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        <title>Quick Study</title>
        <link>http://www.artsjournal.com/quickstudy/</link>
        <description>Scott McLemee on books, ideas &amp; trash-culture ephemera</description>
        <language>en</language>
        <copyright>Copyright 2008</copyright>
        <lastBuildDate>Fri, 16 May 2008 16:29:10 -0500</lastBuildDate>
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            <title>Greetings, Friends of Eustace Tilley</title>
            <description><![CDATA[Within the last hour or so, the books department at <i>The New Yorker</i>
launched <a href="http://www.newyorker.com/online/blogs/books">The Book Bench</a>. It has a blogroll in the lefthand column with
about two dozen links -- one of them, as it happens, to Quick Study. <br />
<br />
So I learn from my friend Emily Gordon, who has made <a href="http://emdashes.com/2008/05/the-bench-roundup.php">kept a close watch on the magazine</a> over the years. Thanks for the bulletin, Emily.<br />
<br />
Well, I certainly did not see <i>that</i> coming. So far this
month, posting anything to this blog has been a pretty low priority --
nor have I been doing much at either <a href="http://crookedtimber.org/">Crooked Timber</a> or <a href="http://bookcriticscircle.blogspot.com/">Critical Mass</a>
lately. It has not been a matter of going on hiatus so much as being
very preoccupied with the sort of considerations described by James
Baldwin in that passage quoted here <a href="http://www.artsjournal.com/quickstudy/2008/05/recommended_reading.html">recently</a>.<br />
<br />
In any case, I've been meaning to pick up the pace again -- and now there's more incentive to do so. No idea who at <i>The New Yorker</i> reads Quick Study, or how this came to pass. But welcome to any new visitors. By all means look around in <a href="http://www.artsjournal.com/quickstudy/archives.html">the archives</a>.<br />]]></description>
            <link>http://www.artsjournal.com/quickstudy/2008/05/greetings_friends_of_eustace.html</link>
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            <pubDate>Fri, 16 May 2008 16:29:10 -0500</pubDate>
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            <title>Billy Bragg-athon</title>
            <description><![CDATA[<p>In 1985, a friend lent me a 4-song, 7-inch EP song by Billy Bragg. The name didn't ring a bell. But a couple of years earlier I'd read Christopher Hill's book about the underground groups that had emerged during the English Civil War (the Diggers, the Ranters, the Fifth Monarchy Men) some of which were putting forward a revolutionary socialist vision in religious language -- and here was Bragg bringing that tradition into the present day....   </p>

