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    <title>Quick Study</title>
    <link rel="alternate" type="text/html" href="http://www.artsjournal.com/quickstudy/" />
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    <id>tag:www.artsjournal.com,2008-02-19:/quickstudy//17</id>
    <updated>2008-05-16T20:51:33Z</updated>
    <subtitle>Scott McLemee on books, ideas &amp; trash-culture ephemera</subtitle>
    <generator uri="http://www.sixapart.com/movabletype/">Movable Type Open Source 4.1</generator>

<entry>
    <title>Greetings, Friends of Eustace Tilley</title>
    <link rel="alternate" type="text/html" href="http://www.artsjournal.com/quickstudy/2008/05/greetings_friends_of_eustace.html" />
    <id>tag:www.artsjournal.com,2008:/quickstudy//17.13604</id>

    <published>2008-05-16T20:29:10Z</published>
    <updated>2008-05-16T20:51:33Z</updated>

    <summary>Within the last hour or so, the books department at The New Yorker launched The Book Bench. It has a blogroll in the lefthand column with about two dozen links -- one of them, as it happens, to Quick Study....</summary>
    <author>
        <name>Quick Study</name>
        <uri>http://www.artsjournal.com/quickstudy/</uri>
    </author>
    
        <category term="main" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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        <![CDATA[Within the last hour or so, the books department at <i>The New Yorker</i>
launched <a href="http://www.newyorker.com/online/blogs/books">The Book Bench</a>. It has a blogroll in the lefthand column with
about two dozen links -- one of them, as it happens, to Quick Study. <br />
<br />
So I learn from my friend Emily Gordon, who has made <a href="http://emdashes.com/2008/05/the-bench-roundup.php">kept a close watch on the magazine</a> over the years. Thanks for the bulletin, Emily.<br />
<br />
Well, I certainly did not see <i>that</i> coming. So far this
month, posting anything to this blog has been a pretty low priority --
nor have I been doing much at either <a href="http://crookedtimber.org/">Crooked Timber</a> or <a href="http://bookcriticscircle.blogspot.com/">Critical Mass</a>
lately. It has not been a matter of going on hiatus so much as being
very preoccupied with the sort of considerations described by James
Baldwin in that passage quoted here <a href="http://www.artsjournal.com/quickstudy/2008/05/recommended_reading.html">recently</a>.<br />
<br />
In any case, I've been meaning to pick up the pace again -- and now there's more incentive to do so. No idea who at <i>The New Yorker</i> reads Quick Study, or how this came to pass. But welcome to any new visitors. By all means look around in <a href="http://www.artsjournal.com/quickstudy/archives.html">the archives</a>.<br />]]>
        
    </content>
</entry>

<entry>
    <title>Billy Bragg-athon</title>
    <link rel="alternate" type="text/html" href="http://www.artsjournal.com/quickstudy/2008/05/billy_braggathon.html" />
    <id>tag:www.artsjournal.com,2008:/quickstudy//17.13492</id>

    <published>2008-05-07T19:22:15Z</published>
    <updated>2008-05-07T23:05:03Z</updated>

    <summary>In 1985, a friend lent me a 4-song, 7-inch EP song by Billy Bragg. The name didn&apos;t ring a bell. But a couple of years earlier I&apos;d read Christopher Hill&apos;s book about the underground groups that had emerged during the...</summary>
    <author>
        <name>Quick Study</name>
        <uri>http://www.artsjournal.com/quickstudy/</uri>
    </author>
    
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        <![CDATA[<p>In 1985, a friend lent me a 4-song, 7-inch EP song by Billy Bragg. The name didn't ring a bell. But a couple of years earlier I'd read Christopher Hill's book about the underground groups that had emerged during the English Civil War (the Diggers, the Ranters, the Fifth Monarchy Men) some of which were putting forward a revolutionary socialist vision in religious language -- and here was Bragg bringing that tradition into the present day....   </p>

<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/stmiyeLsErw&hl=en"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/stmiyeLsErw&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>]]>
        <![CDATA[<p>A year or so later came the first album (in the States anyway), proving that agitprop was just one aspect of what he could do. </p>

<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/I4v8VJ0LRgA&hl=en"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/I4v8VJ0LRgA&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>

<p>I got to see Bragg perform in Austin in 1988, just before the election. After the show, he hung around with the audience to talk about politics -- not an ounce of pretense or "star" bullshit, and far less dogmatic than (ahem) some of us, at the time. </p>

<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/RE6jO6HUvtU&hl=en"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/RE6jO6HUvtU&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>

