This New ArtPrize: Good for Artists, Good for the Public

In case you missed it, I wanted to take note of an article in the Detroit Free Press on Thursday, "Public Can Vote in New Art Competition." They -- not art critics and curators and other experts -- will choose the winner of a $250,000 grand prize, plus smaller purses for other contenders, a total of $450,000.

ArtPrize, created by Rick DeVos, a scion of the family that founded Amway and Prince Corp., is probably the largest that goes to an individual visual artist, dwarfing others.

Gates2.jpgWhat I like best about the program is DeVos's plan to display the works of the finalists in Grand Rapids, creating excitement for art there. I hope it generates the kind of enthusiasm sparked by Christo and Jeanne-Claude's "Gates" in Central Park in Manhattan in 2005 (at left). Anyone who strolled through the park during its display could feel the spirit in the air; people seemed to be jubilant just walking through the Gates.  

There are a couples of catches, though. For one, only those who visit the display will be allowed to vote. I wish the contest were open to all. While seeing something on the web is no substitute for visiting in person, it could well be good enough in this case, given the tech tools available today.

For another, the finalists have to get themselves and their art to Grand Rapids, which probably eliminates many who'd like to participate but can't afford that expense. On the other hand, this limitation aids Michigan artists, and that's probably a good thing.

It's an experiment, DeVos says on the prize's website. A good one, I add.

Here's a link to the Free Press article, and here's a link to the ArtPrize website

April 25, 2009 10:22 AM | | Comments (4) |

4 Comments

I am delighted with the concept. I would want to enter but I must warn everyone that there is a sentence in the rules (as of 4/29) that will stop me and many artists that I know:

"ArtPrize will have all rights to copy, edit, broadcast, publish and use, in whole or in part, any Work in any manner without further compensation (unless prohibited by law)."

that would give them the right to take any work that's entered in the show and change it, and/or sell copies of it, sell posters of it, even make it into an advertisement for a corporation.

In 2008 we (BECA gallery - Bridge for Emerging Contemporary Art, New Orleans, LA) held our first installment of CURATE THIS! with over 100 artists and over 400 'guest curators' from 9 countries participating. It was an eye opening experience for everyone, especially those who were voting since most of them had never been offered the opportunity to select works to place within someone else's space. We had great feedback and have issued a call for the second installment of CURATE THIS! 2009. Info. posted at: http://www.thebecafoundation.org/global/calls-to-artists.html (scroll down to the second Call listed).

My only qualm with this prize is the requirement that artists pay a fee of $50 to enter their work in the competition. That makes it more like a lottery, or think of it as a tax on individual artists (who pay for the privilege of being rejected), than an actual prize.

I'm curious about what seems to be a trend of allowing public input into the art selection process. There was this recent article on artdaily (http://www.artdaily.org/index.asp?int_sec=2&int_new=30380) dicussing "The Big Art Project" in which 7 towns around the UK got to pick their own art. What do you think of this trend? I've heard rumours that this is being considered in San Francisco too. Is this the democracy of the web at work?

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Real Clear Arts This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects... more

Judith H. Dobrzynski Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there... more

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