<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/stmiyeLsErw&hl=en"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/stmiyeLsErw&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>]]></description>
            <link>http://www.artsjournal.com/quickstudy/2008/05/billy_braggathon.html</link>
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            <pubDate>Wed, 07 May 2008 15:22:15 -0500</pubDate>
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            <title>Inquiring Minds Want to Know!</title>
            <description><![CDATA[There is <a href="http://www.frontpagemag.com/book/">another book</a> out <a href="http://mediamatters.org/items/200608020010">"by"</a> David Horowitz.<br />
<br />
You have to wonder if he's read it.<br />
]]></description>
            <link>http://www.artsjournal.com/quickstudy/2008/05/inquiring_minds_want_to_know.html</link>
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            <pubDate>Tue, 06 May 2008 15:18:32 -0500</pubDate>
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            <title>Recommended Reading</title>
            <description><![CDATA[My nominations for the most recent NBCC Good Reads list have now been <a href="http://bookcriticscircle.blogspot.com/2008/05/nbcc-good-reads-3-long-tail-scott.html">posted</a> at Critical Mass. My longer review (for <i>Bookforum</i>) of the title by Richard Sennett was <a href="http://www.powells.com/review/2008_04_16.html">reprinted</a> at the Powell's website. An earlier piece on Victor Serge is <a href="http://chronicle.com/free/v48/i02/02a02301.htm">here</a>.<br />
<br />
In the interest of accuracy, I should make clear that the photo at
Critical Mass was taken before the gray hair started taking over (in
particular, the beard). My days as <a href="http://www.insidehighered.com/views/2008/04/30/mclemee">a sad young literary man</a> are well behind me.<br />
<br />
As a matter of fact, I sometimes carry around a piece of paper
containing an extract from an essay by James Baldwin, written in his
mid-forties:<br />
<font color="black" face="Arial,Helvetica,sans-serif" size="2"><font size="4"><strong></strong></font></font><br />
"Though we would like to live without regrets, and sometimes proudly
insist that we have none, this is not really possible, if only because
we are mortal. When more time stretches behind than stretches before
one, some assessments, however reluctantly and incompletely, begin to
be made. Between what one wishes to become and what one has become
there is a momentous gap, which will now never be closed. And this gap
seems to operate as one's final margin, one's last opportunity, for
creation. And between the self as it is and the self as one sees it,
there is also a distance even harder to gauge. Some of us are
compelled, around the middle of our lives, to make a study of this
baffling geography, less in the hope of conquering these distances than
in the determination that the distance shall not become any greater."<br />
<br />
I must have gone over this passage a hundred times now. No maps
available for navigating through "this baffling geography," alas. But
it's good to have one's location so precisely identified.]]></description>
            <link>http://www.artsjournal.com/quickstudy/2008/05/recommended_reading.html</link>
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            <pubDate>Tue, 06 May 2008 13:25:20 -0500</pubDate>
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            <title>Garfield Minus Garfield</title>
            <description><![CDATA[<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="garfield.gif" src="http://www.artsjournal.com/quickstudy/garfield.gif" class="mt-image-none" style="" height="147" width="500" /></span>
<div><br />
"Who would have guessed that when you remove Garfield from the Garfield
comic strips, the result is an even better comic about schizophrenia,
bipolar disorder, and the empty desperation of modern life? Friends,
meet Jon Arbuckle. Let's laugh and learn with him on a journey deep
into the tortured mind of an isolated young everyman as he fights a
losing battle against loneliness in a quiet American suburb."<br />
<br />
"Garfield Minus Garfield" archive <a href="http://garfieldminusgarfield.tumblr.com/">here</a>.<br />
<br />
Via <a href="http://roscoguiltiboy.livejournal.com/">Obey Your Signal Only</a>.<br /></div>]]></description>
            <link>http://www.artsjournal.com/quickstudy/2008/05/garfield_minus_garfield.html</link>
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            <pubDate>Mon, 05 May 2008 07:21:07 -0500</pubDate>
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            <title>Spring 2008 &quot;Good Reads&quot; List</title>
            <description><![CDATA[The latest list of recommended new books from the National Book Critics Circle has <a href="http://bookcriticscircle.blogspot.com/2008/05/national-book-critics-circle-announces_04.html">just been posted</a>. I must admit that I have read a grand total of one of them:<br />
<br />
FICTION<br />
<br />
1. Richard Price, LUSH LIFE, Farrar, Straus &amp; Giroux<br />
2. Jhumpa Lahiri, UNACCUSTOMED EARTH, Knopf<br />
3. Steven Millhauser, DANGEROUS LAUGHTER, Knopf<br />
*4. Charles Baxter, THE SOUL THIEF, Pantheon<br />
*4. Peter Carey, HIS ILLEGAL SELF, Knopf<br />
*4. J. M. Coetzee, DIARY OF A BAD YEAR, Viking<br />
*4. James Collins, BEGINNNER'S GREEK, Little, Brown<br />
*4. Brian Hall, FALL OF FROST, Viking<br />
*4. Roxana Robinson, COST, Farrar, Straus &amp; Giroux<br />
*4. Owen Sheers, RESISTANCE, Nan A. Talese: Doubleday<br />
<br />
* tied for this position<br />
<br />
NONFICTION<br />
<br />
1. Nicholson Baker, HUMAN SMOKE: THE BEGINNING OF WORLD WAR II, THE END OF CIVILIZATION, S. &amp; S. <br />
2. Drew Gilpin Faust, THIS REPUBLIC OF SUFFERING: DEATH AND THE AMERICAN CIVIL WAR, Knopf <br />
3. Mark Harris, PICTURES AT THE REVOLUTION: FIVE MOVIES AND THE BIRTH OF THE NEW HOLLYWOOD, Penguin Press <br />
4. Honor Moore, THE BISHOP'S DAUGHTER: A MEMOIR, Norton <br />
5. Susan Jacoby, THE AGE OF AMERICAN UNREASON, Pantheon<br />
<br />
POETRY<br />
<br />
1. Grace Paley, FIDELITY, Farrar, Straus &amp; Giroux<br />
2. Frank Bidart, WATCHING THE SPRING FESTIVAL, Farrar, Straus &amp; Giroux <br />
3. Eric Gansworth, A HALF-LIFE OF CARDIO-PULMONARY FUNCTION, Syracuse University Press <br />
4. Marie Howe, THE KINGDOM OF ORDINARY TIME, Norton<br />
5. Robert Pinsky, GULF MUSIC, Farrar, Straus &amp; Giroux<br />
<br />
Once again, the titles I nominated did not make the cut. But then again my nomination for best nonfiction book last time was <a href="http://mqup.mcgill.ca/book.php?bookid=2061">Julian Bourg's <i>From Revolution to Ethics: May 1968 and Contemporary French Thought</i></a>. Which, by the way, rocks. <br />
<br />
The books I suggested this time were, perhaps, slightly easier to find
at your nearby strip-mall, but still....I won' t say any more about
what they were for now, since the nominations will be posted at
<a href="http://bookcriticscircle.blogspot.com/">Critical Mass</a> at some point.<br />
<br />
<b>UPDATE:</b>&nbsp; <a href="http://www.artsjournal.com/quickstudy/2008/05/recommended_reading.html">Here are my recommendations</a><br />
]]></description>
            <link>http://www.artsjournal.com/quickstudy/2008/05/good_reads_1.html</link>
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            <pubDate>Sun, 04 May 2008 11:55:41 -0500</pubDate>
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            <title>Who&apos;s Gonna Build Your Wall?</title>
            <description><![CDATA[<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/LZkAoosVLkA&hl=en"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/LZkAoosVLkA&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>