<p>Somehow I lost track of Bragg around the time he released the song "Sexuality." Very catchy....</p>

<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/iqH_xqh0eVw&hl=en"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/iqH_xqh0eVw&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>

<p>More recently, this....I love the mock indignation of "You Carpenters fans are just being ironic!"</p>

<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/IBVsUyHFKEA&hl=en"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/IBVsUyHFKEA&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>

<p>Finally -- for anyone who's gotten this far -- here is Billy Bragg performing <a href="http://www.youtube.com/watch?v=bBUg5Qx7PoE">Bill Bailey's parody</a> of a Billy Bragg song, "Unisex Chip Shop":</p>

<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/1lnWNg3Pax8&hl=en"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/1lnWNg3Pax8&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>]]>
    </content>
</entry>

<entry>
    <title>Inquiring Minds Want to Know!</title>
    <link rel="alternate" type="text/html" href="http://www.artsjournal.com/quickstudy/2008/05/inquiring_minds_want_to_know.html" />
    <id>tag:www.artsjournal.com,2008:/quickstudy//17.13476</id>

    <published>2008-05-06T19:18:32Z</published>
    <updated>2008-05-06T19:25:44Z</updated>

    <summary>There is another book out &quot;by&quot; David Horowitz. You have to wonder if he&apos;s read it....</summary>
    <author>
        <name>Quick Study</name>
        <uri>http://www.artsjournal.com/quickstudy/</uri>
    </author>
    
    
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        <![CDATA[There is <a href="http://www.frontpagemag.com/book/">another book</a> out <a href="http://mediamatters.org/items/200608020010">"by"</a> David Horowitz.<br />
<br />
You have to wonder if he's read it.<br />
]]>
        
    </content>
</entry>

<entry>
    <title>Recommended Reading</title>
    <link rel="alternate" type="text/html" href="http://www.artsjournal.com/quickstudy/2008/05/recommended_reading.html" />
    <id>tag:www.artsjournal.com,2008:/quickstudy//17.13473</id>

    <published>2008-05-06T17:25:20Z</published>
    <updated>2008-05-06T17:57:52Z</updated>

    <summary>My nominations for the most recent NBCC Good Reads list have now been posted at Critical Mass. My longer review (for Bookforum) of the title by Richard Sennett was reprinted at the Powell&apos;s website. An earlier piece on Victor Serge...</summary>
    <author>
        <name>Quick Study</name>
        <uri>http://www.artsjournal.com/quickstudy/</uri>
    </author>
    
        <category term="main" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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        <![CDATA[My nominations for the most recent NBCC Good Reads list have now been <a href="http://bookcriticscircle.blogspot.com/2008/05/nbcc-good-reads-3-long-tail-scott.html">posted</a> at Critical Mass. My longer review (for <i>Bookforum</i>) of the title by Richard Sennett was <a href="http://www.powells.com/review/2008_04_16.html">reprinted</a> at the Powell's website. An earlier piece on Victor Serge is <a href="http://chronicle.com/free/v48/i02/02a02301.htm">here</a>.<br />
<br />
In the interest of accuracy, I should make clear that the photo at
Critical Mass was taken before the gray hair started taking over (in
particular, the beard). My days as <a href="http://www.insidehighered.com/views/2008/04/30/mclemee">a sad young literary man</a> are well behind me.<br />
<br />
As a matter of fact, I sometimes carry around a piece of paper
containing an extract from an essay by James Baldwin, written in his
mid-forties:<br />
<font color="black" face="Arial,Helvetica,sans-serif" size="2"><font size="4"><strong></strong></font></font><br />
"Though we would like to live without regrets, and sometimes proudly
insist that we have none, this is not really possible, if only because
we are mortal. When more time stretches behind than stretches before
one, some assessments, however reluctantly and incompletely, begin to
be made. Between what one wishes to become and what one has become
there is a momentous gap, which will now never be closed. And this gap
seems to operate as one's final margin, one's last opportunity, for
creation. And between the self as it is and the self as one sees it,
there is also a distance even harder to gauge. Some of us are
compelled, around the middle of our lives, to make a study of this
baffling geography, less in the hope of conquering these distances than
in the determination that the distance shall not become any greater."<br />
<br />
I must have gone over this passage a hundred times now. No maps
available for navigating through "this baffling geography," alas. But
it's good to have one's location so precisely identified.]]>
        
    </content>
</entry>

<entry>
    <title>Garfield Minus Garfield</title>
    <link rel="alternate" type="text/html" href="http://www.artsjournal.com/quickstudy/2008/05/garfield_minus_garfield.html" />
    <id>tag:www.artsjournal.com,2008:/quickstudy//17.13456</id>

