See Also
Two things I want to point out now before sinking under the next wave of work:
(1) The New Inquiry is a group blog that is very close in spirit to what I would do with Quick Study if I were putting any effort into it at all. (Which pretty clearly is not the case. Sorry about that.) Anybody still hanging around this place might want to check it out.
(2) A recent item published by my erstwhile employer discusses "The Big Lie About the 'Life of the Mind,'" and anybody under the impression that they will be the lucky one to get a tenure-track job might do well to have a look -- though seriously, people, the writing is on the wall, so read the wall first. I only mention the piece because it generated some interesting comments, along with a few that seem deranged, but so it always goes. One comment in particular, number 75, signed with the name "dcbetty," caught my eye.
It is very close to my own sense of the world, and I want to pluck the text out of the comments section and paste it up in this digital scrapbook:
But of course the message will not be understood by most of the people being overtly addressed by dcbetty -- for the "fantasy of professionalization" very effectively destroys the ability to imagine any other order of things.
(1) The New Inquiry is a group blog that is very close in spirit to what I would do with Quick Study if I were putting any effort into it at all. (Which pretty clearly is not the case. Sorry about that.) Anybody still hanging around this place might want to check it out.
(2) A recent item published by my erstwhile employer discusses "The Big Lie About the 'Life of the Mind,'" and anybody under the impression that they will be the lucky one to get a tenure-track job might do well to have a look -- though seriously, people, the writing is on the wall, so read the wall first. I only mention the piece because it generated some interesting comments, along with a few that seem deranged, but so it always goes. One comment in particular, number 75, signed with the name "dcbetty," caught my eye.
It is very close to my own sense of the world, and I want to pluck the text out of the comments section and paste it up in this digital scrapbook:
One problem is when students and faculty think that the only way to HAVE a "life of the mind" is to go to grad school. I suggest prospective grad students start hanging out with writers and artists. In my experience, ideas that in academia are treated as revolutionary are in fact concepts that artists and writers outside academia often explored literally decades earlier (and without a PhD). Academia is indeed a fantastic place to explore the life of the mind-- but it is also often conservative, derivative, and uncreative in its thinking, even among those who fancy themselves radicals.To whoever wrote this, all I can say is: Thank you. There is something to say for knowing that somebody out there actually gets it.
Scholars might as well go be with the artists, for becoming a credentialed intellectual (by going to grad school) now has a high likelihood of landing people in the exact social and economic situation experienced by artists and writers -- no, or very little payment for your "real" work, and little interest or even notice shown by the rest of the world. The difference is that writers and artists usually have few illusions about their moneymaking prospects, so it's totally acceptable for artists to have "day jobs" that no other artist would ever fault them for having so that they could continue to do their work.
Academics, on the other hand, tend to be much more mainstream and narrow in what kind of moneymaking work is acceptable, and a lot more worried about social status. (What else can you say about a profession in which teaching high school, or publishing an essay in the New Yorker or a book aimed at the NPR-listening public, is seen as evidence of unseriousness and will, in all likelihood, be detrimental to your career?)
These days, though, scholars, like writers and artists, must accept that what they do, they must do for love (because no one really gives a damn about it except your peers), and persevere even if they have to work at Whole Foods during the day to do so. In the world outside academia they can find a fascinating group of people living an often far more adventurous "life of the mind" then you will find in a university. (and believe it or not, some in this group will be reading the same books you are, and have interesting things to say about them)
The cost is that such scholars will have to give up on the idea of upper-class social status, and know that mainstream academia will now consider you a loser/crank and probably never let you back in. The benefit is that you can work free of intellectually-restrictive career-ladder restraints. And that might produce work so interesting that you could become a professor someday after all -- especially if/when the current academic model finally destroys itself.
But of course the message will not be understood by most of the people being overtly addressed by dcbetty -- for the "fantasy of professionalization" very effectively destroys the ability to imagine any other order of things.
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Laura Collins-Hughes on arts, culture and coverage
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Dalouge Smith advocates for the Arts
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For immediate release: the arts are marketable
For immediate release: the arts are marketable
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No genre is the new genre
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David Jays on theatre and dance
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Paul Levy measures the Angles
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Judith H. Dobrzynski on Culture
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John Rockwell on the arts
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Jan Herman - arts, media & culture with 'tude
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Apollinaire Scherr talks about dance
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Tobi Tobias on dance et al...
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Howard Mandel's freelance Urban Improvisation
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Focus on New Orleans. Jazz and Other Sounds
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Doug Ramsey on Jazz and other matters...
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Fresh ideas on building arts communities
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Greg Sandow performs a book-in-progress
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Harvey Sachs on music, and various digressions
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Bruce Brubaker on all things Piano
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Kyle Gann on music after the fact
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Greg Sandow on the future of Classical Music
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Norman Lebrecht on Shifting Sound Worlds
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Joe Horowitz on music
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Jerome Weeks on Books
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Scott McLemee on books, ideas & trash-culture ephemera
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Wendy Rosenfield: covering drama, onstage and off
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Chloe Veltman on how culture will save the world
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Public Art, Public Space
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Regina Hackett takes her Art To Go
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John Perreault's art diary
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Lee Rosenbaum's Cultural Commentary
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Tyler Green's modern & contemporary art blog

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