. It's good to get on a soapbox whenever something looks precariously close to the line that separates private from public interest. MoMA's new Tim Burton show seems to be authentic in its approach. Maybe a review of that will tell more. In the meantime, we should embrace pop culture with the same respect given other exhibitions by following the same standards and protocol.

Either way- you just gave Disney plenty of publicity. Plus, in attempting to degrade Disney you have made yourself seem like an awful writer.

This Disney exhibit, though hand picked by someone outside of the curatorial staff, will probably help bolster museum visitors and patrons. Also, by bringing in a Disney exhibit, I can imagine that the museum is going to bring in a wide array of new patrons.

Who cares? Money is money in this tough economic time for arts organizations so why critique their choice to utilize pop culture?

You have to have blockbusters every once in a while to help support the bigger "artistic" ventures.

Please get off your soap box, and appreciate that art still exists.

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About

Real Clear Arts This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects... more

Judith H. Dobrzynski Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there... more

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