    <published>2008-05-05T11:21:07Z</published>
    <updated>2008-05-05T15:00:14Z</updated>

    <summary> &quot;Who would have guessed that when you remove Garfield from the Garfield comic strips, the result is an even better comic about schizophrenia, bipolar disorder, and the empty desperation of modern life? Friends, meet Jon Arbuckle. Let&apos;s laugh and...</summary>
    <author>
        <name>Quick Study</name>
        <uri>http://www.artsjournal.com/quickstudy/</uri>
    </author>
    
        <category term="main" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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        <![CDATA[<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="garfield.gif" src="http://www.artsjournal.com/quickstudy/garfield.gif" class="mt-image-none" style="" height="147" width="500" /></span>
<div><br />
"Who would have guessed that when you remove Garfield from the Garfield
comic strips, the result is an even better comic about schizophrenia,
bipolar disorder, and the empty desperation of modern life? Friends,
meet Jon Arbuckle. Let's laugh and learn with him on a journey deep
into the tortured mind of an isolated young everyman as he fights a
losing battle against loneliness in a quiet American suburb."<br />
<br />
"Garfield Minus Garfield" archive <a href="http://garfieldminusgarfield.tumblr.com/">here</a>.<br />
<br />
Via <a href="http://roscoguiltiboy.livejournal.com/">Obey Your Signal Only</a>.<br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>Spring 2008 &quot;Good Reads&quot; List</title>
    <link rel="alternate" type="text/html" href="http://www.artsjournal.com/quickstudy/2008/05/good_reads_1.html" />
    <id>tag:www.artsjournal.com,2008:/quickstudy//17.13445</id>

    <published>2008-05-04T15:55:41Z</published>
    <updated>2008-05-06T17:54:21Z</updated>

    <summary><![CDATA[The latest list of recommended new books from the National Book Critics Circle has just been posted. I must admit that I have read a grand total of one of them: FICTION 1. Richard Price, LUSH LIFE, Farrar, Straus &amp;...]]></summary>
    <author>
        <name>Quick Study</name>
        <uri>http://www.artsjournal.com/quickstudy/</uri>
    </author>
    
        <category term="main" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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        <![CDATA[The latest list of recommended new books from the National Book Critics Circle has <a href="http://bookcriticscircle.blogspot.com/2008/05/national-book-critics-circle-announces_04.html">just been posted</a>. I must admit that I have read a grand total of one of them:<br />
<br />
FICTION<br />
<br />
1. Richard Price, LUSH LIFE, Farrar, Straus &amp; Giroux<br />
2. Jhumpa Lahiri, UNACCUSTOMED EARTH, Knopf<br />
3. Steven Millhauser, DANGEROUS LAUGHTER, Knopf<br />
*4. Charles Baxter, THE SOUL THIEF, Pantheon<br />
*4. Peter Carey, HIS ILLEGAL SELF, Knopf<br />
*4. J. M. Coetzee, DIARY OF A BAD YEAR, Viking<br />
*4. James Collins, BEGINNNER'S GREEK, Little, Brown<br />
*4. Brian Hall, FALL OF FROST, Viking<br />
*4. Roxana Robinson, COST, Farrar, Straus &amp; Giroux<br />
*4. Owen Sheers, RESISTANCE, Nan A. Talese: Doubleday<br />
<br />
* tied for this position<br />
<br />
NONFICTION<br />
<br />
1. Nicholson Baker, HUMAN SMOKE: THE BEGINNING OF WORLD WAR II, THE END OF CIVILIZATION, S. &amp; S. <br />
2. Drew Gilpin Faust, THIS REPUBLIC OF SUFFERING: DEATH AND THE AMERICAN CIVIL WAR, Knopf <br />
3. Mark Harris, PICTURES AT THE REVOLUTION: FIVE MOVIES AND THE BIRTH OF THE NEW HOLLYWOOD, Penguin Press <br />
4. Honor Moore, THE BISHOP'S DAUGHTER: A MEMOIR, Norton <br />
5. Susan Jacoby, THE AGE OF AMERICAN UNREASON, Pantheon<br />
<br />
POETRY<br />
<br />
1. Grace Paley, FIDELITY, Farrar, Straus &amp; Giroux<br />
2. Frank Bidart, WATCHING THE SPRING FESTIVAL, Farrar, Straus &amp; Giroux <br />
3. Eric Gansworth, A HALF-LIFE OF CARDIO-PULMONARY FUNCTION, Syracuse University Press <br />
4. Marie Howe, THE KINGDOM OF ORDINARY TIME, Norton<br />
5. Robert Pinsky, GULF MUSIC, Farrar, Straus &amp; Giroux<br />
<br />
Once again, the titles I nominated did not make the cut. But then again my nomination for best nonfiction book last time was <a href="http://mqup.mcgill.ca/book.php?bookid=2061">Julian Bourg's <i>From Revolution to Ethics: May 1968 and Contemporary French Thought</i></a>. Which, by the way, rocks. <br />
<br />
The books I suggested this time were, perhaps, slightly easier to find
at your nearby strip-mall, but still....I won' t say any more about
what they were for now, since the nominations will be posted at
<a href="http://bookcriticscircle.blogspot.com/">Critical Mass</a> at some point.<br />
<br />
<b>UPDATE:</b>&nbsp; <a href="http://www.artsjournal.com/quickstudy/2008/05/recommended_reading.html">Here are my recommendations</a><br />
]]>
        