<p>Thanks to <a href="http://www.artsjournal.com/quickstudy/2008/04/may_day.html#comment-9233">Shane</a> for the tip....</p>]]></description>
            <link>http://www.artsjournal.com/quickstudy/2008/05/wall.html</link>
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            <pubDate>Fri, 02 May 2008 10:52:21 -0500</pubDate>
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            <title>Happy 75th Birthday to the Catholic Worker</title>
            <description><![CDATA[On this day in 1933, the first issue of <i>The Catholic
Worker</i> appeared, promising to take seriously the church's
program to "reconstruct the social order" according to the teachings of
a certain revolutionary, anti-imperialist, and egalitarian organization
from the Palestine, long ago<br />]]></description>
            <link>http://www.artsjournal.com/quickstudy/2008/05/happy_75th_birthday_to_the_cat.html</link>
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            <pubDate>Thu, 01 May 2008 11:21:56 -0500</pubDate>
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            <title>May Day!</title>
            <description><![CDATA[<p><em>Money speaks for money, the Devil for his own.<br />
Who comes to speak for the skin and the bone?</em></p>

<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/eziuTLKKS7U&hl=en"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/eziuTLKKS7U&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>

<p>See also <a href="http://crookedtimber.org/2008/04/30/all-out-for-may-day/">this post at Crooked Timber</a></p>]]></description>
            <link>http://www.artsjournal.com/quickstudy/2008/04/may_day.html</link>
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            <pubDate>Wed, 30 Apr 2008 15:19:33 -0500</pubDate>
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            <title>You Don&apos;t Hear Much About the Symbionese These Days</title>
            <description><![CDATA[<p><a href="http://limitedinc.blogspot.com/2008/04/advice-for-britney.html">Limited Inc. is urging Britney Spears to read up about Patty Hearst</a>. </p>

<p>Not entirely sure I follow the logic here, but what the hell...Any excuse to post Patti Smith's cover of "Hey Joe" as Symbionese anthem is fine by me:</p>

