Status Update
Quick Study feeds into my Facebook account -- and so does my Twitter presence, episodic as it, too, has been. The Venn diagram covering their respective audiences is hard to picture. I'm not enough of a
luddite to refuse to try such things out. But the need for more experience in this department is not a crying one. Let's hope that the age of innovation in brand-named new-media
identity-syndication systems is now drawing to a close.
In any case, a new application on Facebook creates a collage of sorts out of randomly selected "status updates" from the past year. Looking over the result, I see that it contains a couple of sentences crystallizing out my basic attitude towards life online:
For twenty-four years now I've been writing for publication. The first half of that period, I never did so online. (It went without saying that everything I wrote was for "print publications." The very expression would have seemed ridiculous.) In the dozen years since first taking that step, writing directly online only became part of my routine over the past six. Ambivalence towards the medium seems like the necessary and rational response to it. I tried to discuss this during my talk at the University of Iowa a couple of months ago -- or at least to sketch out some of the grounds for that ambivalence -- but that effort was much too provisional and elliptical. Need to develop this in writing before long. The problem being that ambivalence can make for paralysis.
Insofar as Quick Study has had a dominant theme for the past two years, that would be it -- a sense of approaching and avoiding the question of how to deal with an environment for writing that keeps changing, so that assessment of it potentials (good and bad) keeps falling short of coming to terms with the actuality of mess. But clearly "duck and cover" won't be a sufficient strategy for the long term. What is blogging (for)? That's not even the main question at this point. Maybe more like: What are the enabling conditions of being a certain kind of writer? Do they still exist?
I've been trying to think about this for a while now but it feels like running into a wall. Just walking around it does not seem to be an option.
In any case, a new application on Facebook creates a collage of sorts out of randomly selected "status updates" from the past year. Looking over the result, I see that it contains a couple of sentences crystallizing out my basic attitude towards life online:
Appreciating the deep inner motivations of a feces-throwing monkey is arguably less important than knowing when to duck.
I just became a "fan of Theodor Adorno" on Facebook. All things considered, it's for the best he is not around to know about this.
For twenty-four years now I've been writing for publication. The first half of that period, I never did so online. (It went without saying that everything I wrote was for "print publications." The very expression would have seemed ridiculous.) In the dozen years since first taking that step, writing directly online only became part of my routine over the past six. Ambivalence towards the medium seems like the necessary and rational response to it. I tried to discuss this during my talk at the University of Iowa a couple of months ago -- or at least to sketch out some of the grounds for that ambivalence -- but that effort was much too provisional and elliptical. Need to develop this in writing before long. The problem being that ambivalence can make for paralysis.
Insofar as Quick Study has had a dominant theme for the past two years, that would be it -- a sense of approaching and avoiding the question of how to deal with an environment for writing that keeps changing, so that assessment of it potentials (good and bad) keeps falling short of coming to terms with the actuality of mess. But clearly "duck and cover" won't be a sufficient strategy for the long term. What is blogging (for)? That's not even the main question at this point. Maybe more like: What are the enabling conditions of being a certain kind of writer? Do they still exist?
I've been trying to think about this for a while now but it feels like running into a wall. Just walking around it does not seem to be an option.
Categories:
AJ Ads
AJ Blogs
AJBlogCentral | rssculture
About Last Night
Terry Teachout on the arts in New York City
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude
Jan Herman - arts, media & culture with 'tude
dance
Foot in Mouth
Apollinaire Scherr talks about dance
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...
Tobi Tobias on dance et al...
jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...
Doug Ramsey on Jazz and other matters...
media
Out There
Jeff Weinstein's Cultural Mixology
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...
Martha Bayles on Film...
classical music
Creative Destruction
Fresh ideas on building arts communities
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds
Norman Lebrecht on Shifting Sound Worlds
publishing
book/daddy
Jerome Weeks on Books
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Chloe Veltman on how culture will save the world
visual
Aesthetic Grounds
Public Art, Public Space
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Tyler Green's modern & contemporary art blog

Leave a comment