    </content>
</entry>

<entry>
    <title>Who&apos;s Gonna Build Your Wall?</title>
    <link rel="alternate" type="text/html" href="http://www.artsjournal.com/quickstudy/2008/05/wall.html" />
    <id>tag:www.artsjournal.com,2008:/quickstudy//17.13436</id>

    <published>2008-05-02T14:52:21Z</published>
    <updated>2008-05-02T14:54:30Z</updated>

    <summary> Thanks to Shane for the tip.......</summary>
    <author>
        <name>Quick Study</name>
        <uri>http://www.artsjournal.com/quickstudy/</uri>
    </author>
    
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        <![CDATA[<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/LZkAoosVLkA&hl=en"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/LZkAoosVLkA&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>

<p>Thanks to <a href="http://www.artsjournal.com/quickstudy/2008/04/may_day.html#comment-9233">Shane</a> for the tip....</p>]]>
        
    </content>
</entry>

<entry>
    <title>Happy 75th Birthday to the Catholic Worker</title>
    <link rel="alternate" type="text/html" href="http://www.artsjournal.com/quickstudy/2008/05/happy_75th_birthday_to_the_cat.html" />
    <id>tag:www.artsjournal.com,2008:/quickstudy//17.13427</id>

    <published>2008-05-01T15:21:56Z</published>
    <updated>2008-05-01T15:28:18Z</updated>

    <summary>On this day in 1933, the first issue of The Catholic Worker appeared, promising to take seriously the church&apos;s program to &quot;reconstruct the social order&quot; according to the teachings of a certain revolutionary, anti-imperialist, and egalitarian organization from the Palestine,...</summary>
    <author>
        <name>Quick Study</name>
        <uri>http://www.artsjournal.com/quickstudy/</uri>
    </author>
    
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        <![CDATA[On this day in 1933, the first issue of <i>The Catholic
Worker</i> appeared, promising to take seriously the church's
program to "reconstruct the social order" according to the teachings of
a certain revolutionary, anti-imperialist, and egalitarian organization
from the Palestine, long ago<br />]]>
        <![CDATA[Introducing the paper, founding editor Dorothy Day wrote:<br />
<br />
<blockquote>
This first number of <i>The Catholic Worker</i> was
planned, written and edited in the kitchen of a tenement on Fifteenth
Street, on subway platforms, on the "L," the ferry. There is no
editorial office, no overhead in the way of telephone or electricity,
no salaries paid.<br />
&nbsp; <br />

The money for the printing of the first issue was raised by begging
small contributions from friends. A colored priest in Newark sent us
ten dollars and the prayers of his congregation. A colored sister in
New Jersey, garbed also in holy poverty, sent us a dollar. Another
kindly and generous friend sent twenty-five. The rest of it the editors
squeezed out of their own earnings, and at that they were using money
necessary to pay milk bills, gas bills, electric light bills.<br />
</blockquote>
<br />
Somehow the movement kept going. There are now almost two hundred
Worker houses serving the poor in the United States and abroad. <br />
<br />
A selection of Catholic Worker writings is available at its <a href="http://www.catholicworker.org/index.cfm">website</a>.<br />
<br />
Thanks to Mike at <a href="http://www.pieandcoffee.org/2008/05/01/happy-75th-birthday-catholic-worker-movement/">Pie and Coffee</a> for marking the date.<br />
<br />
(crossposted from <a href="http://hnn.us/blogs/entries/49965.html">Cliopatria</a> ) <br />]]>
    </content>
</entry>

<entry>
    <title>May Day!</title>
    <link rel="alternate" type="text/html" href="http://www.artsjournal.com/quickstudy/2008/04/may_day.html" />
    <id>tag:www.artsjournal.com,2008:/quickstudy//17.13419</id>