<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/ug_VGKj9YzE&hl=en"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/ug_VGKj9YzE&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>

<p>Being kidnapped by urban guerillas championing a make-believe revolutionary movement as an experience of personal liberation from the Establishment..... In so many ways, this version of the song is the ultimate expression of half-baked 1960s countercultural ideology in its most <em>reductio ad absurdum</em> form. </p>

<p>Then again, that is perfection, of a kind. </p>]]></description>
            <link>http://www.artsjournal.com/quickstudy/2008/04/symbionese.html</link>
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            <pubDate>Mon, 21 Apr 2008 19:34:56 -0500</pubDate>
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            <title>Every Effort Helps</title>
            <description>An email message sent to the listserv of the Association of American
University Presses by its current president, Sanford G. Thatcher,
encourages AAUP members to contact newspaper editors to try to persuade
them to publish reviews by local writers, rather than just using
syndicated material.</description>
            <link>http://www.artsjournal.com/quickstudy/2008/04/every_effort_helps.html</link>
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            <pubDate>Mon, 21 Apr 2008 10:58:11 -0500</pubDate>
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            <title>Geek Out!</title>
            <description><![CDATA[<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://www.artsjournal.com/quickstudy/kb-sm.jpg"><img alt="kb-sm.jpg" src="http://www.artsjournal.com/quickstudy/assets_c/2008/04/kb-sm-thumb-250x187.jpg" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" height="187" width="250" /></a></span>
<div><br />
Although not an academic, I hereby submit this picture as a contribution to the <a href="http://musicology.typepad.com/dialm/2008/04/silly-heads.html">latest endeavor</a> by Phil "Production of Presence" Ford.<br />
<br />
For <a href="http://chronicle.com/free/v47/i32/32a02601.htm">background</a>....<br />
</div>]]></description>
            <link>http://www.artsjournal.com/quickstudy/2008/04/geek_out.html</link>
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            <pubDate>Sun, 20 Apr 2008 17:22:11 -0500</pubDate>
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            <title>Stampede!</title>
            <description><![CDATA[Yesterday, there were more than 7,000 visitors to Quick Study. Nearly
half that many have already come by just today, and it isn't even noon
yet. That is quite a lot of traffic, at least by local standards. <br />
<br />
What happened is that on Thursday morning Andrew Sullivan <a href="http://andrewsullivan.theatlantic.com/the_daily_dish/2008/04/making-unwanted.html">linked</a> to last week's post <a href="http://www.artsjournal.com/quickstudy/2008/04/yo_yo.html">"Yo, Yo I'm a Cowboy Now"</a>,
which seems then to have been picked up by two or three social
networking sites. None of this did I seek out. In fact, I could not
have made it happen if I'd
tried. <br />
<br />
For that matter, it's been kind of frustrating to look at the
site log and find that barely one visitor in a hundred then looked
around at other Quick Study content. The whole thing makes for a very striking bar-graph -- with Monday
through Wednesday being little molehills in front of Himalaya Thursday.
But it leaves QS itself no better situated relative to what I guess
could be called "mainstream blogging." <br />
<br />
So it goes. And on that note, we return to our usually scheduled broadcast. Or narrowcast, rather.<br />
<br />
Presented for your consideration: <a href="http://www.socialistworker.org/2008-1/669/669_12_SteveEarle.shtml">An interview with left-wing country singer Steve Earle</a>, from the pages of <a href="http://www.youtube.com/watch?v=vlClH7q5T2E"><i>Socialist Worker</i> newspaper</a>.<br />
<br />
Yeah, now <i>that</i>'s more like it....<br />]]></description>
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            <pubDate>Fri, 18 Apr 2008 10:29:25 -0500</pubDate>
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            <title>Presenting the Awesomeness That is Wanda Jackson</title>
            <description><![CDATA[<p>Two clips from fifty years ago. If you've never heard Wanda Jackson before, better buckle up....</p>

<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/pzJ3hiqsi0U&hl=en"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/pzJ3hiqsi0U&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>

