A New Theory About Pollock's Mural: He Hid His Signature

Just before Jackson Pollock entered his intense "drip period," he painted his famous Mural, 1943-44, which resides in the University of Iowa Museum of Art. But did he "sign" it, hiding his name among his paint strokes?

That is a contention of a forthcoming book, Tom and Jack by Henry Adams, which chronicles the relationship between Pollock and his teacher, Thomas Hart Benson.

If true -- and not everyone agrees -- it would add yet more evidence of Pollock's self-regard, according to a new article published in the October issue of ARTNews:

That Pollock would insert his signature into the painting makes sense in terms of Mural's meaning for Pollock, argues Adams, a professor of American art at Case Western Reserve University in Cleveland: "The whole point of Mural was to declare that Jackson Pollock was a great painter," he writes in Tom and Jack, which is being published in December by Bloomsbury Press. "The painting is essentially a big billboard for Jackson Pollock."

You be the judge:

PollockMural.jpg

This is, of course, the very same painting that the University of Iowa proposed to sell last year, to pay for flood damage. It has been valued at $140 million.

The book, though, is not just about this painting. Rather, it "disputes the long-held assumption that Pollock rejected all of Benton's teachings before making his major works."

According to the article:

Adams partly relies on the work of Stephen Polcari, who noticed 30 years ago that the compositions of Pollock's major drip paintings correspond with the recommendations Benton laid out in a series of articles in Arts magazine in 1927. But Adams adds a new angle, stressing Benton's modernist bona fides: he was influenced, Adams writes, by a group of American modernists called the Synchromists, who combined the formal language of Cubism with the vivid colors of Matisse, arranged according to an arcane theory of color harmonization. 

Adams also wrote Eakins Revealed, which relates that Eakins molested his niece, earning him Adams some emnity in the art world.

Photo Credit: ©2009 POLLOCK-KRASNER FOUNDATION/ARTISTS RIGHTS SOCIETY (ARS), NEW YORK/UNIVERSITY OF IOWA MUSEUM OF ART, GIFT OF PEGGY GUGGENHEIM 1959.6, Courtesy ARTNews

September 23, 2009 9:27 AM | | Comments (4) |

4 Comments

rediculous ! I have been looking at that as a painter and love of his work ...I think that is like finding secret code in the bible ... stronger proof is needed .Is there xrays of this ???

The Pollock signature theory seems a little spurious considering that other art historians have found other hidden words in his work. Recoding Jackson Pollock>/a>.

That was not my intention at all. In the last sentence, now changed, I meant there was emnity in the art world toward Adams because of his theory on Eakins -- and that thus he (Adams) is no stranger to controversy.

That last sentence about another book by Henry Adams on another Thomas, ‘Eakins Revealed,’ is a bit jarring since it’s otherwise unrelated to the discussion. Of far greater consequence, however, it seems to agree with the suggestion that Eakins’s alleged molestation of his niece Ella is a matter of incontrovertible fact. Not so.

In ‘Eakins Revealed’ (which carries the revealing subtitle ‘The Secret Life of an American Artist’), Adams implies that Eakins was also responsible for Ella’s suicide at age twenty-four. Chapter 5, “The Death of Ella Cromwell,” is peppered with such phrases as these: “possibly they also sensed,” “allegedly. . .,” “accordingto various informant,” “one cannot help wondering,” “according to one of her siblings (unnamed),” “surely it would have been natural,” and “he did not seem.”

Adams cites a photograph of Ella taken by Eakins, possibly not too long before her death, in which she looks “miserable, in fact desperate.”
And more: “Ella did not wish to be photographed. She was being hunted. Eakins had trapped her between him and a tree. . . . [T]here is a hint of sadism. . . .” Then there is Eakins’s only painting of Ella, “Baby at Play” (http://tinyurl.com/BabyAtPlay), which Adams claims “relates” to Ella’s death, albeit “less directly.”

Louis Torres, Co-Editor, Aristos (An Online Review of the Arts)

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Real Clear Arts This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects... more

Judith H. Dobrzynski Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there... more

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