    <published>2008-04-30T19:19:33Z</published>
    <updated>2008-04-30T19:27:12Z</updated>

    <summary>Money speaks for money, the Devil for his own. Who comes to speak for the skin and the bone? See also this post at Crooked Timber...</summary>
    <author>
        <name>Quick Study</name>
        <uri>http://www.artsjournal.com/quickstudy/</uri>
    </author>
    
    
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        <![CDATA[<p><em>Money speaks for money, the Devil for his own.<br />
Who comes to speak for the skin and the bone?</em></p>

<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/eziuTLKKS7U&hl=en"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/eziuTLKKS7U&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>

<p>See also <a href="http://crookedtimber.org/2008/04/30/all-out-for-may-day/">this post at Crooked Timber</a></p>]]>
        
    </content>
</entry>

<entry>
    <title>You Don&apos;t Hear Much About the Symbionese These Days</title>
    <link rel="alternate" type="text/html" href="http://www.artsjournal.com/quickstudy/2008/04/symbionese.html" />
    <id>tag:www.artsjournal.com,2008:/quickstudy//17.13315</id>

    <published>2008-04-21T23:34:56Z</published>
    <updated>2008-04-21T23:58:54Z</updated>

    <summary>Limited Inc. is urging Britney Spears to read up about Patty Hearst. Not entirely sure I follow the logic here, but what the hell...Any excuse to post Patti Smith&apos;s cover of &quot;Hey Joe&quot; as Symbionese anthem is fine by me:...</summary>
    <author>
        <name>Quick Study</name>
        <uri>http://www.artsjournal.com/quickstudy/</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.artsjournal.com/quickstudy/">
        <![CDATA[<p><a href="http://limitedinc.blogspot.com/2008/04/advice-for-britney.html">Limited Inc. is urging Britney Spears to read up about Patty Hearst</a>. </p>

<p>Not entirely sure I follow the logic here, but what the hell...Any excuse to post Patti Smith's cover of "Hey Joe" as Symbionese anthem is fine by me:</p>

<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/ug_VGKj9YzE&hl=en"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/ug_VGKj9YzE&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>

<p>Being kidnapped by urban guerillas championing a make-believe revolutionary movement as an experience of personal liberation from the Establishment..... In so many ways, this version of the song is the ultimate expression of half-baked 1960s countercultural ideology in its most <em>reductio ad absurdum</em> form. </p>

<p>Then again, that is perfection, of a kind. </p>]]>
        
    </content>
</entry>

<entry>
    <title>Every Effort Helps</title>
    <link rel="alternate" type="text/html" href="http://www.artsjournal.com/quickstudy/2008/04/every_effort_helps.html" />
    <id>tag:www.artsjournal.com,2008:/quickstudy//17.13309</id>

    <published>2008-04-21T14:58:11Z</published>
    <updated>2008-04-21T15:04:18Z</updated>

    <summary>An email message sent to the listserv of the Association of American University Presses by its current president, Sanford G. Thatcher, encourages AAUP members to contact newspaper editors to try to persuade them to publish reviews by local writers, rather...</summary>
    <author>
        <name>Quick Study</name>
        <uri>http://www.artsjournal.com/quickstudy/</uri>
    </author>
    