<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/9DurZwIUpDA&hl=en"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/9DurZwIUpDA&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>]]></description>
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            <pubDate>Tue, 15 Apr 2008 15:20:39 -0500</pubDate>
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            <title>Of Blurbatology</title>
            <description><![CDATA["If you recant a blurb," asked Ron Hogan at GalleyCat <a href="http://www.mediabistro.com/galleycat/lit_crit/if_you_recant_a_blurb_does_anybody_really_care_81994.asp">last week</a>, "does anybody really care?" My impression so far is, not really.<br />
<br />
If
there is nothing else to learn from the case of Houston Baker's
dust-jacket encomium for Michael Eric Dyson -- <a href="http://insidehighered.com/views/2008/04/09/mclemee">and there isn't</a> -- then
at least this much is clear: If you are going to blurb a book you
haven't actually paid much attention to, the important thing is to be
consistent. Don't even look at the book again. If for some reason you happen to see it, don't read
it. And if, perchance, you <font style="font-style: italic;">do</font> read the book and realize it's terrible, just keep this belated realization to yourself. That's only being fair to everyone.<br />
<br />
But in the meantime, Henry Farrell at Crooked Timber has started a <a href="http://crookedtimber.org/2008/04/11/faint-praise-and-damnations/">thread</a> inspired by some of the blurbs for <font style="font-style: italic;">War and Decision</font>
-- the new book by strategic genius Doug Feith about how necessary and
well-thought-through the Iraq war was, all appearances to the contrary.
The jacket features various luminaries using superlatives such as
"controversial" and "readable," as well as "not nearly as delusional as
you might suppose."<br />
<br />
Okay, I made that last one up -- but it's
more an exaggeration of the general drift than something spun out of
thin air. "And these were the blurbs they chose to <em>promote </em>the book," as Henry points out.<br />
<br />
But the Crooked Timber item is less a matter of discussing <font style="font-style: italic;">War and Decision</font>
than it is a pretext for encouraging readers to nominate other great
moments in the history of dubious endorsements. A few are obviously
snippets from reviews, rather than blurbs. The highlights:<br />
<br />
"Although written many years ago, <font style="font-style: italic;">Lady Chatterrley's Lover</font>
has just been reissued by Grove Press, and this fictional account of
the day-by-day life of an English gamekeeper is still of considerable
interest to outdoor-minded readers, as it contains many passages on
pheasant-raising, the apprehending of poachers, ways to control vermin,
and other chores and duties of the professional gamekeeper.
Unfortunately, one is obliged to wade through many pages of extraneous
material in order to discover and savour these sidelights on the
management of a Midland shooting estate, and in this reviewer's opinion
this book cannot take the place of J. R. Miller's <font style="font-style: italic;">Practical Gamekeeping</font>." -- Ed Zern<br />
<br />
"I
have been stunned and baffled by Roger Lewis's vast biography of the
stunningly baffling Anthony Burgess." -- Jan Morris, author of <font style="font-style: italic;">The Meaning of Nowhere<br /><br /></font>On
a volume about Social Security: "This is the type of book that, once
you put it down, you will not be able to pick it up again."<br />
<br />
"The covers of this book are too far apart." -- from a review by Ambrose Bierce.<br />
<br />
And finally, <font style="font-style: italic;">The Irish Times</font> on Iain Banks' <font style="font-style: italic;">The Wasp Factory</font>:
"It is a sick, sick world when the confidence and investment of an
astute firm of publishers is justified by a work of unparallelled
depravity. There is no denying the bizarre fertility of the author's
imagination: his brilliant dialogue, his cruel humour, his repellent
inventiveness. The majority of the literate public, however, will be
relieved that only reviewers are obliged to look at any of it."<br />
<br />
As Henry Farrell then says: "How could you possibly, possibly refuse to buy a book with a blurb like that?"<br />
<br />
(crossposted from <a href="http://bookcriticscircle.blogspot.com/2008/04/of-blurbatology.html">Critical Mass</a>)<br />]]></description>
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            <pubDate>Mon, 14 Apr 2008 18:00:00 -0500</pubDate>
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