October 2008 Archives
Over at Critical Mass, Jame Marcus synthesizes
the responses by National Book Critics Circle members to a survey of
members about books they are reading lately and would recommend.
The best thing about it is that the responses are not tied to the fall publishing season.
Some new books are listed, of course. But so are titles by Robert Penn Warren, Sinclair Lewis, and Richard Hofstadter -- all of them topical (sometimes too topical, alas) even if the authors aren't turning in appearances on CSPAN.
The best thing about it is that the responses are not tied to the fall publishing season.
Some new books are listed, of course. But so are titles by Robert Penn Warren, Sinclair Lewis, and Richard Hofstadter -- all of them topical (sometimes too topical, alas) even if the authors aren't turning in appearances on CSPAN.
I'm trying to decide whether to continue using Bloglines (in spite of its glitchiness) or to shift over to Google Reader.
Not that this alternative is an all-or-nothing deal, necessarily. My in-house technical advisor points out that Bloglines has useful features I don't know how to use, yet. So it might make sense to experiment with GR while also trying to determine whether Bloglines has some virtues to make up for its defects.In any case, comments are welcome on the relative merits of each.
Not that this alternative is an all-or-nothing deal, necessarily. My in-house technical advisor points out that Bloglines has useful features I don't know how to use, yet. So it might make sense to experiment with GR while also trying to determine whether Bloglines has some virtues to make up for its defects.In any case, comments are welcome on the relative merits of each.
Continue reading Housekeeping.
Per the comments section at TNR: "The only way this could be funnier is if Leon Wieseltier had done it."
Well, it wouldn't hurt.
I've said it before and repeat it here now: Each day this campaign makes all of us just a little bit dumber.
Westward ho! As mentioned in the latest Insider email bulletin to IHE readers, I am headed next week to the University of California at Davis to speak at the Public Intellectuals Forum, sponsored by the Humanities Center there. An overview of the lecture series appeared in April in a local newspaper. Profound thanks to Eric Rauchway for the invitation.
Plus I'll give a less formal talk called "Confessions of a Book Reviewer" at a lunchtime meeting on Tuesday. Sort of a mashup of themes from my Balakian acceptance speech, favorite quotations by critics (not just Orwell) reflecting on the process, and stuff that Rita listens to me vent about from time to time.
The full title of my Humanities Center presentation, late Tuesday afternoon, is "Sex, Socialism, and Self-Education: The 'Little Blue Books' and the Making of the Mass-Market Intellectual." This will be my first effort to present some work I've been doing for the past three years. (Also -- if all goes well -- my first attempt to lecture with graphics from my laptop.)
I've done a little of this sort of thing over the years -- serving as a "resource person," as university lingo evidently has it -- by speaking to classes at Beloit College, conducting a seminar for young journalists from Northern Ireland and the U.S. (here on a fellowship from the British Arts Council), and so on. The response from students has always been very encouraging.
I'd be ready to do more of it, were opportunities to come up. To be an old-school "public intellectual" (as opposed to a professor with media access) means spending an awful lot of time working in solitude. This, frankly, is getting old. But thus far the invitations have been few and far between. A few years ago someone explained that my work comes under the heading of "creative nonfiction." So perhaps it's a matter of proper branding?
It might be time to start putting together a set of talks on various topics I've studied and thought about, and going out on the road to lecture and/or meet with classes. My needs are modest. I try to give value for the honorarium. Advice welcome. References available on request.
Plus I'll give a less formal talk called "Confessions of a Book Reviewer" at a lunchtime meeting on Tuesday. Sort of a mashup of themes from my Balakian acceptance speech, favorite quotations by critics (not just Orwell) reflecting on the process, and stuff that Rita listens to me vent about from time to time.
The full title of my Humanities Center presentation, late Tuesday afternoon, is "Sex, Socialism, and Self-Education: The 'Little Blue Books' and the Making of the Mass-Market Intellectual." This will be my first effort to present some work I've been doing for the past three years. (Also -- if all goes well -- my first attempt to lecture with graphics from my laptop.)
I've done a little of this sort of thing over the years -- serving as a "resource person," as university lingo evidently has it -- by speaking to classes at Beloit College, conducting a seminar for young journalists from Northern Ireland and the U.S. (here on a fellowship from the British Arts Council), and so on. The response from students has always been very encouraging.
I'd be ready to do more of it, were opportunities to come up. To be an old-school "public intellectual" (as opposed to a professor with media access) means spending an awful lot of time working in solitude. This, frankly, is getting old. But thus far the invitations have been few and far between. A few years ago someone explained that my work comes under the heading of "creative nonfiction." So perhaps it's a matter of proper branding?
It might be time to start putting together a set of talks on various topics I've studied and thought about, and going out on the road to lecture and/or meet with classes. My needs are modest. I try to give value for the honorarium. Advice welcome. References available on request.
In this week's Intellectual Affairs, a symposium, of sorts, on the recent brouhaha over whether or not contemporary U.S. literature is too insular for Nobel consideration.
Most of the people approached for comment responded. If any stragglers end up sending their thoughts in after all, I might do a post to Critical Mass.
The prize is announced on Thursday. For the past several years, I've hoped it would go to the Syrian poet who writes under the pen name Adonis, but obviously I'm learning not to expect too much. The comments by Ted Genoways (which appear as the last part of the column) in many respects are the closest to my own attitude towards the Nobel for literature, at this point. That Borges never got it is a pretty good indicator of what the prize is really worth.
Most of the people approached for comment responded. If any stragglers end up sending their thoughts in after all, I might do a post to Critical Mass.
The prize is announced on Thursday. For the past several years, I've hoped it would go to the Syrian poet who writes under the pen name Adonis, but obviously I'm learning not to expect too much. The comments by Ted Genoways (which appear as the last part of the column) in many respects are the closest to my own attitude towards the Nobel for literature, at this point. That Borges never got it is a pretty good indicator of what the prize is really worth.
At the Times blog Paper Cuts, Jenny Scheussler points to some poetic responses to last night's debate. The best are in the form of haikus.
Here is Joe Biden, verbal samurai:
UPDATE: Proving that graphical display is the key to understanding process, Ezra Klein has a flow chart.
Here is Joe Biden, verbal samurai:
Haiku's not the formBut it turns out that Sarah Palin is more avant garde:
For Senator Joe Biden
Because the last line may come out slightly longer than is absolutely necessary due to the subject's ability to analogize all topics to a seminal moment in the history of this great nation of ours, America, the UNITED states of America.
So jobs, they ... you know,Via Printculture
Health care's really .... it's - Katie,
That bridge? I said no.
UPDATE: Proving that graphical display is the key to understanding process, Ezra Klein has a flow chart.
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Greg Sandow performs a book-in-progress
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Exploring Orchestras w/ Henry Fogel
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Harvey Sachs on music, and various digressions
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Bruce Brubaker on all things Piano
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Kyle Gann on music after the fact
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Greg Sandow on the future of Classical Music
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Wendy Rosenfield: covering drama, onstage and off
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Public Art, Public Space
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Regina Hackett takes her Art To Go
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John Perreault's art diary
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Lee Rosenbaum's Cultural Commentary
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Tyler Green's modern & contemporary art blog