        <category term="main" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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        An email message sent to the listserv of the Association of American
University Presses by its current president, Sanford G. Thatcher,
encourages AAUP members to contact newspaper editors to try to persuade
them to publish reviews by local writers, rather than just using
syndicated material.
        <![CDATA[The AAUP (which, as the result of an
unfortunate crisis in the acronym-manufacturing industry some years
ago, must constantly remind people that it is not the same organization
as the American Association of University Professors) represents <a href="http://aaupnet.org/membership/directory.html">125 presses in the United States and abroad</a>.
The days when academic books were marketed primarily to academic
libraries are long since over. Between the corporate consolidation of
trade publishing and the never-ending budget pressures on scholarly
presses over the past decade or so, the catalogs of AAUP members now
often include numerous titles meant for the general public.<br />
<br />
In
short, the university-press world now has good reason to pay attention
to how newspapers cover books, or don't. In his note to AAUPers,
Thatcher, who is also director of Penn State University Press, has
taken the initiative by encouraging his colleagues to write for the <a style="font-style: italic;" href="http://www.centredaily.com/">Centre Daily Times</a>.<br />
<br />
Here is the main part of Thatcher's message, quoted by permission:<br />
<br />
<blockquote>At
a seminar at Penn State last November on journalism and the future of
the arts, I was on a panel to talk about book reviewing, and the editor
of the CDT was on the panel also. His presentation illuminated the many
financial pressures under which newspapers are operating today, which
have led them to eliminate staff to which the job of being book review
editor could be assigned. We talked afterward, and out of this grew the
idea of having book reviews contributed by members of the local
community rather than relying on reviews from syndicates written by
people located elsewhere. One book reviewed recently, for example,
concerned how local public libraries are faring these days, and it
would have made perfect sense to have this reviewed by a local
librarian; instead, the CDT picked up a review written by someone from
Texas!<br /> <br />I am starting off as the coordinator. The CDT has given
us a limit of 600 words for a review, but in addition it will print a
scan of the book cover if we can provide it. My review of Jacob
Hacker's book, <font style="font-style: italic;">The Great Risk Shift</font>,
published by Oxford University Press in 2006 and released in an
expanded and updated edition in paperback in December 2007, was printed
in today's paper.<br /> <br />Accompanying the review in a sidebar (which
doesn't show up online) is this message headlined "Be a Reviewer": "If
you are interested in writing a review of a recently published book,
fiction or nonfiction, that you think members of our local community
would appreciate knowing about, please send a brief note to Sanford G.
Thatcher, Director, Penn State University Press, at sgt3@psu.edu.
Include the title, author, and a brief description of the book and tell
why you would like to review it for the Centre Daily Times."<br /> <br />We
already have a second review lined up of a new novel by Brandeis
professor of literature Edward Engelberg about a scandal involving a
university professor in a college town. Our retired humanities editor,
Philip Winsor, is writing this review. Our Sales &amp; Marketing
Director, Tony Sanfilippo, has recently agreed to write a review of
Yale's new book by Jonathan Zittrain titled <font style="font-style: italic;">The Future of the Internet--And How To Stop It</font>.
I also recently asked Chicago to send me its new book about Richard
Rorty, which I plan to review myself (having been both a former student
and the editor of his best known book). I have approached a number of
faculty on campus, like Michael Berube, to help with this effort.<br /> <br />It
seems to me that there is likely to be no better market for the
general-interest titles that we all publish from time to time than the
college towns in which many of our presses are located, and if we all
were to organize ourselves in such a fashion as to help our local
newspapers run reviews of these books written by people in our own
communities, we can thereby help offset at least some of the damage
done by the disappearance of reviews from the major city dailies.
Naturally, I have an interest in this idea's catching on elsewhere
because I feel a conflict of interest in having any of our Penn State
Press books reviewed by the CDT, at least while I'm serving as
coordinator. So I hope some of you will piggyback on our effort and get
in touch with your own local paper's editor to see if there might be
interest in creating such a "user-generated" book review operation in
your community. Our CDT editor is really keen about this initiative,
and I wouldn't be surprised if editors elsewhere would echo that
sentiment.<br /> <br />Not coincidentally, the theme of my address as
departing AAUP president in June will be self-help as a strategy for
university presses!<br /></blockquote>
<br />
For the record, it's worth
mentioning that former NBCC president John Freeman urged academics to
take just this sort of initiative <a href="http://www.insidehighered.com/views/2007/04/25/mclemee">last year</a>.<br />
<br />
Another encouraging sign has been the decision by <font style="font-style: italic;">The Austin-American Statesman</font> to devote a regular column by Roger Gathman, a local critic, to <a href="http://www.insidehighered.com/views/2007/11/21/mclemee">recent books from academic presses</a>.<br />
<br />
(crossposted from <a href="http://bookcriticscircle.blogspot.com/2008/04/every-little-bit-helps.html">Critical Mass</a>)<br />]]>
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<entry>
    <title>Geek Out!</title>
    <link rel="alternate" type="text/html" href="http://www.artsjournal.com/quickstudy/2008/04/geek_out.html" />
    <id>tag:www.artsjournal.com,2008:/quickstudy//17.13300</id>

    <published>2008-04-20T21:22:11Z</published>
    <updated>2008-04-20T21:30:42Z</updated>

    <summary> Although not an academic, I hereby submit this picture as a contribution to the latest endeavor by Phil &quot;Production of Presence&quot; Ford. For background.......</summary>
    <author>
        <name>Quick Study</name>
        <uri>http://www.artsjournal.com/quickstudy/</uri>
    </author>
    
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        <![CDATA[<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://www.artsjournal.com/quickstudy/kb-sm.jpg"><img alt="kb-sm.jpg" src="http://www.artsjournal.com/quickstudy/assets_c/2008/04/kb-sm-thumb-250x187.jpg" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" height="187" width="250" /></a></span>
<div><br />
Although not an academic, I hereby submit this picture as a contribution to the <a href="http://musicology.typepad.com/dialm/2008/04/silly-heads.html">latest endeavor</a> by Phil "Production of Presence" Ford.<br />
<br />
For <a href="http://chronicle.com/free/v47/i32/32a02601.htm">background</a>....<br />
</div>]]>
        
    </content>
</entry>

<entry>
    <title>Stampede!</title>
    <link rel="alternate" type="text/html" href="http://www.artsjournal.com/quickstudy/2008/04/stampede.html" />
    <id>tag:www.artsjournal.com,2008:/quickstudy//17.13282</id>

    <published>2008-04-18T14:29:25Z</published>
    <updated>2008-04-18T15:13:03Z</updated>

    <summary>Yesterday, there were more than 7,000 visitors to Quick Study. Nearly half that many have already come by just today, and it isn&apos;t even noon yet. That is quite a lot of traffic, at least by local standards. What happened...</summary>
    <author>
        <name>Quick Study</name>
        <uri>http://www.artsjournal.com/quickstudy/</uri>
    </author>
    
        <category term="main" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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        <![CDATA[Yesterday, there were more than 7,000 visitors to Quick Study. Nearly
half that many have already come by just today, and it isn't even noon
yet. That is quite a lot of traffic, at least by local standards. <br />
<br />
What happened is that on Thursday morning Andrew Sullivan <a href="http://andrewsullivan.theatlantic.com/the_daily_dish/2008/04/making-unwanted.html">linked</a> to last week's post <a href="http://www.artsjournal.com/quickstudy/2008/04/yo_yo.html">"Yo, Yo I'm a Cowboy Now"</a>,
which seems then to have been picked up by two or three social
networking sites. None of this did I seek out. In fact, I could not
have made it happen if I'd
tried. <br />
<br />
For that matter, it's been kind of frustrating to look at the
site log and find that barely one visitor in a hundred then looked
around at other Quick Study content. The whole thing makes for a very striking bar-graph -- with Monday
through Wednesday being little molehills in front of Himalaya Thursday.
But it leaves QS itself no better situated relative to what I guess
could be called "mainstream blogging." <br />
<br />
So it goes. And on that note, we return to our usually scheduled broadcast. Or narrowcast, rather.<br />
<br />
Presented for your consideration: <a href="http://www.socialistworker.org/2008-1/669/669_12_SteveEarle.shtml">An interview with left-wing country singer Steve Earle</a>, from the pages of <a href="http://www.youtube.com/watch?v=vlClH7q5T2E"><i>Socialist Worker</i> newspaper</a>.<br />
<br />
Yeah, now <i>that</i>'s more like it....<br />]]>
        
    </content>
</entry>

<entry>
    <title>Presenting the Awesomeness That is Wanda Jackson</title>
    <link rel="alternate" type="text/html" href="http://www.artsjournal.com/quickstudy/2008/04/wanda_jackson.html" />
    <id>tag:www.artsjournal.com,2008:/quickstudy//17.13256</id>

    <published>2008-04-15T19:20:39Z</published>
    <updated>2008-04-16T22:56:44Z</updated>

    <summary>Two clips from fifty years ago. If you&apos;ve never heard Wanda Jackson before, better buckle up.......</summary>
    <author>
        <name>Quick Study</name>
        <uri>http://www.artsjournal.com/quickstudy/</uri>
    </author>
    
        <category term="main" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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        <![CDATA[<p>Two clips from fifty years ago. If you've never heard Wanda Jackson before, better buckle up....</p>

<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/pzJ3hiqsi0U&hl=en"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/pzJ3hiqsi0U&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>

<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/9DurZwIUpDA&hl=en"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/9DurZwIUpDA&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>]]>
        <![CDATA[<p>This segment of a PBS special about the women of rockabilly not only confirms that Rose Maddox was a big influence on Wanda Jackson (something I wondered about from listening to them both) but shows the Maddox Brothers and Rose in performance:</p>

<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/DOGmeiQ0cXU&hl=en"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/DOGmeiQ0cXU&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>

<p>The Maddox Brothers and Rose were deservedly known as "America's Most Colorful Hillbilly Band," which makes it frustrating not to find any footage online of them in performance. Somebody did put together a tribute to them incorporating one of their radio appearances, though:</p>

<p><object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/WBWpqvDQtZ0&hl=en"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/WBWpqvDQtZ0&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object></p>]]>
    </content>
</entry>

<entry>
    <title>Of Blurbatology</title>
    <link rel="alternate" type="text/html" href="http://www.artsjournal.com/quickstudy/2008/04/of_blurbatology.html" />
    <id>tag:www.artsjournal.com,2008:/quickstudy//17.13245</id>

    <published>2008-04-14T22:00:00Z</published>
    <updated>2008-04-14T22:28:23Z</updated>

    <summary>&quot;If you recant a blurb,&quot; asked Ron Hogan at GalleyCat last week, &quot;does anybody really care?&quot; My impression so far is, not really. If there is nothing else to learn from the case of Houston Baker&apos;s dust-jacket encomium for Michael...</summary>
    <author>
        <name>Quick Study</name>
        <uri>http://www.artsjournal.com/quickstudy/</uri>
    </author>
    
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    <content type="html" xml:lang="en" xml:base="http://www.artsjournal.com/quickstudy/">
        <![CDATA["If you recant a blurb," asked Ron Hogan at GalleyCat <a href="http://www.mediabistro.com/galleycat/lit_crit/if_you_recant_a_blurb_does_anybody_really_care_81994.asp">last week</a>, "does anybody really care?" My impression so far is, not really.<br />
<br />
If
there is nothing else to learn from the case of Houston Baker's
dust-jacket encomium for Michael Eric Dyson -- <a href="http://insidehighered.com/views/2008/04/09/mclemee">and there isn't</a> -- then
at least this much is clear: If you are going to blurb a book you
haven't actually paid much attention to, the important thing is to be
consistent. Don't even look at the book again. If for some reason you happen to see it, don't read
it. And if, perchance, you <font style="font-style: italic;">do</font> read the book and realize it's terrible, just keep this belated realization to yourself. That's only being fair to everyone.<br />
<br />
But in the meantime, Henry Farrell at Crooked Timber has started a <a href="http://crookedtimber.org/2008/04/11/faint-praise-and-damnations/">thread</a> inspired by some of the blurbs for <font style="font-style: italic;">War and Decision</font>
-- the new book by strategic genius Doug Feith about how necessary and
well-thought-through the Iraq war was, all appearances to the contrary.
The jacket features various luminaries using superlatives such as
"controversial" and "readable," as well as "not nearly as delusional as
you might suppose."<br />
<br />
Okay, I made that last one up -- but it's
more an exaggeration of the general drift than something spun out of
thin air. "And these were the blurbs they chose to <em>promote </em>the book," as Henry points out.<br />
<br />
But the Crooked Timber item is less a matter of discussing <font style="font-style: italic;">War and Decision</font>
than it is a pretext for encouraging readers to nominate other great
moments in the history of dubious endorsements. A few are obviously
snippets from reviews, rather than blurbs. The highlights:<br />
<br />
"Although written many years ago, <font style="font-style: italic;">Lady Chatterrley's Lover</font>
has just been reissued by Grove Press, and this fictional account of
the day-by-day life of an English gamekeeper is still of considerable
interest to outdoor-minded readers, as it contains many passages on
pheasant-raising, the apprehending of poachers, ways to control vermin,
and other chores and duties of the professional gamekeeper.
Unfortunately, one is obliged to wade through many pages of extraneous
material in order to discover and savour these sidelights on the
management of a Midland shooting estate, and in this reviewer's opinion
this book cannot take the place of J. R. Miller's <font style="font-style: italic;">Practical Gamekeeping</font>." -- Ed Zern<br />
<br />
"I
have been stunned and baffled by Roger Lewis's vast biography of the
stunningly baffling Anthony Burgess." -- Jan Morris, author of <font style="font-style: italic;">The Meaning of Nowhere<br /><br /></font>On
a volume about Social Security: "This is the type of book that, once
you put it down, you will not be able to pick it up again."<br />
<br />
"The covers of this book are too far apart." -- from a review by Ambrose Bierce.<br />
<br />
And finally, <font style="font-style: italic;">The Irish Times</font> on Iain Banks' <font style="font-style: italic;">The Wasp Factory</font>:
"It is a sick, sick world when the confidence and investment of an
astute firm of publishers is justified by a work of unparallelled
depravity. There is no denying the bizarre fertility of the author's
imagination: his brilliant dialogue, his cruel humour, his repellent
inventiveness. The majority of the literate public, however, will be
relieved that only reviewers are obliged to look at any of it."<br />
<br />
As Henry Farrell then says: "How could you possibly, possibly refuse to buy a book with a blurb like that?"<br />
<br />
(crossposted from <a href="http://bookcriticscircle.blogspot.com/2008/04/of-blurbatology.html">Critical Mass</a>)<br />]]>
        
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